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Regina Veronica Edijono
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Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 14 Documents
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Search results for , issue "Vol. 14, No. 1" : 14 Documents clear
Claude Guillot, Banten; Sejarah dan peradaban abad X-XVII. Translated by Hendra Setiawan, et.al. Second Edition. Jakarta: Kepustakaan Populer Gramedia in collaboration with the cole francaise d'Extreme-Orient, Forum Jakarta-Paris and National Archaeolog Untoro, Heriyanti O.
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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Dutch-Indonesian interlanguage; Psycholinguistic study on syntax Riyanto, Sugeng
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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This article focuses on the psycholinguistic study of the syntactic aspects of Dutch-Indonesian interlanguage. The study is based on the interlanguage syntax observed in an oral test given to thirty Indonesian learners of Dutch as a second language, whose purpose is to test the processability theory of Pienemann (2005a, b, c, 2007). The results of the study provide evidence for the validity of Pienemann's theory. Learners who have acquired sentences with the highest level of processing will also already have acquired sentences with a lower level of processing. The results from learners with a high level of Dutch proficiency verify the processability theory with more certainty than the results of learners with a lower proficiency. Learners tend to rely on meaning if they are not confident of their grammatical proficiency. Interlanguage is the result of the immediate need to encode in the mind concepts and ideas into the form of linguistic items, within a fraction of a millisecond, whilst the supporting means are limited, and whilst learners already have acquired a first language and possibly another language as well.
Matthew Isaac Cohen, Performing otherness; Java and Bali on international stages, 1905-1952. Basingstoke: Palgrave Macmillan, 2010, xxii + 285 pp., illustrations. ISBN 13 978-0-230-22462-9. Price: EUR 58.12 (hard cover). van der Meij, Dick
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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Negotiating Islam with cinema; A theoretical discussion on Indonesian Islamic films Huda, Ahmad Nuril
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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This paper aims at exploring certain negotiations that justify Muslim's cinematic texts and practices. It focuses on the questions about what is Islamic and un-Islamic about film, who and what decides certain films as Islamic, and what are the meanings of cinematic practices of Islam for Muslim society. Furthermore, this paper tries to investigate these questions from a theoretical basis using concepts of Islamic modernity, Islamic Ummah and Public, in order to shed some light on the idea of how a production of an Islamic film may trigger the creation of a political and religious identity.
The urban-rural dichotomy in the Indonesian documentaries; "Nona nyonya?" and "Untuk apa?" Saraswati, Asri
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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The media play a pivotal role in the democratization process in Indonesia and this is among others apparent in the surge of films, both fiction and documentaries that have been produced after the end Suharto's decades of control over the media. It is important to note, however, that compared with fiction films, the documentary genre remains rather unpopular in Indonesia. Indonesian documentary films struggle to depict stories of the subaltern and those living in the "periphery" in order for them to be seen and heard by the greater masses and by those in power - the ones in the "centre" or Jakarta. This paper discusses the connection between urban and rural voices and its impact in the documentary films Nona nyonya? (Miss mrs?, 2008) and Untuk apa? (What's the point?, 2008) produced by Kalyana Shira Films, an organization well-known for its work on gender issues using film as medium. Departing from the notion that the film industry itself is still largely Jakarta-centred, this article focuses on the way urban settings and voices are used to create rhetoric, and the impact of the domination of these urban voices over the rural ones.
Gender bias in a patriarchal society; A media analysis on virginity and reproductive health Sarwono, Billy K.
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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Women and health are two very close issues as family health lies most often in the hands of women. Ironically, their awareness toward their own health is still low. Cultural constraints have made single, unmarried women or virgins feel reluctant to go to obgyn clinics, though there is an increasing prevalence of cervical cancer in Indonesia. Related to the role of the media to reduce the number of women with cervical cancer, a question rises. How do the media represent this conflict? The object of the study is a documentary film about several problems faced by women. The unit of analysis is the episode that contains issues related to the virtue of virginity, and data were collected through an analysis of the media text. The findings show that the media seem to have an awareness of the problems, but they have not fully adopted gender perspectives, and this leads to the strengthening of myths, taboos and traditional values surrounding virginity.
"Pintu terlarang"; A disconcerting spatial interpretation of urban dystopia Kristianto, Bayu
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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The main character of the film Pintu terlarang (The forbidden door), Gambir, attains success in the art world by making statues of pregnant women. Part of his creative process is to insert dead foetuses into the wombs of the statues. His troubled soul meets a written request for help by a child he encounters in various places. The journey to find the child leads him to a secret door, revealing a terrifying reality of a dehumanized world. The city, commonly characterized by a sense of vastness, is set in opposition to small, enclosed spaces where individuals converse with their utmost self. The questions explored are: What is the role of space in engendering urban dystopia? In what ways does the selection of different space settings help create a dehumanized world? I argue that urban dystopia is created when the inhabitants of a city return to enclosed spaces in an effort to find an existence. When individuals prefer enclosed spaces and fail to reconstruct existing meanings, tendencies toward dystopia will come forward and city life will degenerate.
Plagiarism issues in post-1998 Indonesian film posters Imanjaya, Ekky; Pratalaharja, Emanuel
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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There are online articles, with visual materials, stating that some post-1998 Indonesian film posters were accused as plagiarism by common people. However, academically speaking, it needs deeper skills and knowledge to prove acts of plagiarism. This paper will discuss the issues around Indonesian film posters and plagiarism, including the possibility of citing in graphic design. The research will treat film posters not only as marketing tools to promote the movies, as many people consider, but also as graphic design materials. Some terms such as appropriation, homage, and pastiche will be discussed to analyze the phenomenon.
Programs for children; The neglected world Sarumpaet, Riris K. Toha
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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What do children watch on Indonesian television? This article tries to answer this question in the conviction that TV shows made for children require an understanding of their needs in order to grow, motorically, cognitively, psychologically, socially, and culturally. From my own fieldwork and research done on the data provided by my informants, I found that on television during the time slot set for children there are shows that are not intended for children to watch. I also found that children enjoy two favourite television shows in Indonesia the most, which are not programs designated for children. The conclusion is that Indonesian television pays little attention to children's needs, and children are neglected.
Social qualities of time and space created in performing arts of West Java; The implications for safeguarding living culture van Zanten, Wim
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
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Collective representations of "time" do not passively reflect time, but time and space are mediated by society. By our social practices, such as making music and dancing, we create time. Different cultural groups may experience and perceive time in different ways, and also within one cultural group the quality of time is not always experienced in the same way. Anthropological studies have shown that in each cultural group different perceptions of time co-exist. For instance, time generally tends to be perceived as both a linear flow and as repetitive. We should not confuse metaphysical and sociological arguments about time: time in music and other performing arts operates at the social and not at the metaphysical level. The essay discusses a variety of social qualities of time and space as it becomes manifest in some performing arts of West Java and the implications for their safeguarding.

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