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Kristanti Dewi Paramita
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ARSNET
Published by Universitas Indonesia
ISSN : 27770702     EISSN : 27770710     DOI : https://doi.org/10.7454/arsnet
Core Subject : Art, Social, Engineering,
Arts Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
ARSNET is a publication platform dedicated to creative exploration in design disciplines, from architecture, interior, and other spatial design discourses. It takes particular interest in the behind-the-scenes processes: the inquiries, experiments, trial and errors, and speculations, be it performed individually or collaboratively as part of professional or pedagogical design practices. The journal also seeks to investigate how such design processes are informed by its social, cultural, and environmental context, particularly (but not limited to) Asian countries. The journal is also interested in understanding how these processes apply in current times of technological advancements, exploring such creative processes in computational design practices and digital environments. Discussion of these creative processes must be theoretically engaged, creating a dialogue between academic discourse and design practice. Authors are invited to submit manuscripts that address design exploration, which may include but not limited to creative processes that reinvent or manipulate existing design approaches, creative processes that reflect on the mechanisms of everyday objects or phenomena, or creative processes that question or speculate ideas that trigger design possibilities. Submissions in the form of project and book reviews and academic design project reflections are also welcomed, recognising the potentials of a multidisciplinary outlook and utilisation of mixed media within the design process. Scope of discipline: Architecture, Art and Design, Computational Design
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 6 Documents
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Search results for , issue "Vol. 2 No. 2 (2022)" : 6 Documents clear
Spatialising time: Perceiving multiple layers of time in narrative environment Kezia Nathania; Arif Rahman Wahid
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1548.3 KB) | DOI: 10.7454/arsnet.v2i2.19

Abstract

There is no escape from time. That includes architecture which dominantly discusses space. This paper aims to explore how people can experience time spatially. Notably, this study looks at the context of the narrative environment where stories are imbued in space to enhance their engagement with the audience. Time in a narrative is presented through the narrated time and the real-world time where the audience of the narrative perceive it. Both types of time can be overlapped, whether the audience is consciously aware of that or not. Time is integrated into a narrative through order, plot, pace, and duration. All these four aspects are experienced by the visitor of a narrative environment to connect events and make sense of their journey and the whole story. The relationship between events experienced through time creates a spatial trajectory. Two case studies were conducted to explore this idea: a visit to Museum Kebangkitan Nasional and participation in Secret Cinema. It is found that time can be spatialised through the explicit transition of graphics, a play of lighting, and overall spatial organisation.
Folding sebagai strategi desain adaptif untuk lingkungan bertinggal Raudina Qisthi Pramantha; Firda Febritha; Berti Dara Suryani; Alya Agustina
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1138.984 KB) | DOI: 10.7454/arsnet.v2i2.57

Abstract

Tulisan ini bertujuan untuk menginvestigasi dan mendemonstrasikan bagaimana metode lipat (fold) dapat digunakan sebagai strategi desain yang adaptif dan fleksibel untuk kebutuhan perancangan rumah tinggal. Arsitektur adaptif memiliki keterkaitan dengan bentuk ‘kecairan’ arsitektur terhadap kondisi internal dan eksternal terkait manusia dan lingkungannya, serta teknologi yang meliputinya. Baik perencanaan penggunaan ruang maupun struktur yang digunakan, arsitektur adaptif perlu memungkinkan sebuah fleksibilitas serta potensi kemudahan modifikasi. Desain rumah dalam penulisan ini menunjukkan metode perancangan berbasis ide folding sebagai strategi adaptif dan fleksibilitas melalui perkembangan struktur dan layout, serta unit furnitur fleksibel yang dapat dilipat sesuai kebutuhan. Desain rumah yang dapat dilipat, digeser, diperluas, dan dipindahkan menunjukan suatu bentuk lingkungan bertinggal yang dapat bergerak dan bertumbuh bersama dengan penghuninya. Desain rumah berbasis folding dalam penulisan ini memposisikan metode perancangan lipat sebagai sebuah upaya kesatuan proses bertempat tinggal manusia dengan lingkungan sekitarnya.     This paper aims to investigate and demonstrate how the idea of folding can be used as an adaptive and flexible design method in residential design. Adaptive architecture demonstrate fluidity of architecture that arrange between the internal and external conditions of the built environments, in relation with humans and their environment, as well as the technology construct such conditions. Current literature on folding in architecture have outlined the application of such method in spatial configuration and structural system to allows flexibility and ease future modification. The folding house model in this paper shows the idea of folding as an adaptive strategy and flexibility through to the development of its spatial layout, structural system, as well as flexible interior units that can be folded as needed. A folding house that can be folded, shifted, expanded and moved shows that the house can move and grow together with its occupants. The house design explored in this study then positions the method of folding as an effort to unite the occupants with its surrounding living environment.
Unformed drawing: Pembacaan hubungan paratransit tak bergerak dan ruang kota Defry Agatha Ardianta; Miftah Adisunu Nugroho Alui
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1132.143 KB) | DOI: 10.7454/arsnet.v2i2.58

Abstract

Tulisan ini berupaya membaca kehadiran moda transportasi paratransit dalam berelasi terhadap pergerakan pejalan kaki pada konteks ruang kota. Argumentasi pada tulisan ini dibangun dengan melakukan pengamatan dan analisis berbasis unformed drawing terhadap salah satu kendaraan tak bermotor yaitu becak, yang beroperasi di kawasan kota lama Surabaya, Jawa Timur, Indonesia. Unformed drawing menjadi relevan digunakan karena dapat merekam dengan cepat dan memuat informasi berlapis, sehingga dapat menggali berbagai aspek yang tersembunyi pada ruang kota. Dengan menempatkan unformed drawing sebagai alat investigasi, pengamatan dilakukan dengan membaca kehadiran becak tidak hanya sebagai moda transportasi bergerak yang berpindah dari satu titik ke titik lain. Studi ini mencoba lebih kritis melihat ragam kehadiran becak, yaitu ketika dalam keadaan tidak bergerak dan berhenti dalam durasi waktu tertentu. Studi yang diangkat oleh tulisan ini bertujuan mengungkap aspek-aspek yang dimiliki oleh becak sebagai paratransit sehingga berpotensi mengintervensi ruang sosial, meskipun dia tidak bergerak. Representasi aspek tersebut melalui unformed drawing dapat mendemonstrasikan beberapa mekanisme fleksibilitas dan kondisi yang tersembunyi pada ruang kota. Studi ini menyimpulkan berbagai intervensi kreatif berbasis becak untuk kebutuhan penggunaan ruang kota secara kolektif dan dinamis.     This paper attempts to read the presence of paratransit modes of transportation and its relation to the pedestrian movement in the context of urban space. The argument of this paper is built by conducting observations and analysis using unformed drawing on a type of non-motorised vehicles, namely the becak, which operates in the old city area of ​​​​Surabaya, East Java, Indonesia. Unformed drawing becomes relevant to use because it can record quickly and can contain a more layered information. By placing unformed drawings as an investigative tool, observations are made by reading becak critically by highlighting its various role in urban space when the vehicle is not moving and stops for a certain duration of time. This study aims to reveal the aspects possessed by becak as a paratransit so that it has the potential to interfere in social space, even though it is not moving. Representation of these aspects through unformed drawings demonstrate multiple flexible condition of becak and multiple relations of becak within the movement space in urban context. The study concludes with an array of creative intervention of becak to invite the collective and dynamic uses of urban space.
Mediating space: Framing strategy and sense of presence across the real-virtual environments Ferro Yudistira; Ratu Baina
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1738.758 KB) | DOI: 10.7454/arsnet.v2i2.60

Abstract

This study discusses the idea of mediated space as a space formed through the combination of actor and entities in real and virtual environment. This mix of real and virtual environments is made possible through the involvement of the screen as the technological device that mediate the connection between them. Question then arises regarding the process that happen during this mediation, specifically regarding how to frame the virtual environment on the screen to establish an engagement with actor in real environment. Using the case of video game titled Persona 5, this study investigates this question through the concept of framing strategy and sense of presence. The discussion addresses two main points: (1) Utilisation of different framing strategies—based on the idea of immersion, mapping, and miniaturisation—provide different possibilities of action and interaction for the actor; (2) each framing strategy contribute to different dimension of presence that can complement each other within the formation process of mediated space.
The evolution of museum culture in Botswana towards multi-layered architectural heritage conservation Katlego Pleasure Mwale; Susan Osireditse Keitumetse; Laurence Mwale
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1285.223 KB) | DOI: 10.7454/arsnet.v2i2.61

Abstract

The role of museums in Botswana has evolved from collecting ethnographic objects and exhibition development to architectural heritage conservation. This paper explores the evolution of museum development through case studies of the National Museum in Gaborone, a regional museum Phuthadikobo Museum in Mochudi, and a privately-owned Botswana Telecommunication Cooperation (BTC) Museum. The study examines exhibition practices in these museums by discussing the limitations of traditional methods of exhibition and argue in favour of a multi-layered exhibition method. Both the National Museum and Phuthadikobo Museum have now transformed into cultural institutions which now undertake architectural heritage conservation projects. These project are include the national museum project which re-creates three huts representative of vernacular architecture of different tribes which we argue is a heritage-making project. The Phuthadikobo community museum proposal for an open-air museum that conserves the existing buildings in-situ and addresses the intersection of heritage conservation, a sense of history, intangible heritage, and lived traditions. Situated within the debates on museum development and heritage conservation, the paper considers how museum development in Botswana could address the challenges of museum exhibition and the questions on heritage authenticity.
Architecture as a projection of multiplicities Kristanti Dewi Paramita
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (122.797 KB) | DOI: 10.7454/arsnet.v2i2.63

Abstract

The architectural discussion of multiplicity moves beyond the preoccupation with architecture as a fixed, conclusive, and eternal entity. The collection of articles in this issue of ARSNET investigates the multidimensionality of architecture. The explorations in this issue span from the discussion of multi-layered meaning and temporalities of architecture, to the dynamic representation and spatial operation of multiplicities. Through inquiries on multiplicity-driven design methods, this issue projects the expanded and open field of architecture, appreciating the different forces and processes of society.

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