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Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 6 Documents
 1 
Search results for , issue "Vol. 14 No. 2 (2024): April" : 6 Documents clear
Traditional Values In The Tetenger Kulkul Karawitan Work Yulianti, Dewi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.58

Abstract

Ancestral heritage in the form of traditional Balinese communication tools made of wood or bamboo operates in banjar activities, especially those in Banjar Palak Sukawati. The strength and character of the sound produced by the kulkul inspired the idea of ​​a creative karawitan piece called “Tetenger Kulkul”. The karawitan art composition entitled “Tetenger Kulkul” is a Bebarongan Kreasi musical composition that uses the five-tone Bebarongan Gamelan as the medium. The purpose of creating this karawitan work is to transform an idea born from a traditional communication tool called kulkul and to describe the traditional values ​​contained in the use of the kulkul communication tool as outlined through traditional karawitan works. This traditional karawitan work "Tetenger Kulkul" is realized through a qualitative method of observation, interviews, and literature study. Then, the molding of the idea was carried out using the creation method from Alma M. Hawkins including the exploration, improvisation and formation stages. The bebarongan musical creation "Tetenger Kulkul" consists of percussion instruments often used to accompany wewali and balihan ceremonies. The “Tetenger Kulkul” percussion incorporates religious, creative, independent, communicative, and responsible values.
Artistic Visualization Of Senja Dengan Dua Kelelawar Script By Kirdjomulyo Through Herry Dim's Art Creation Method purnomo, heny; hari pramono, koko; Indar Moslem, Mochamad Danuar
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.59

Abstract

The stage serves as a barrier between the artists and the audience, therefore theatrical activities are inextricably linked to it. In order for a theatrical performance to flow smoothly and for the audience to engage with the performers, the stage is a crucial component. Through artistic communication, aesthetic value is created. In the end, this serves as the foundation for artistic endeavours involving the visualization of artistic arrangements on stage. In order for the artistic arrangement in a performance to become more than just a connected component and instead become a whole theatrical production, the director and artistic director must also be able to give meaning to the various elements. Through the visual medium of performing arts, the audience can be given aesthetic gratification through the implementation of a comprehensive creative arrangement. In addition to using Herry Dim's method of art creation, this piece employs a representational theatre style performance approach with accurate and naturalistic environmental descriptions. The artistic arrangement of the script "Senja degan Dua Kelelawar" is another goal in the development of this piece of theatre art. The developed concept was then utilized to visualize the artistic layout of the script Senja degan Dua Kelelawar" and create works of art by combining different parts and elements of the artistic layout that ultimately resulted in a performance. Hence,  it can deliver a visually stunning and harmonic performance on stage
A Gong Angin: Organological and Musical Innovation in Creating Music Based on Flute Instruments Fredy, Catur; Sukerta , Pande Made
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.61

Abstract

The flute is a great source of inspiration in creating new musical instruments. The creation of the Gamelan Flute artwork was carried out to explore the source of ideas for flute instruments, which will then be realized in the form of creating a new set of musical instruments, developments from modified flute instruments with the aim of looking for updates to other forms, both in terms of visual form, technique and function. For this reason, there is a need for organological and musical innovation in the creation of music based on flute instruments. When trying to develop a new musical instrument, creators can take elements of the flute that they find interesting and combine them with creative ideas. By developing flute instruments or using modern technology in making instruments, artists can create unique and interesting sounds, providing a deeper artistic dimension and expressing themselves in new ways in their work. Understanding this cultural background and integrating it into the design of a new musical instrument can hopefully produce something unique and valuable.
Documentary biography films violin luthiers A media education on the nivel of art work Trilaksono, Yunanto
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.65

Abstract

The study aims to analyze the use of signs or symbols in the film to convey deeper messages or meanings as educational media about the value of artwork in the creation of violin instruments in Sidoarjo. The film can be considered as an educational medium because it provides information about the process of making violin instruments in detail. The film can provide knowledge of the materials used, manufacturing techniques, and crafts required in making violin instruments. In addition, the film can also provide an understanding of the value of art in the manufacture of violin instruments. In the film, it may be shown that the creation of violin instruments requires high precision, expertise and dedication. This shows that artwork in the manufacture of violin instruments is not only a technical process, but also involves aspects of art and beauty. This documentary can also provide an understanding of the cultural value and local heritage. In the film, it may be shown that the creation of violin instruments in Sidoarjo has a high cultural value. This enriches our understanding of the diversity of Indonesian culture and increases our appreciation of local crafts. In addition, this documentary can also provide inspiration for audiences interested in art and music. The film can motivate them to develop their interest in the art of making violin instruments or even in the art of the whole. By conducting an in-depth analysis of this documentary, we can understand the art and cultural values of the creation of violin instruments at Sidoarjo and appreciate local crafts. The film can also be an effective educational medium for those interested in art and music.
Tari Ayun-Ayun Sandur Manduro Jombang Windrowati, Trinil
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.66

Abstract

Analysis of the Movement of the Ayun-Ayun Sandur Manduro Jombang Dance has the aim of wanting to reveal the aesthetic value of the form of motion contained in the Ayun-Ayun Sandur Manduro Jombang Dance. The dancers of Sandur Manduro call this dance as Ayun-Ayun Sembadra, because this dance depicts the character of Sembadra who is beautiful, soft and smooth in language. Some players also refer to her as the daughter of Candrakirana, the wife of Panji Inu Kertapati. Using Agus Tasman's Motion Analysis Framework, including space, energy, time and materials as elements of motion. Energy is a force or source of occurrence of a process (form). Energy in motion as a driver of the process of motion form. Space is a vehicle that has a boundary system. Subjectively the limit is dependent on the range of the horizon of vision. Time is a non-physical discourse as a container for a process. Material is something that will be used to create a shape for a specific purpose. The results obtained are that the Ayun-Ayun Sandur Manduro Jombang Dance finds an aesthetic point where its beauty can be felt.
Wayang Gajah Mada In Visual And Performing Arts: Research-Based Innovation of Javanese Puppetry and its Reception in the Academic and Artistic Environments Rudy Wiratama; Sindung Tjahyadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.68

Abstract

Wayang Gajah Mada (WGM), named after its main character and also the initiator university, was one of a few Javanese puppetry which used historical chronicles as its repertoire.This genre of wayang was designed from 2017 and has been performed several times both inside and outside the Universitas Gadjah Mada with various formats, from pakeliran multimedia to a conventional pakeliran semalam (all-night performance). Aside of its particular repertoires that depicted the biography of Mahapatih Gajah Mada, the team of Universitas Gadjah Mada also designed a special figures for the performances, which formed a new kind of puppet genre. The challenge began when it came publicly through many occasions, such as FGDs, national seminar, and the performances themselves. As a new puppet genre, both in visual and performance terms, the WGM have to proof its relevancy and significance to both of the academic and artistic societies, so it could guarantee its own sustainability for a long time. This article aims to answer: (a) what is the main concept of WGM both in visual and performative context, and also (b) how was the reception of both academic and artistic environments concerning the creation of this new puppet. Using the interview and observation methods, this article finds that WGM having a “Nusantara” concept both in visual and performative ways, and it received a good receptions from both academic and artistic environment which used the puppets in their performances. But despite of these positive reviews, it needs to struggle for its continuity in the future.

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