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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 12 Documents

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Search results for , issue "Vol 27, No 1 (2015)" : 12 Documents clear

METAPHOR OF COLORS IN INDONESIAN I Dewa Putu Wijana
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This brief article deals with the use of Indonesian words referring to colors for creating metaphorical expressions. All data presented are collected from various sources, such as Kamus Besar Bahasa Indonesia (Indonesian Standard Dictionary), and added with data obtained from Oxford Advanced Leaner’s Dictionary, Indonesian proverb book, encyclopedia, terminology collection book, poetry anthology, song lyrics, and data of the author’s own creation as an Indonesian native speaker. Set aside from their literal meanings, the metaphorically used color words are collected and classified into two categories, i.e. achromatic and chromatic colors. Then, their universalities are determined by comparing them with English color metaphors. Finally the existence of specific Indonesian color metaphors are identified by correlating them with extra linguistic factors, such as environment, history, religion, politic and other socio cultural activities. A careful analysis on the data shows that there is nearly no significant difference in metaphorical uses of achromatic colors in English and Indonesian. However, despite universal nuances of chromatic color metaphors, some specific ones emerge due to various external factors, such as environment, education, history, politic, law, religion, literature, and other socio cultural facts that are specifically found and practiced in Indonesia.

THE CULTURAL RELEVANCE OF INDONESIAN PHRASEOLOGICAL UNITS AS CONTRASTED WITH POLISH Przemysław Wiatrowski
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article discusses Indonesian set phrases, a research area not previously investigated by Polish scholars. The aim is to analyze expressions which reveal the cultural specificity of the Indonesian speech community. Specifically, the author is concerned with two categories of multiword expressions. One of them is lexical combinations which preserve observations characteristic of the Indonesian speech community. These are reflected in a system of lexical connotations drawn upon in the process of semantic motivation of idioms. The other is expressions made up of units which are specific to Indonesian culture. The cultural relevance of Indonesian multi-word combinations is examined against the background of the Polish language. By examining research material derived from dictionaries of phrases and collocations and general dictionaries of the Indonesian language, the author provides insights into the way of thinking and responding to reality which is embedded in the language and in the collective experience of members of the Indonesian community.

DESIRE AND PLEASURE IN THE BRANDED REALITY SHOW AS A DISCURSIVE PSYCHOANALYSIS Bambang Sukma Wijaya
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The study of branded reality show is still very limited, especially in the perspective of discursive psychoanalysis. In fact, the phenomenon of reality show is currently growing in the television industry, so brands are inspired to create similar programs. This paper aims to analyze the desire and pleasure of success are presented and disclosed by branded reality show ‘Diplomat Success Challenge’ on a national TV channel in Indonesia. Using discursive psychoanalysis method in the Lacanian perspective, author found that participants in the ‘Diplomat Success Challenge’ saw competitors (other participants) as ‘other’ in imaginary phase which is the object of desire in having the pleasure of success, while the audience used the praticipants as reflection of their desire and pleasure of success. There are two tendencies of the spectatorship style in responding to the discourse. In one hand the audiences tend to be more emphatic and figural, while on the other hand they tend to be more logic and systematic. In addition, the desire and pleasure of success in the ‘Diplomat Success Challenge’ becomes a powerful discourse that alienated negative issues related to the Diplomat as a tobacco product brand. Thus, the politics of reality through a discourse of success in the branded reality show has successfully infiltrated into the subconscious and control the public consciousness.

THE GROUP CONCEPT OF BUILDING RASO BATALUN IN THE PERFORMANCE OF TALEMPONG RENJEANG ANAM SALABUHAN Andar Indra Sastra
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The goal of this article is to discuss talempong renjeang anam salabuhan as a cultural artefact, in particular focusing on the group concept of building raso batalun in the performance of talempong renjeang anam salabuhan in Luhak Nan Tigo, Minangkabau. Raso batalun in the performance of talempong is the musical expression created by the talempong player through the rhythmic treatment of the talempong. The expression produced in a talempong performance can be understood to reflect the musical ability of the talempong group in its performance of various types of Guguah talempong. A group is the representation of a social concept in Minangkabau society. Some talempong groups are formed on the basis of common goals and interests without any family connections; other groups are formed through family ties; and others are formed based on genealogical connections. A musical unit is built through musical communication between the talempong players through different rhythmic patterns. This musical communication can be achieved when the players in the group have the same level of perception, ability, and sense of musicality. It is this perception and sense of musicality which are the initial foundations on which a talempong performance is built, in accordance with the musical standard of each group. It is believed that a high musical standard will not be reached if the role of a particular player is taken over by another player from outside the group. The group plays an important role in building a musical unit and a musical standard in order to achieve raso batalun.

TRADISI LISAN BHANTI-BHANTI SEBAGAI MEDIA KOMUNIKASI KULTURAL DALAM MASYARAKAT WAKATOBI Sumiman Udu
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Bhanti-bhanti is a folksong that grown and developed in Wakatobi society. As a folksong, the performancing of bhanti-bhanti oral tradition can be used as an effective cultural media of communication, especially in presenting their messages, both from the singer as well as the listeners regardless of their age and social status. The performancing of bhanti-bhanti is cultural media of communication in Wakatobi, that used by local government, sara (traditional institution), as well as local people of Wakatobi. All elements can express their thoughts and feelings about culture, history, custom, human relation with environment as well as God. They also can used bhanti-bhanti to express their toughts and feelings to someone, village, or another social issues. By using bhanti-bhanti, the listeners can not be offended by the criticism because its criticism conveyed in subtle language and full of jokes.

PERAN GANDANG TASA DALAM MEMBANGUN SEMANGAT DAN SUASANA PADA PERTUNJUKAN TABUIK DI PARIAMAN Asril Asril
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Performing Tabuik in society Pariaman, West Sumatra, is a tradition of cultural influence of Shi’ite Islam that has inherited the local community since about two centuries ago. Tabuik performances are “heroic” and colossal. Pariaman society presented this performance by presenting two Tabuik support group. In certain parts of the performance, these two groups are presented opposite each other. One of the most important elements in each Tabuik performance is gandang tasa, the percussion ensemble. Gandang Tasa role in a variety of contexts and series of performances Tabuik. Gandang tasa most important role is to build the spirit of supporting performances that can trigger mood Tabuik be “hot”, especially on hard-dimensional performances, so that it will make a massive fight among the supporters of Tabuik. The method used in this study is a qualitative method that emphasizes the role of the drum in the quality of every part of the Tabuik performance which refers to a variety of atmosphere that was built in the Tabuik perfomance. Gandang Tasa be decisive in establishing the spirit, atmosphere, and the dynamics in each performance of Tabuik.

PASAR SEBAGAI RUANG SEDULURAN MASYARAKAT JAWA Endy Marlina; Arya Ronald; Sudaryono Sudaryono; Atyanto Dharoko
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study found the concept of “market as seduluran (brotherhood) space”, Javanese local wisdom in managing social interactions. The concept of social harmony is the realization of Javanese local wisdom that has existed and still running today. In-depth exploration reveals empirical themes that show strategies of market management. This strategy illustrates the public perception of the market, they are market as a common space, space of dhasaran, familial spaces, social media expansion, socioeconomic space, space of paseduluran (brotherhood), chatrooms and entertainment space, changes of the management of market space, the openness of market space, and network of information, knowledge, and culture. Another finding is the task of the market as physical control, functional frame, social milieu, and cultural symbolization. The themes which were found then were further explored with eiditic depth and managed to find a concept of seduluran as the basis of public understanding of the market. The concept of seduluran underlying strategies to maintain social harmony of the society. This concept managed to keep the existence of markets as traditional economic space in the development of a modern economy.

THE IMPLICATURE OF TEMBANG GAMBUH IN SERAT WEDHATAMA AND ITS SIGNIFICANCE FOR THE SOCIETY Edy Try Sulistyo
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study was aimed to discover the meanings implied in the texts of Tembang Gambuh written by KGPAA Mangkunagara IV in his Serat Wedhatama as well as its significance for the society. The texts were originally composed of 25 stanzas, but this study was limited to those associated with sembah (worship). This study employed qualitative paradigm which was conducted by using an embedded-case-study research design. Data was collected from informants, places and events as well as documents/archives or library sources. The validity of the data was tested using the data triangulation. The data was then analyzed by using a model of pragmatic analysis. The findings based on the pragmatic analysis suggested that the dominant implicatures in the Tembang Gambuh in relation to sembah were sembah raga (worship by physical conduct), sembah cipta (worship by controlled/mind conduct), sembah jiwa (spiritual/soul worship), and sembah rasa (worship beyond rituals). For the society, these four types of worship can serve as a warning and moral education that have significant values for someone to draw closer to God by performing worship in accordance to the guideline.

UNSUR-UNSUR PARAGRAF NARASI DALAM BAHASA JAWA Sri Nardiati
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Every human being involves in story activity. Therefore, the elements of NP (narrative paragraph) in Javanese should be investigated. The aim of investigation is to describe every element based on the character and the chronological event, its direct utterance, and the writer’s point of view. The scope of narrative paragraph study covers lingual unit of paragraph, sentence, clause, phrase, and word. The approach used is structural descriptive. The data is obtained by using listening and noting technique. The analysis uses orthografic method and distributional method, by using direct element division technique and then omission, substitution, insertion, and reversion. Narrative paragraph (NP) elements are participant and event. Participant element is filled with a character or more. Event element comprises of act, process, or state verb that relates to each other as stimulus-responsse. NP usually has direct utterance that is unmarked and marked. The mark is located in the beginning, middle, and the ending. NP is written based on the point of view, both the first and third person. In the first point of view, the character is central character or an observer, which is marked by using I (aku, saya) pronoun; meanwhile, in the third person point of view is marked by he/ she (ia/dia/dheweke) pronoun.

THE LIFE OF GERVAISE MACQUART AS A LOWER WORKING CLASS WOMEN UNDER FRENCH SECOND EMPIRE IN THE NOVEL L’ASSOMMOIR BY ÉMILE ZOLA Teguh Basuki; Arifah Arum Candra H.
Humaniora Vol 27, No 1 (2015)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The industrialization which developed in the 19th century France had brought both positive and negative impacts. Some of the negative impacts are the rising number of labors, the emergence of inter class conflicts, social problems such as prostitution, and the oppression of lower class women. This research will discuss about the life of lower class women depicted in the novel L’Assommoir by Émile Zola, as the portrayal of the reality in the French Second Empire. The analysis uses qualitative descriptive technique and applies Foucaults’s theory on social exclusion, Beauvoir’s theory of second sex, and also gender theory. The analysis shown that Zola criticize the inequalities in the life of lower class women under Second Empire. It also shows that lower class women excluded from the ‘grand’ discourse in French society. The exclusion process which is done by society and supported by the State at that time regarded as a normal thing and ‘taken for granted’.

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Elan Ardri Lazuardi,

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Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA