Journal of Aesthetics, Creativity and Art Management
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Articles
84 Documents
<![CDATA[Designing Healing Center for People with Mental Problems in Lembang, West Bandung Regency ]]>
<![CDATA[Salafiyah, Jihan Salma]]>;
<![CDATA[Damayanti, Setia]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3696
<![CDATA[The 2018 Riskesdas results for provinces throughout Indonesia noted that the graph of mental disorders and depression in DKI Jakarta and West Java tends to increase from 2013 to 2018. The Least and Most Stressful Cities Index 2021 report also states that the city of Jakarta is a city with high levels of 9th highest stress in the world. The Healing Center for ODMK (Orang dengan Masalah Kejiawaan or People with Mental Problems) in Lembang, West Bandung Regency aims to provide a means of restoring health to the human mind. The authors used qualitative methods by collecting secondary and primary data through research journals, books/ebooks, and articles related to the research object. They also conducted a survey of the design location as analysis material. The results of the analysis show that the basic recovery method that can be applied by many people is the Self Healing method so that in terms of building the appropriate theme is Healing Environment. The Healing Environment theme aims to create an environment that can heal. It is hoped that the Healing Center for the ODMK (People with Mental Problems) in Lembang, West Bandung Regency can be a solution for recovering a person's mental problems and providing sensitivity to mental health.]]>
<![CDATA[I Dewa Putu Rai's Creative Process in Creating the Music Accompanying “Kumbang Atarung” Dance ]]>
<![CDATA[Bisma, I Wayan Arya]]>;
<![CDATA[Yudarta, I Gede]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3699
<![CDATA[This study was conducted to explore creativity in the dance’s accompanyment musical work called "Kumbang Atarung" by a musical artist from Pengosekan, Ubud, Bali, Indonesia I Dewa Putu Rai so as to reveal his views and method of creating work. I Dewa Putu Rai is an artist who has courage, artistic intelligence, innovative spirit and high creative power. This study uses a qualitative descriptive approach, through observation and interview data collection techniques. One of the results of his creativity is the accompaniment to the Kumbang Atarung dance. The factors driving I Dewa Putu Rai's creativity can be explored through the theory of creativity drivers. As a dance accompaniment that combines elements of Kebyar and Legong, this work was created by exploring musical potentials as well as palegongan and kekebyaran playing techniques, which were then recomposed with other (new) opportunities.]]>
<![CDATA[Kembalikan Baliku Community’s Concept of Janger Semara Ratih Dance and the Interest of Jakarta’s Young Generation ]]>
<![CDATA[Permata, Faizha Dyah]]>;
<![CDATA[Trisnawati, Ida Ayu]]>;
<![CDATA[Sustiawati, Ni Luh]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3701
<![CDATA[This research was conducted to examine the concept of the Janger Semara Ratih dance work which aims to attract the interest of visitors to the Indonesia Kaya Gallery, especially the younger generation. This research was conducted using qualitative methods. This was carried out in an interview process with the Janger Dance choreographer Semara Ratih, founder of the Kembalikan Baliku Community. Apart from that, data can also be obtained from recordings of the Janger Semara Ratih dance, choreographer interviews from several media and supporting books that match the focus of the discussion. The traditional art of Balinese dance is still very popular among the younger generation, especially in the city of Jakarta, Indonesia. There is a dance community in Jakarta, founded three years ago which presents a dance performance entitled Janger Semara Ratih. This dance work has been performed at an annual event namely Indonesian Cultural Heritage and also at regular events at the Indonesia Kaya Gallery. The Janger Semara Ratih dance work was performed by several dancers who are members of the Kembalikan Baliku Community. This performance is presented to attract the interest of the younger generation in Jakarta to help preserve Balinese dance arts by providing story concepts related to the lives of today's young people.]]>
<![CDATA[The Influence of Music on Adolescent Psychology under Construction at Corpus Christi Lawang, Malang, East Java ]]>
<![CDATA[Sabath, Brill Obed]]>;
<![CDATA[Ardini, Ni Wayan]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3702
<![CDATA[This research aims to determine the influence of music on the psychological aspects of teenagers involved in coaching at Corpus Christi Lawang in Malang District, East Java, Indonesia. The research method used is a qualitative approach using observation, interview, and literature study data collection techniques. The findings of this study highlight that music influences various psychological aspects of adolescents, including mood, behavior, self-identity, and social interactions. The results of this research provide an in-depth understanding of the role of music in the development of the young generation in Corpus Christi Lawang. The practical implications of this research can help foundation administrators design more effective coaching programs by utilizing music's power to influence adolescent psychology positively. Music's influence on adolescent psychology at Corpus Christi Lawang aims to influence a person's emotions and provide calm to the subconscious (id) which can be controlled and build emotional, spiritual, and social structures in the rhythm of music when listening and expressing it.]]>
<![CDATA[Aji Susanto Anom's Black and White Photographic Works: A Study of Visual Psychology ]]>
<![CDATA[Widhiyanti, Ni Wayan Widhi]]>;
<![CDATA[Saryana, I Made]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3704
<![CDATA[This study aims to map the aesthetics and emotional content implied in black and white photographic works by Aji Susanto Anom, a leading photographer from Indonesia. This research uses a visual arts approach and literature study to analyze various aspects which include techniques, compositions, themes, and messages conveyed in the works of Aji Susanto Anom. The research method used is a qualitative analysis of a number of black and white photographic works of Aji Susanto Anom that have been carefully selected. By paying attention to every visual and narrative detail, this study will identify the unique aesthetic characteristics and emotional content implicit in each work. It will also involve an understanding of the context of these works, including cultural influences, traditional values, and Aji Susanto Anom's career journey as a photographer. The results of this study are expected to provide a deeper understanding of how aesthetics and emotional content in black and white photography can be expressed through the works of Aji Susanto Anom. The findings of this study are also expected to contribute to the development of our understanding of black and white photography as a powerful artistic medium in conveying profound and inspiring messages.]]>
<![CDATA[Tabuh Pat Lelambatan Pari Anom in the Karawitan Composition and Its Psychological Influence on Gamelan Players ]]>
<![CDATA[Yoga, I Nyoman Wiradarma]]>;
<![CDATA[Yudarta, I Gede]]>;
<![CDATA[Mawan, I Gede]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i1.3705
<![CDATA[This study aims to explore Tabuh Pat Lelambatan Pari Anom within the framework of musical composition and the psychological influence on gamelan musicians. Tabuh Lelambatan is a form of musical system that exists in the Gong Gede gamelan in its classical form. As a system, the tabuh of the lelambatan accommodates various types of tabuh, one of which is the Tabuh Pat Lelambatan. In this research, the Tabuh Pat Lelambatan Pari Anom was used as the research subject because this tabuh has fluctuating dynamics in its compositional presentation which results in an influence on the psychology of gamelan players when playing it. This was the background for this research which was then carried out using qualitative methods. The transcription of Tabuh Pat Lelambatan Pari Anom notation was used as a scalpel in detailing the data and interviews were also used as a data collection technique. This tabuh which can reach the realm of psychology is an opportunity to become an additional point in achieving the aim of this research, namely as academic information related to the psychological role of the performance of Tabuh Pat Lelambatan, in this case, Tabuh Pat Lelambatan Pari Anom.]]>
<![CDATA[Architectural Development of Lusi Island Tourism and Natural Conservation Area in Sidoarjo Regency ]]>
<![CDATA[Mulkan, Muhammad Balya Ibnu]]>;
<![CDATA[Sadana, Agus S]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i2.3710
<![CDATA[Lusi Island was formed from Sidoarjo mud in Sidoarjo, East Java, Indonesia. This artificial island can be developed into a mud-based tourism area that represents natural events and conservation in mangrove forests. Based on regional architectural principles, this research is aimed at developing and designing educational tourism areas including creating tourist zoning, facilities and supports including educational tourism. The process of designing the Lusi Island Tourism and Nature Conservation Area was carried out by combining data from field surveys, literature studies and precedent studies. The research results show that the tourism area created includes mangrove planting activities including witnessing the Lapindo mud remains which is supported by adventure tourism, such as off-roading, camping and outbound. The facility space program includes accommodation, prayer room, toilets, culinary center, and supporting space consisting of waste water management installations. The benefits of developing Lusi Island as a tourism and nature conservation area that applies the principles of building environmentally friendly and sustainable areas as well as tropical architectural buildings to become the main attraction for tourists.]]>
<![CDATA[Designing Museum and Plaza in Brebes as a City Icon ]]>
<![CDATA[Putri , Sukma Rizki Cahyaning]]>;
<![CDATA[Prasetya, L Edhi]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i2.3711
<![CDATA[This research aims to address the lack of facilities supporting arts and culture in Brebes, Central Java, Indonesia, while maximizing its economic and cultural potential. It proposes the design idea of a museum building and a public park as an icon in Brebes Regency, aiming to create an integrated zone for artistic and community economic activities that will enhance the new face of the city. The research methodology involves searching for design ideas by identifying existing problems around the location, which serve as the foundation for designing a building that can accommodate cultural diversity and serve as a space for street vendors within a well-organized zone. Through a contemporary architectural theme inspired by the unique cultural blend of Brebes, the project envisions not only a space for preserving and educating about local culture but also a center for economic activities, ultimately contributing to the socio-economic development of Brebes Regency. The Museum and People's Park serves as a means of development and education of culture and art. It is a solution to the problems that exist, especially for street vendors. The implications of the design concept of the museum building and public park serve as an economic driver for Brebes and will become a new landmark for the city on the northern coast of Java.]]>
<![CDATA[Digital Community Hub in Serpong, Tangerang Selatan (An Eco-Technology Architecture) ]]>
<![CDATA[Kristi, Nandini Anindita]]>;
<![CDATA[Wibisono, Adryanto Ibnu]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v3i2.3714
<![CDATA[Serpong District in South Tangerang, Banten Province, Indonesia, is an area that has the greatest potential for creative economic development but does not yet have facilities capable of accommodating this activity. Therefore, a digital community hub is needed that can fulfill the facilities and needs for the development of the creative economy in the fields of information and technology. It is necessary to plan and design the digital community hub that pays attention to and responds to climate and environmental conditions by applying eco-technological architectural concepts, to obtain a building design that is responsive and in harmony with the surrounding environment. Methodologically, the application of the concept of eco-technology architecture includes the application of design strategies for energy efficiency and adding value to the quality of buildings for the environment, utilization of renewable energy, selection of materials and openings in buildings. Its design is divided into four zonings, namely, rental office zoning, digital capability development zoning, culinary zoning and service zoning. In its operation and maintenance, this building utilizes energy efficiency in the use of water and lighting. The green roof which is used as a communal space adds aesthetic value while supporting the eco-technological architectural concept implemented.]]>
<![CDATA[Adaptive Reuse of Heritage Building for Youth Center with Betawi Culture ]]>
<![CDATA[Devina, Caitlyn]]>;
<![CDATA[Nediari, Amarena]]>;
<![CDATA[Fajarwati, Ade Ariyani Sari]]>
<![CDATA[ Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 1 (2025): Journal of Aesthetics, Creativity and Art Management ]]>
Publisher : <![CDATA[Institut Seni Indonesia Bali ]]>
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DOI: 10.59997/jacam.v4i1.3735
<![CDATA[Colonial buildings are one type of cultural heritage building in Indonesia, with several neglected and unused buildings. Historical buildings need to be preserved to be remembered, and their architecture can be studied and maintained. It will maintain and preserve the building by adaptive reuse of historic buildings that adapt to the current conditions and environment. This research aims to apply the adaptive reuse of cultural heritage buildings into youth activity centers with a Betawi cultural interior design approach. The methodology used in this research is literature study, observation, design thinking, and location survey. The case study of adaptive reuse of cultural heritage buildings also analyzes the side effects and influences. Cultural heritage buildings are full of history and have been passed down from generation to generation. Adaptive reuse of cultural heritage buildings as a youth activity center with Betawi culture aims to become a special place to facilitate positive activities for teenagers, provide education, and preserve Betawi culture. The conclusion states that reusing cultural heritage buildings can build awareness about preserving culture and youth activity center strategies by showing positive value for society and the environment.]]>
