cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Sugih Nugroho
Contact Email
paradigmafib@gmail.com
Phone
+62217863528 ext. 107
Journal Mail Official
paradigma@ui.ac.id
Editorial Address
Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
Location
Kota depok,
Jawa barat
INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 2, No. 1" : 8 Documents clear
Kisah-kisah dan Kepercayaan Rakyat di Seputar Kepurbakalaan Munandar, Agus Aris
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Some archeological sites in Java, Bali, and Sumatra do not have historical data. This is because during the research, there has not been found any documents relating to the existence of the artifacts. The reconstruction of the relation between the sites and their history were made through analyzing the folk stories and local beliefs about the artifacts. Some of the artifacts are in the forms of temples, gates, water springs (source of holy water during the Hindu-Buddhist kingdoms in Java), stairs, caves for meditation, and layers of stones, such as found in Candi Bima (the Bima temple), Goa Jaran (the cave of the horse), and Bima Lukar water spring in Dieng; the story of the statue of Kunto Bimo in Borobudur temple; the story of Prince Gunadharma in the vicinity of the Borobudur temple, Moonstone in Kalasan temple, and the story of Prambanan temple and the palace of Ratu Baka in Jogjakarta, the Jalatunda water spring in Mojokerto; the story of the cave of Selamangleng and the story of the statue of Thothokkerot in Kediri; the Brahu temple and the Bajang Ratu gate in Trowulan; the first gate of Candi Sukuh in Karanganyar; the big Nekara in Pura Penataran Sasih in Gianyar, Bali; the Karang Kamulyan site in Ciamis, West Java; the Pasemah megalith, in Pagar Alam, South Sumatra. Van Peursen’s ontological approach is used in the research to analyze the relation between the artifacts and the society, thus a study of the past is in the open.
Existentialism by Soren Aabye Kierke gaard: Indiana in Indiana Jones and the Last Crusade as a Representation of an “Authentic” Human Being Asmiliasari, Chintia
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Existentialism of Soren Aabye Kierkegaard is a study focusing on the individual existence as an authentic creature. Existentialism can only be achieved by an individual’s boldness and belief to commit responsibly to a decision he has made. The decision made by each individual should be based on his subjective truth and should not be influenced by the collective truth called the objective truth. The subjective truth will later lead each individual to his way finding an absolute truth, although despair and uncertainty haunt every decision he has made. A totality of believing in making decision and holding the commitment into it will finally bring an individual to the existence of himself as the most authentic creature. Indiana in Indiana Jones and the Last Crusade represents an individual with a quality of Soren Aabye Kierkegaard’s Existentialism concept. It is begun from Indiana’s imprisonment in his objective truth as an archeologist, his despair at making a choice and decision, in which finally turned him into someone who finds an absolute truth based on his subjective truth. At last, his finding has led him into an existence and authentic individual.
What do Students Need to Know? How About the Idea of Progress ? Pickus, David
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Studying Archeology needs an understanding of the idea of progress. The concept of progress was popular in the 1920s, and it was not for Archeology alone, but it became a new intellectual understanding of the world. “The idea of progress is one of the fundamental notions grappled by civilizations with a historical sense“. “Does this change in the use of metals equal development?,” reminds us to the Xuanyuan era where stone was used to make weapon, whereas jade in the time of Huangdi, and bronze in the time of Yu. This shows that Archeology is related to history and some social institutions, besides applying biochemical analysis to an artifact. As an example of a multi disciplinary archeological research was found in the hypothesis of Why the West rules – for now, by Ian Morris, 2010, which states that the Mediterranean region has the most advanced economic achievement compared to the other regions. The conclusion of which was drawn from analysis of shipwrecks in the Mediterranean ocean and the level of lead in the soil. The concept of progress in this case was the implication of a synthesis contributed from the perspective of several disciplines, or consilience. Thus, the artifacts of the past should be interpreted contextually, and so were the present materials. The values of which will have never been lesser or better in the light of progress.
Dinamika “Timur” dan “Barat” dalam Tokoh Boonyi Kaul Noman dalam Shalimar The ClownKarya Salman Rushdie Arumsari, Chysanti
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

As the concepts of “West” and “East are not only recognized in area studies, they are also known in the study of culture. Both concepts represent a culture, of which they are not always in agreement, but are often opposition, one against another. Shalimar the Clown, a novel by Salman Rushdie presents “West” and “East” using India for its main background. The research analysizes Boonyi Kaul Noman, one of the main characters, who shook the dichotomi of West against East within the paradigms of Orientalism and Occidentalism. The discussion on the construction of East defines the relationship between the locality and role of Boonyi in the family and in the society. At the same time, the construction of “West” covers the analysis of opinion, life and role of the main character. The cultural approach and Edward Said’s theory on Orientalism-Occidentalism (1978) are applied to analize and break the dynamic of the concepts of “East” and “West.”
Analysis of Audience Reception on Youtube towar d Gender Construction in the Music Video If I Were a Boy by Beyonce Knowles Avriyanty, Ria
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Youtube is one of the favorite sites to share videos. Moreover,it facilitates the users to give a free and direct comment toward the videos they watch. The research examines the music video entitled If I Were a Boy (2010) by Beyonce Knowles as well as the authentic responses from the viewers in Youtube. I argue that this music video creates a conventional gender construction which perpetuates the patriarchal norms in the society. As an attempt to give a new perspective on the similar kind of research, I do not stop at this point. Applying the concept of encoding-decoding by Stuart Hall (1973), I found the audience’s being critical which can be seen from the total number of the responses and the controversy within. In accordance to the three hypothetical position argued by Hall, I found a different portion of the audience in each position. As a matter of fact, this phenomenon contributes to the cyber culture in which Youtube is seen as a functional space to make meaning of a digital text and negotiate with the constructed stereotype by giving responses.
The Character and the Spatial Concepts of Cakranegara The Historical City of Indonesia as an Alternative Urban Design Mulyadi, Lalu
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The main challenge in Indonesian urban conservation efforts is to determine how changes can meet our current needs without jeopardizing its unique character. Cakranegara, Lombok is one of the towns that have unique character and concept for its spatial organization. This research seeks to define the character of Cakranegara by outlining the spatial city concepts in relation to the physical character based on the socio-cultural and religious principles using questionnaires, mental mapping, visual survey and interviews. The results indicate that the grid pattern, settlement blocks and the positioning of the east-west temples have become the specific character of the city. Findings suggest that cosmological philosophy that emphasizes on the relationship between human and nature is used to determine the spatial organization. This relationship is observed in the placement of the three temples which symbolizes the spirit, the dwellers as the energy and the settlement territorial as the vessel. The study concludes that the basic principles of socio-cultural and the socio-religious beliefs had created the spatial concept of this historic town.
Wayang Dan Nilai- nilai Etis: Sebuah Gambaran Sikap Hidup Orang Jawa Kushendrawati, Selu Margaretha
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Javanese wayang performance reflects some ethical values that express the attitudes and norms of the Javanese people. The wayang stories bring into focus some elements of the culture, such as customs, arts, way of life, mysticism, and religion. The characters of the wayang performance depict some ways of life and mind-sets of the Javanese of an understanding of the final destination of life, sangkan paraning dumadi, which is a longing to be united with God at the end of their life. Wayang performance is a high form of Javanese culture that needs to be preserved to sustain multiculturalism in Indonesia.
Mendorong Pemahaman Kritis Tentang Dokumen-Dokumen Prinsipil dan Narasi Kebijakan Luar Negeri Amerika di Kawasan Asia Pasifik 2000-2010: Catatan Penelitian Sudarman, Suzie
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research note essentially highlights how an argumentation was developed to reveal the implicit tensions that had been part of the American foreign policy maneuvers in Asia-Pacific, and the locus that were expressed have caused controversy. The finding is an effort to formulate analysis of the American foreign policy through an understanding of the nature of paradoxal and tension in the general American foreign policy, specifically in Asia-Pacific. Moreover, the pressures from outside the Asia-Pacific region, have eventually impacted the configuration of the publik officers and the experienced politicians in the locale, who have resulted policies to support the establishment of the relevant institutions in the region.

Page 1 of 1 | Total Record : 8

 1 

Filter by Year

2011 2011


Reset
Filter By Issues
All Issue Vol. 15, No. 2 Vol. 15, No. 1 Vol. 14, No. 3 Vol. 14, No. 2 Vol. 14, No. 1 Vol. 13, No. 3 Vol. 13, No. 2 Vol. 13, No. 1 Vol. 5, No. 1 Vol. 12, No. 3 Vol. 12, No. 2 Vol. 12, No. 1 Vol. 11, No. 3 Vol. 11, No. 2 Vol. 11, No. 1 Vol. 10, No. 3 Vol. 10, No. 2 Vol. 10, No. 1 Vol. 9, No. 3 Vol. 9, No. 2 Vol. 9, No. 1 Vol. 8, No. 2 Vol. 8, No. 1 Vol. 7, No. 2 Vol. 7, No. 1 Vol. 6, No. 2 Vol. 6, No. 1 Vol. 5, No. 2 Vol. 4, No. 2 Vol. 4, No. 1 Vol. 3, No. 2 Vol. 3, No. 1 Vol. 2, No. 2 Vol. 2, No. 1 Vol. 1, No. 2 Vol. 1, No. 1 More Issue