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T. Thyrhaya Zein
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Program Studi Linguistik, Fakultas Ilmu Budaya, Universitas Sumatera Utara Gedung Pusat Bahasa Jalan Abdul Hakim No.1, Medan 20155, Sumatera Utara, Indonesia Atau Jl. Universitas No.19, Padang Bulan, Kec. Medan Baru, Kota Medan, Sumatera Utara 20155 Fakultas Ilmu Budaya - USU
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LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra
Published by TALENTA PUBLISHER
ISSN : 27755622     EISSN : 29641713     DOI : https://doi.org/10.32734/lingtersa.v4i1.10713
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
LINGTERSA adalah jurnal peer-reviewed dengan dewan editorial yang terdiri dari ilmuwan ahli di bidang Linguistik, Kesusastraan, dan Terjemahan. Jurnal ini dipublikasikan oleh Program Studi Linguistik, Program Pascasarjana Fakultas Ilmu Budaya, Universitas Sumatera Utara. Bertujuan untuk menyediakan wadah bagi para peneliti dan pemerhati bahasa, kesusastraan, dan terjemahan.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 5 Documents
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Search results for , issue "Vol. 3 No. 2 (2022): LINGTERSA" : 5 Documents clear
KAJIAN KRITIK FEMINISME CITRA PEREMPUAN DESA DALAM NOVEL “SUTI:Perempuan Pinggir Kota” KARYA SAPARDI DJOKO DAMONO Rahmayani, Geby
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 2 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (339.873 KB) | DOI: 10.32734/lingtersa.v3i2.6313

Abstract

Kajian kritik feminisme ini didasarkan dari pertanyaan yaitu bagaimanakah makna citra perempuan dalam novel Suti karya Sapardi Djoko? Sejalan dengan itu tujuannya ialah untuk mendeskripsikan makna citra perempuan yang terdapat dalam novel tersebut yang dibahas dari hubungan sosialnnya, perkembangan psikisnya, maupun petumbuhan fisik atau biologisnya. Jenis penelitian ini ialah Deskriptif Kualitatif, data yang diambil dari penelitian ini berupa kata, kalimat, dialog antar tokoh,serta paragraph yang mendukung aspek kajian citra perempuan ini. Teknik pengumpulan data yang dilakukan berupa teknik simak dan catat. Hasil penelitian memperlihatkan bahwa citra perempuan dibagi dua yaitu citra perempuan dilihat dari aspek fisik atau psikis dan citra perempuan yang dilihat dari aspek lingkungan social dan keluarganya. Dilihat dari aspek fisik dan psikisnya tergambar dalam novel Suti adalah seorang perempuan yang tegar walaupun dihadapi dengan masalah yang rumit dan tumbuh sebagai wanita dewasa yang berperan sebagai seorang istri dan sekaligus sebagai seorang ibu.dari aspek lingkunga social dan keluarga ia berperan sebagai makhluk yang senantiasa memerlukan orang lain dalam kehidupannya serta dalam kekeluargaan dia berperan layaknya seorang perempuan biasa yang mengerja kan tugas rumah dan hal lain sebagai suatu kewajiban seorang perempuan
Patrilineal and Matrilineal Organization in Sumatera: the Batak and the Minangkabau Khairina, Jikti
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 2 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (333.024 KB) | DOI: 10.32734/lingtersa.v3i2.6342

Abstract

This study is about Matrilineal and Patrilineal descent between the Batak and the Minangkabau culture. Thus, this paper analyzes the view of adults (educated) about the phenomenon in Indonesia, whether the children of those organization confused of the clans of himself/herself. And then this paper aims to elaborate the reasons why adults (educated) people in North Sumatera choose Patrilineal rather than Matrilineal. The research was conducted by using qualitative research. To answer the problems of the study, the data were collected by giving questionnaire. The result of this study were the following; 1) Patrilineal and Matrilineal are supported by the adults (educated) people who participated in filling out questionnaires for this study 2) The reasons why educated people in North Sumatera prefer to choose Patrilineal rather than Matrilineal.
LAMPUNGESE PHATIC EXPRESSION Reranta, Redika Cindra
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 2 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (539.766 KB) | DOI: 10.32734/lingtersa.v3i2.10084

Abstract

Lampungese is one of the endangered languages today as some researchers claim. Therefore, hard efforts are needed to be conducted such as documenting, maintaining, and revitalizing the language. This paper was done to document one of the language features in Lampungese called phatic. Phatic is an expression word that does not have a certain meaning lexically but has a function in communication socially and pragmatically. Abundant examples for this can be found easily in spoken Lampungese in Lampung province, often they are uttered too in Indonesian spoken by people in the province. The step taken was to gather necessary data in form of talks and interviews. The data collected were then classified into smaller groups based on each characteristic. Having the data classified, a comprehensive analysis was then done to be able to answer the research question. In doing the analysis, the researcher was assisted by some native speakers who measured the analysis correctly. The findings cover various forms and functions of phatic. The first, phatic in Lampungese are found in the form of particle, word, phrase, and combination of phatic. The second finding shows that phatic is used as an affirmation of invitation, an affirmation of predicate, affirmation imperatives, comment markers, evidentiary affirmations, and familiarity builders. Moreover, phatic in Lampungese also expresses a certain emotional condition of the speaker. Those findings enrich the reference of Lampungese especially and linguistics generally.
PROJECTION IN DIALOGUE ROMEO AND JULIET SHAKESPEARE’S Tasya Ahbanni
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 2 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (451.184 KB) | DOI: 10.32734/lingtersa.v3i2.10284

Abstract

This thesis studies projection in the complex clauses which are found in Shakespeare’s Romeo and Juliet dialogue. The aims of this study are (1) to find out the types of projection in Shakespeare’s Romeo and Juliet dialogue, and (2) to find out the realization of projections in Shakespeare’s Romeo and Juliet dialogue based on the data that have been analyzed in line with the theory of projection. The data of this study were clause complexes found in Shakespeare’s Romeo and Juliet dialogue. This research is conducted by using a descriptive qualitative approach. The data are analyzed by using the Systemic Functional Linguistics (SFL) theory. The result shows that in (1) In Shakespeare’s Romeo and Juliet dialogue, four types of projection were found, there were 55 clauses complexes of projection. Of the four types of projection that occurred, the highest number of occurrences is Paratactic Locution for 40 clauses (72,7%), followed by Hypotactic Locution for 8 clauses (14,5%), Paratactic Idea for 5 clauses (9,1%), and 2 clauses (3,7%) of Hypotactic Idea. (2) The realization of projection in Shakespeare’s Romeo and Juliet dialogue in terms of verbal locutions and mental ideas. The verbal locution consists of 40 clause complexes for Paratactic Locution, and 8 clause complexes for Hypotactic Locution whereas the mental idea consists of 5 clause complexes for Hypotactic Idea and, 2 complex clauses for Paratactic Idea.
FIGURATIVE LANGUAGE IN JOHN MAYER’S SELECTED SONGS: A STYLISTIC ANALYSIS Syahputra, Fikry
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 2 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (466.996 KB) | DOI: 10.32734/lingtersa.v3i2.10391

Abstract

This research identified and described the figurative language found in five selected John Mayer songs with broken heart themes. The method used in this study is a qualitative descriptive method. Based on the analysis, hyperbole dominates in this study. Songwriters use hyperbole in the song lyrics to emphasize to the listeners what the songwriter wanted to say or what he'd done in his life, the writer used hyperbole to represent his feelings and to express what he wants to say. John Mayer''s selected songs contain meanings beyond the sentence or figurative language. 31 sentences use figurative language in the song lyric, hyperbole is the most dominant type of figurative language that appears in this song because it is used to emphasize a situation or condition for special effects. The use of hyperbole is what then makes the pieces very beautiful and meaningful as it is known that hyperbole is used to strengthen the impression by exaggerating, this is what then gives a strong impression on some of the song lyrics.

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