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Elan Ardri Lazuardi,
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humaniora@ugm.ac.id
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Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia
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INDONESIA
Humaniora
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Articles 10 Documents
Search results for , issue "Vol 18, No 2 (2006)" : 10 Documents clear
DOKUMEN NON-ARAB TENTANG BERITA KERASULAN MUHAMMAD DAN AWAL ISLAM Hasyim Asyari
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (56.293 KB) | DOI: 10.22146/jh.867

Abstract

In the era of the beginning of Islam, Arabia was situated among great imperial countries which are intellectually and culturally more developed as a result of development of religious life especially Jews and Christianity. So, it is not surprising if lots of written artifacts concerning with the emergence of new religion and its Prophet, Muhammad, are found in Arabia. The documents are of course very meaningful in the his­torio­graphy of Islamic history and tradition on its formative period, since the sources proportionally can also be completed by obtaining information from documents of non-Arabic Islamic chronicles. The non-Arabic contemporary sources of this primitive Islam may offer different kinds of account to study on how Islam has developed to the present form, since this kind of testimony is a comparative historical entity rather than a conventional one. The non-Arabic sources concerning Islam imply non-Islamic points of view, nevertheless they are certainly of valuable meaning in the study of any history.
RESEPSI KASIDAH BURDAH AL-BÛSHÎRY DALAM MASYARAKAT PESANTREN Fadlil Munawwar Manshur
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (75.156 KB) | DOI: 10.22146/jh.868

Abstract

Qashîdah Burdah is a religious literary work that got an honor reception from the people around the world. Therefore, it is no wonder that Qashîdah Burdah could attract wide interest from the world community in the form of scientific study; Qashîdah Burdah recital in the religious ceremony; consumer’s reception in the recording industry and art performance, comments and translation from the Arabic into various kinds of the world languages: English, French, Spanish, Italian, Dutch, and German. The Nordic languages cover of Norway, Sweden, Denmark, Iceland, and Finland. The next is Russian, Turk, Persian, Urdu, Swahili, Chinese, Indonesian and other languages in Nusantara, i.e., Sundanese, Javanese, and Acehnese.
WARNA LOKAL TEKS AMIR HAMZAH DALAM SERAT MENAK Kun Zachrun Istanti
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (77.2 KB) | DOI: 10.22146/jh.869

Abstract

The receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese culture; there are previously unnamed characters which are given names in Sr.Mn.; the history (background) of some characters is made clearly; and more titles (from pewayangan) are attributed to Amir Hamzah and Umar Umayah.
GENEALOGI DALAM RANGKA PENCIPTAAN SERAT DARMASARANA KARYA R. NG. RANGGAWARSITA Anung Tedjowirawan
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (86.947 KB) | DOI: 10.22146/jh.870

Abstract

The goal of the writing of Serat Darmasarana by R.Ng. Ranggawarsita is the reception of Âdiparwa and continuation of the story of Mosalaparwa, Prasthanikaparwa, and Swargarohanaparwa. By writing Serat Darmasarana and texts in the Pustakaraja Madya R.Ng. Ranggawarsita intends to place Pengging as a myth, as the central government in Java, after the fall of Kediri. Further, R.Ng. Ranggawarsita also wants to place the Gods and Pandawa as the ancestors of Mataram Kings.
TELAAH SOSIOKULTURAL NASKAH DRAMA DEATH OF A SALESMAN KARYA ARTHUR MILLER Bustami Subhan
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (61.07 KB) | DOI: 10.22146/jh.871

Abstract

There are at least three main reasons for the writer to conduct a research on the play Death of A Salesman by Arthur Miller. First, the play Death of A Salesman was Arthur Miller’s masterpiece that brought him to the winner of Pulitzer Prize, the New York Drama Critics’ Circle Award, the Antoinette Award, the Theatre Club Award, and the Front Page Award. The play presents a male protagonist who changed his profession from a carpenter to a salesman—this phenomenon is interesting since the setting of the play corresponds to the period of business growth in the United States of America. Second, the play contains many aspects: economic, social, cultural, psychological and moral. Third, the play contains special background and modern contexts that can be inferred into individual experience or consciousness especially for a father who wants to create a business and a happy family in a turbulent world. This writing is aimed at portraying the economic and socio-cultural aspects as reflected in the play, and revealing the moral values that can be taken from the play Death of a Salesman by Arthur Miller.
SEKSISME DALAM BAHASA PRANCIS: KONSTRUKSI SOSIO-HISTORIS DAN POLITIS Wening Udasmoro; Wiwid Nurwidyohening
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (55.944 KB) | DOI: 10.22146/jh.872

Abstract

This paper aims at exploring the use of sexism in French language, which occurs frequently since the French Revolution in 1789. This sexism is historically and politically constructed by the society and espoused by different social actors, such as philosophers, politicians, religious leaders and others. The various forms of this sexism range from the level of syntax to semantics and place women in different categories. The overall analysis reveals that the women’s representations are underestimated, stigmatized and considered inferior vis à vis men’s representations.
Dari Poro hingga Paketik: AKTIVITAS Ekonomi Orang Kalang di KOTAGEDE pada masa depresi-1930 Mutiah Amini
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (50.517 KB) | DOI: 10.22146/jh.873

Abstract

The aim of this article is to discuss The Kalang People in Tegalgendu, Kotagede in the Depression era. In historical term, depression era is the time when all of the society have difficulties economically. Unlike the common people, The Kalang people can solve that problem by working as a juragan in Poro and Paketik. Poro means retailer or agent of everything and paketik means someone who owns a pawnshop. By reading this article we can know deeply what activities of Kalang people did during the depression era, and why Kalang people chose to become Poro and Paketik in their economic activities. Further, we can learn how Kalang people teach their skills to the next generation.
KONFLIK SOSIAL TABU NIKAH PADA MASYARAKAT PERDESAAN DI PURBALINGGA DAN BANYUMAS Sugeng Priyadi
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (68.624 KB) | DOI: 10.22146/jh.874

Abstract

This study is aimed at discovering the social conflicts which the community experienced leading to the marriage taboo. The study employs the historical method combined with the folklore and philological method. The two later methods are applied to provide the historical sources contained in the texts and folklores. Then, the historical method is taken to produce a historiography work, i.e. the cultural history or the intellectual history in the local range of Purbalingga and Banyumas. The results of study show that the marriage taboo in the rural community of Purbalingga and Banyumas indicates the phenomenon of plural socio-culture laid on socio-political legitimate. The marriage taboos are inflicted by social conflict as the manifestation of incest marriage, social rivalry, and legitimate battle. In those conflicts, the communities of Onje, of Banjaranyar, and of Raden Kaligenteng are the troublemakers. In addition, the communities of Sambeng Kulon, of Sambeng Wetan, of Jompo Kulon, and of Jompo Wetan can also be categorized into the troublemaker, since they are involved in the internal conflict, leaving them broken into parts. The marriage taboos indicate something that can be understood as the shift of cosmos into chaos. The chaotic situation is dominant, for the shift has not resulted in a new cosmos, i.e. it is always in the liminal or threshold position.
THE IMPACTS OF MARKET ECONOMY ON SOCIAL RELATIONS: A PERSPECTIVE FROM HOUSEHOLD POTTERY PRODUCTION IN LAI THIEU, BINH DUONG PROVINCE, SOUTH VIETNAM Ngo Thi Puong Lan
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (141.846 KB) | DOI: 10.22146/jh.875

Abstract

Produksi dan kerajinan keramik yang berkembang pesat di Lai Thieu, Vietnam, tidak terlepas dari kedatangan para imigran dari Cina pada abad ke-19. Perusahaan keramik dapat dibedakan menjadi lima, yaitu perusahaan milik negara, patungan, swasta, perseroan terbatas, dan rumah tangga. Kebanyakan perusahaan keramik di Lai Thieu berkembang menjadi perusahaan modern karena perkembangan teknologi dan keharusan berkompetisi dengan produsen lain. Dari sisi manajemen, ada perubahan dari manajemen keluarga ke arah manajemen yang lebih maju dan terbuka. Perkawinan antara etnis Cina dan warga Vietnam memungkinkan perusahaan keramik yang semula bersifat tertutup menjadi semakin terbuka dan kompetitif.
A SYMBOLIC REALITY OF AMERICAN TELEVISION: A CASE STUDY OF THE JERRY SPRINGER SHOW Ida Rochani Adi
Humaniora Vol 18, No 2 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (56.635 KB) | DOI: 10.22146/jh.876

Abstract

The Jerry Springer Show adalah salah satu program talk show televisi Amerika yang dapat dikategorikan sebagai tabloid talk show, trash talk show, atau istilah lain yang menunjukkan betapa acara ini menyajikan topik persoalan yang vulgar. Meskipun acara ini adalah acara yang banyak dianggap orang tidak layak ditonton, ini masih tetap diminati di Amerika terbukti masih berlangsung dan telah menyajikan lebih dari 3.000 episode. Ternyata acara ini tidak hanya diminati oleh orang Amerika, tetapi juga oleh orang Inggris karena acara ini pun sampai mengilhami pembuatan opera yang dipentaskan di beberapa teater Inggris. Ada tiga realitas yang sebetulnya merupakan simbolisasi yang dapat dimaknai di sini. Pertama, bermoral tidaknya suatu acara tidaklah menentukan minat orang dalam menonton tayangan televisi karena berhasil tidaknya suatu acara dalam masyarakat tergantung dari kekuatan sosial acara tersebut. Kedua, makin tinggi nilai kebebasan suatu masyarakat, makin tinggi pula tuntutan masyarakat terhadap pemenuhan kepuasan penonton televisi. Ketiga, karya imajiner yang ditayangkan di televisi akan dianggap sebagai suatu kebenaran apabila dikemas dalam program yang diterima dalam masyarakat sebagai program informasi dan bukan hiburan meskipun kandungan di dalamnya adalah hiburan.

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