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Lililacs Journal
Published by Universitas Negeri Jakarta
ISSN : -     EISSN : 28078845     DOI : https://doi.org/10.21009/lililacs.031
Core Subject : Humanities, Education, Social,
Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Lililacs Journal: English Literature, Language and Cultural Studies (LILILACS) is a biannual (January and July) journal published by English Literature Study Programme, Universitas Negeri Jakarta. LILILACS accepts original manuscripts in the discipline of English Literature, Linguistics, Translation and Cultural Studies including research papers, critical literature reviews and academic essays. LILILACS invites article submissions for researchers, lecturers, students, and community partners through peer-reviewed process.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 5 Documents
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Search results for , issue "Vol. 1 No. 1 (2021): Lililacs Journal" : 5 Documents clear
BTS ARMY’s #BTSLOVEYOURSELF: A Worldwide K-Pop Fandom Participatory Culture in Twitter Saraswati, Listya Ayu; Nurbaity
Lililacs Journal Vol. 1 No. 1 (2021): Lililacs Journal
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (959.538 KB) | DOI: 10.21009/lililacs.011.01

Abstract

Korean popular music (K-pop) fandom is under spotlight as the K-pop industry has rapidly grown transnationally. Fandom practices across nation borders in social media has grown out from supporting their idols by buying the records, continuously discussing idols’ personal life, and attending live music concerts, to supporting social causes in the name of the idols. This paper investigates fandom participatory culture of creating and supporting social activism message in social media. By collecting and analyzing a large-scale of fandom activity data from Twitter, we investigate to what extent fandom participatory culture is prevalent and important in transnationalism of K-pop, in particularly social activism in social media. By analyzing the Twitter data of ARMY on #BTSLOVEYOURSELF, we show the participatory culture is what gives the fandom and their messages bigger effect in social media which is beyond the idol’s industrial well-made representation and image. However, there is also a possibility of inter-cultural intermediaries of fandom practices to echo idol’s message in social media and to define success for the multi-billions industry.
Lifestyles during The Roaring 20s of America in F. Scott Fitzgerald’s The Great Gatsby Busyeiri, Muhammad Latif; Dinanti, Nasyafka
Lililacs Journal Vol. 1 No. 1 (2021): Lililacs Journal
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.733 KB) | DOI: 10.21009/lililacs.011.05

Abstract

Literature is the result of human interaction and culture in which they reflect or imitate the condition of the era they were written in. Due to this reason, some literature is able to function as a way for modern-day readers to have an understanding on how life was like in the past. F. Scott Fitzgerald’s The Great Gatsby is one such novel that contains similar condition during the roaring 20s of America. The novel contains different lifestyles of the American people during the time and revealed the harsh reality of those who were idolizing The American Dream. Using sociological approach, this study aims to learn about the social condition during the roaring 20s of America. Lifestyles during the roaring 20s of America in F. Scott Fitzgerald’s The Great Gatsby is chosen as the title of the study to find out the lifestyle that existed during the roaring 20s of America as reflected in The Great Gatsby. The result of the study shows that different lifestyles that existed during the roaring 20s of America as shown in The Great Gatsby are wealthy lifestyle, modest lifestyle criminal lifestyle, hedonistic lifestyle, impoverished lifestyle. And surrounding factors such as different social class and social gap that existed during the time.
Afro-American Racial Oppression in Paul Laurence Dunbar and Amiri Baraka's Poems Amar, Dimas Agus; Widjayanti, Ellita Permata
Lililacs Journal Vol. 1 No. 1 (2021): Lililacs Journal
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (553.478 KB) | DOI: 10.21009/lililacs.011.04

Abstract

This study explores how Afro-American racial oppression is reflected in Black Writers’ poems, Paul Laurence Dunbar and Amiri Baraka. Using a descriptive-analytical method, this study analyzed words, phrases, and clauses indicating Afro-American racial oppression in the ten selected poems of Paul Laurence Dunbar and Amiri Baraka. Roland Barthes’ semiotic was employed to get the interpretation of the signs used in the poems. These interpretations were strengthen by juxtaposing the meaning with socio-cultural context of the poems using Wellek and Warren’s perspective of sociological approach in literature. The result of the study showed that as African American, both Paul Laurence Dunbar and Amiri Baraka portray the experience and feeling of Afro-Americans towards racial oppression in United States of America. Through the use of particular signs in their poems, Dunbar and Baraka speak up about the ill-treatments directed to Afro-Americans as well as the injustice that occurred in United States. Dunbar depicts the life of African American during the Jim-Crow America where the practice of discrimination was spreading like wildfire. Whilst, Baraka portrays the life of Afro-Americans during the 1960s in which Black people remained the target of oppression. The analysis of the ten selected poems showed that despite the fact that Black residents have achieved formal equality through the Civil Right Acts in 1964, significant racial oppression persists. Afro-Americans had to deal with oppression during and after the segregation era. In their poems, Paul Laurence Dunbar and Amiri Baraka also advocate African Americans to establish racial pride within themselves for them have been degraded through racial oppression by White ruling race.
Translation Error Taxonomies in Indonesian Tourism Guidebooks Sumiati , Ati; Laksana, Andhika; Noverino, Romel
Lililacs Journal Vol. 1 No. 1 (2021): Lililacs Journal
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (612.961 KB) | DOI: 10.21009/lililacs.011.03

Abstract

There are many tourism guidebooks spread all around Indonesia yet they are not of good quality. This study embarks on the idea that the quality of tourism guidebook is still far from perfect. This study intends to explore the type of error taxonomies found in the tourism guidebooks by employing qualitative method. Six tourism guidebooks were collected and used as data and the theory being used is proposed by Dastjerdi and Abdolmaleki (2012). They modify the classification of errors in translation based on Keshavarz and ATA and proposed the name of error taxonomy. This error taxonomy has four major error types of syntactic error with three error patterns, semantic errors with 12 error patterns, pragmatic errors with 4 patterns, and translation-specific errors with 4 patterns. The selected guidebooks are then analyzed sentence by sentence using the error taxonomy in order to find out the error in the translation. Total data gathered are 519 with 292 are recognized as errors. These are then broken down into four types of errors: semantic errors having 149 errors (51%), syntactic errors having 133 errors (45%), and the least occurrence of errors is in the type of both pragmatic and translation-specific errors with only 5 errors (2%). This result will provide recommendation for the tourism boards or the local government who published these guidebooks to take prompt action to review and revise their edition of tourism guidebooks.
Under Neo-colonialism and Othering: West Papuan Case in Bonnie Etherington's The Earth Cries Out Sukandar, Asael Charis Tewu; Nurcahyani, Eka
Lililacs Journal Vol. 1 No. 1 (2021): Lililacs Journal
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (441.465 KB) | DOI: 10.21009/lililacs.011.02

Abstract

During 1997-1998, West Papua, the most eastern part of Indonesia, is in the midst of collision between the Indonesian police and the Operasi Papua Merdeka resistance. This study aims to examine the calamity brought by the Neo-colonial power upon the land of West Papua and the forms of Othering done under the Indonesian rule as represented in Bonnie Etherington’s the Earth Cries Out by deploying Kwame Nkrumah’s Neocolonialism to reveal the existing institution that exploits the West Papuan natural resources and Gayatri Spivak’s Othering to unravel the desire of power of the Indonesian government over the West Papuan. The findings show that Neo-colonialism is represented by an international American mining company named freeport, which has become the main beneficiary of the natural resources that lays underneath the West Papuan land, affecting the minor dividens received by Indonesian government and alienate the West Papuan from the richness of their own land. It is also found that the othering process was done by the Indonesian government through the assertion of power presented by Indonesian police stationed in the area, racist remarks by the Indonesian police, job position that favors non-West Papuan people, and a case of sexual harassment towards one West Papuan character in the novel. Moreover, there is an intersecting interest between the American mining company with the Indonesian government in the West Papuan land.

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