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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 12 Documents

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Search results for , issue "Vol 31, No 3 (2019)" : 12 Documents clear

Challenging the New Order’s Communist Figures: A New Historicism Study on Penjagal Itu Telah Mati Muhammad Taufiqurrohman
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper discusses about the images of communist figures in “post-suharto 1965 fictions”. Images of communist figures have been acknowledged by Indonesian people through many books and films produced under Suharto regime as evil people and atheist. In other words, they are antagonists of the nation who deserve to be jailed and killed. This paper unpacks the stereotypical infamous images of communist or alleged-communist figures by showing opposite images of the figures portrayed in “Post-Suharto 1965 fictions”. The end of Suharto regime which brings freedom of speech enables some victims of post-1965 tragedy (mostly ex-political prisoners) and their descendants to do such a counter-culture. They write books to provide other version of historiography. One of the authors is Gunawan Budi Susanto who wrote “1965 short story” collection entitled “Penjagal Itu Telah Mati” (The Slaughterer Has Died) (2015). From these current publications, we find other images of communist or alleged-communist figures; most of them are depicted as good citizens. The findings show that the images of communist figures are not as stable and absolute as what Suharto regime had constructed, yet the images remain contested in the unfinished and unstable historiography.

Fundamental Frequency and Tone in Arabic Vowels and Consonants by Indonesian Speakers Aged 5 Years Old Muhammad Ridwan; Ulfah Nurul Amanah
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study discusses the fundamental frequency and tone in Arabic vowels and consonants by Indonesian speakers aged 5 years old. The method of data collecting used an interview method by recording and writing techniques. It also employed one respondent who was 5 years old from the Javanese who resides in Surakarta city. The device used for recording was OPPO Joy 3 mobile phone, which is equipped with RecForge II program and microphone that can record sound clearly. An instrument that was used to know the fundamental frequency and tone was Praat 6.0.26 version. The method of data analysis employed comparing method using the basic technique of elemental sorter technique, connecting technique, and diﬀerential technique. The result of the analysis showed that the fundamental frequency is correlated with the tone. If the fundamental frequency was high and likewise the tone. A vowel sound with the high fundamental frequency is sound [u], followed by [i], then [a]. The high and low frequency of vowel sounds aﬀected the frequency of the consonant sound followed by the vowel. It was known that 52% of consonants with the high tone were accompanied by punctuation [d̪ˤammah], 40% were accompanied by punctuation [kasrah], and 8% were accompanied by punctuation [fatħah]. The highest frequency sounding group was the apico-palatal sound. It happened since the apico-palatal sound was produced by vocal cord in a high vibration inﬂuencing the fundamental frequency and tone. Whereas, the group of consonant sounds with the lowest frequency was a pharyngeal sound as it had a low vibration on the vocal cord; hence, it only produced the low frequency sound.

Javanese Language Maintenance in Ahmad Tohari’s Bekisar Merah: A Sosiolinguistics Analysis Ines Ika Saputri; Endang Nurhayati
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study aims to determine the form of Javanese language maintenance and to describe the factors motivating the use of Javanese language in Ahmad Tohari’s Bekisar Merah. This study will also discuss strategies of language maintenance in literature. The research herein applies descriptive qualitative methods. The results of this study show that the maintenance of Javanese language in Ahmad Tohari’s Bekisar Merah occurs in word forms, suluk, and Javanese philosophy. The factors motivating the use of Javanese language as a form of language maintenance in the novel are (1) the background of the author, and (2) the eﬀort to uphold Javanese language. Furthermore, there are two general strategies of Javanese language maintenance, particularly in literature, i.e. (1) literature spreading, and (2) authors’ loyalty to local languages as the manifestation of language maintenance.

Evolution in Visual Communication of the Javanese Printed Wedding Invitations Diah Kristina; Nur Saptaningsih
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Printed wedding invitations have been one of the most crucial aspects in the social organization among many countries like Brunei Darussalam, Iran, Egypt, and Persia. Javanese people also pay special attention to this social document as it represents social class, social status, prestige, and fnancial support allocated by the host. Evolution of printed Javanese wedding invitations represent social and economic pressures. The diasporic communities who were absent to earn a living brought a noticeable change by setting up the bride’s parents’ photographs in the invitations. 15 invitation texts were selected ranging from 1980 – 2017 used in Tawangmangu, Wonogiri and Sukoharjo, the eastern part of Central Java, Indonesia. There was a consistent regularity in terms of rhetorical structure. Functionally, the invitations have the same role of inviting prospective guests to share happiness in a more family-bound relationship. Inclusion of parents’ photographs, map of the location, pre-wedding photos, wise words, calendar, the profle of the couple were indicators of transformation taking place. Later, the printing decision of the invitations is pretty much customer-driven informed by the customers’ needs, values, and beliefs. Rhetorically the materialistically-driven social phenomenon was shown by an explicit gifts desired.

On the Orientalism and Neo-Orientalism in Ayad Akhtar’s Disgraced: Analysis on the Dynamics of Amir and Emily’s Relationship Alyssa Syahmina Putri; Herlin Putri Indah Destari
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study analyses the three essential elements of the interracial relationship between Amir and Emily in Ayad Akhtar’s Pulitzer Prize-winning play, Disgraced. They are: Emily’s painting of Amir, her husband, in the style of Portrait of Juan de Pareja by Diego Velázquez; Emily’s White Saviour Complex; and the violence she suffered in the hands of Amir. The first two parts of the analysis will utilise the combination of Identity Construction theory by Stuart Hall, Edward Said’s Orientalism, and the post 9/11 discourse of neo-Orientalism. The last part of the analysis will foreground the entire elements by utilising Stuart Hall’s theory of Articulation. It will be proved that Amir’s violence is an act of retaliation towards Emily’s domination over the production of his identity through representation and her influence in his crucial decisions concerning his relationship with his family. Emily’s victimisation and the emphasis on Amir’s ‘tribalistic bond’ risk a reductionist neo-Orientalist reading of the text. By acknowledging Emily’s White Saviour Complex, the text can be read as a re-articulation of the neo-Orientalist stereotypes of ‘barbaric brown man’ and ‘free white woman.’

Deceptive Strategies in Literature: The Meaning of Folded Story Silvia Rosa
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Tambo Minangkabau is a storehouse of knowledge about the history of the Minangkabau people. Initially, it developed as oral literature, passed from generation to generation in the Minangkabau community in West Sumatra, an Indonesian provinces with a matrilineal kinship structure. However, after the Minangkabau people embraced Islam, Tambo began to be written using Jawi characters in Arabic thus becoming an historical literary work. Tambo tells the history of the Minangkabau ethnic group and also the history of customs and Minangkabau culture. Tambo records past events, stories about the origins of Minangkabau ancestors, philosophy, norms and laws in community life, and even the tragedies that have occurred in this ethnic group. To express the tragedies that have occurred in the past history of the Minangkabau ethnic group, Tambo uses the power of symbolic language. There are two episodes in Tambo that illustrate this. This article reveals the strategy of hiding a tragedy by the Minangkabau tribe through the power of the use of language in historical literary works, especially those depicted in the episodes of “Teka-teki Kayu Tataran” and “Teka-teki Unggas”.

Crime Prevention Through Community Policing Interventions: Evidence from Harar City, Eastern Ethiopia Melese Teferi Adugna; Tesfaye Zeleke Italemahu
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

In Ethiopia, community policing has been announced ofcially as a national program in 2005 E.C with the impetus to nullify crimes at lower tiers. There have been growing reports of prevailing crimes in Jenila district of Harar city. Accordingly, this study endeavors to scrutinize the practices of community policing and associated challenges in the study site. A mixed research deign was used to fetch out primary and secondary data sets. Hence, the participants’ views were captured through questionnaires, key informant interviews and focused group discussions. The data were analyzed using descriptive statistics such as frequency, bar graph and percentages. The fnding of the study revealed that a greater proportions of the respondents recognized that community policing practices had contributed in preventing crimes; burglary 94 (27%) and robbery 77 (22%) as most frequently recurring and reported types of crimes in the city. While community policing structures and concerned actors operate to smoothly run the programs, there were cropping up predicaments at the grass root levels. Limited awareness among the residents, inadequate fnancial resources and professionally ill-qualifed human power were reported as major obstructions. In the face of increasing crimes, both in terms of intensity and types on the one hand, and intricate challenges to penetrate through on the other hand, the communities of residents aspire to dive deep with a sense of ownership and exploit the opportunities for intensifying the programs stated in community policing programs. Eventually, there was need to move in concerted manner to lessen the impacts of crimes in Jenila district of Harar city.

The Connection between Arabic and Western Culture in the Rise of Populism Fadlil Munawwar Manshur
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article discusses the rise of populism in Arabic and Western cultures as well as the connection between them. This study shows that populism in the Arab and Western world have several common characteristics: resistance against the mainstream, xenophobia, isolation, intolerance, hostility towards strangers, extremism, radicalism, anti-multiculturalism, and anti-globalization. The rise of populism has aﬀected Arabic and Western cultures, as well as their interactions. Because of populism, Western culture’s views of the outside world, strangers, immigrants, and Islam has changed significantly. Western culture, inﬂuenced by populism, tend to be intolerant, isolated, xenophobic, and lack trust in multiculturalism. Meanwhile, populism in Arabic culture tends to be more anti-Western, anti-capitalist, and anti-liberalist. With the rise of populism, relations between these two cultural entities have become colored by tension, distrust, suspicion, and xenophobia.

Biography as a Source and a Methodology in Humanities Research I Nyoman Wijaya
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study discusses whether a biography can function as a source and a methodology in the research of humanities. Taking biography as a source, researchers of humanities can use a collection of biographical facts as research material or make it as a resource of writing. While taking it as a methodology, they manage to apply biographical methodology as a science in their research. This is not a simple issue because the 1980s biographical thinking cannot adapt themselves with the latest development in the science of humanities after the emergence of post-structuralist approaches. The approach of scientific biography of 1990s cannot adapt itself either, and seems to be awkward, and difficult to be followed up. Therefore, the authority of history as a science in universities in Indonesia needs to hold a congress to seek a contemporary biographical thinking which can keep up with the influence of post-modern approach [beyond modernism] and post-structuralist theories [beyond structuralism] in the researches of humanities. This study attempts to give some preliminary thoughts by revealing the weaknesses of the previous biographical methodology and also attempts to complete it by offering some alternative thoughts through borrowing or absorbing relevant post- structuralist theories.

Power, Memory, Industry: Nguyen's Search for Justice Anindya Firda Khairunnisa
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

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Elan Ardri Lazuardi,

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Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA