cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Wahid Tuftazani Rizqi
Contact Email
wahidtuftazani95@gmail.com
Phone
+6287845710354
Journal Mail Official
wahidtuftazani95@gmail.com
Editorial Address
Jl. Ki Hajar Dewantara No.19, Kentingan, Jebres, Surakarta, Jawa Tengah 57127
Location
Kota surakarta,
Jawa tengah
INDONESIA
Sanggitarupa
Published by Institut Seni Indonesia Surakarta
ISSN : 28088301     EISSN : 29876877     DOI : -
Core Subject : Art,
Arts
Sanggitarupa is an Fine arts journals covering art in interior design, visual communication design, photography, film and television, sculpture, printmaking, painting supported by the concept of creation, which are innovative and scientific works that are always oriented towards quality improvement Sanggitarupa is published twice a year, in July and December. Admitted and published articles can be freely accessed on this website.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 7 Documents
 1 
Search results for , issue "Vol. 2 No. 2 (2022)" : 7 Documents clear
CITRA TUBUH WANITA SEBAGAI SUMBER INSPIRASI KARYA SENI LUKIS Vilanda, Avita Risqi; Suyasa, I Nyoman
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4752

Abstract

This final project have to understand the image of woman’s body as a source of inspiration for painting. Through this final project I want the perfection of body appearance does not have standard but instead becomes a form of diversity. Difference in body shape, skin color, and body size should be things in human life that are generally accepted and not a form of problem such as standaration of beauty in society. In the process of creating this final project, the writer use the method of creation proposed by Hermann Von Helmholtz, which consists of, among others, saturation (data collect), incubation (precipitation) and illumination (Embodiment the work). Data collection is done through interview and take pictures directly to the relevant sources. The result of this final project show the idea of painting submit by the author is expect tobe a source of inspiration for many people, expecially woman, in responding to the acceptance of the diversity of body appearrences through the creation of body image beyond the standardization of society. Another way, by raising the topic of this woman body image, it is hope that people out there who feel they have shortcomings, especially in physical terms, become more accepting and respectful of themselves
IMPLEMENTASI MOTIF BATIK GEDOG PADA HUMIDIFIER DAN DIFFUSER 2IN1 Annafi, Erinda Hayu
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4753

Abstract

In the world of interior design, some traditional art results such as typical Indonesian batik motifs are very rarely applied to interior design elements. Even though this batik motif will be very interesting if applied to contemporary interior accessories such as humidifiers and diffusers. The way humidifiers and diffusers work is different. Humidifiers work by removing moisture to increase the humidity content of the air. While the diffuser emits steam into the air from the essential oils that are put into it. This 2in1 humidifier and diffuser is named HUDIGO (Humidifier, Diffuser, Gedog) The naming comes from the application of batik gedog on several sides of the humidifier and 2in1 diffuser. Gedog Batik originated from Tuban, East Java. The character contained in the Gedog batik motif Kijing Miring is a character of tolerance. In this motif, there are Islamic religious teachings that are adjacent to the culture of the surrounding community, namely the Gedog batik culture which comes from Javanese culture. The two cultures can coexist without losing the original culture. This application aims to apply semiotic elements to modern interior accessories. In addition, to maintain the existence of batik. Semiotic analysis uses a qualitative approach. This is because the basic assumption of semiotics is the study of signs, where in interpreting it everyone will be different. Each object has a subjective meaning, including the subject who interprets the object.
KERINDUAN PADA NENEK SEBAGAI SUMBER INSPIRASI PANCIPTAAN KARYA SENI GRAFIS Ariyadi, Irfan; M, Alexander Nawangseto
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4764

Abstract

The deep longing for the love and advice from grandmother, which is ingrained in the person, teaches a lot about the simple way of life as a Javanese. The purpose of creating this work of graphic art is to explain the concept, process, and visual description of a work whose inspiration comes from longing for one's grandmother. The technique used is the printing technique (Intaglio). The creation of this Final Project graphic artwork provides more insight regarding the tools, materials, techniques to work on a work. The result obtained from the creation of the work is a work of graphic art inspired by a sense of longing for grandmothers. In addition, empirical experience in creating works of art is also a deepening of the concept of longing for grandmothers.
HASIL PRODUK SEMIOTIKA Isman, Raya Nazwa; Badriyah, Siti
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4765

Abstract

The purpose of semiotic analysis is to find the meaning of signs, including the things that are hidden behind a sign. Semiotics (semiotics) is a theory about the giving of 'signs'. In general, semiotics is classified into three basic concepts. The interior design of this room displays a concept that meets the criteria for sufficient space in lighting. This room is designed to be as comfortable as possible with very sufficient lighting. It's the same as the semiotics of light that marks this room
EFEK MEDIA SOSIAL TERHADAP REMAJA SEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI LUKIS Hasanudin, Miftah; Rahman, Deni
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4766

Abstract

The effect of social media on adolescent is the main discussion on the background of magnitude of the influence of social media on daily life, such as patterns of interaction and development of ways of thinking of adolescent. Adolescent segment was chosen because it is the transition of a person to adulthood, this age is also called the age of shock where a person begins to enter the wider environment and relationships. The creation of this painting is expected to provide knowledge about the effect of social media on adolescent, as well as the process of creation and its visual aesthetics.
STUDI IKONOGRAFI ORNAMEN PADA INTERIOR MASJID AGUNG AL FATTAH MOJOKERTO Hariyanto, Vernanda Juni; Badriyah, Siti
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4767

Abstract

The Great Mosque of Al Fattah is a mosque built in 1877 which was the first Muslim worship building in Mojokerto City. This research uses qualitative research methods based on Panofsky's Iconography theory. The research was conducted through three stages, namely pre-iconography, iconographic analysis, and iconography interpretation. The results showed that the ornaments on the Great Mosque of Al Fattah have a stylistic meaning that is in accordance with the interior style, namely Majapahit-Middle East, but there are some ornaments whose use is not appropriate to the interior style of Majapahit- Middle East.
KARAKTERISTIK MOTIF TENUN OMAH PETROK DI DESA TROSO JEPARA Fajarena, Yustia; Yustana, Prima
Sanggitarupa Vol. 2 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v2i2.4768

Abstract

Ikat weaving is one of the noble heritages in the form of cloth or textiles which until now has been in great demand by the people of Indonesia. Weaving is used as a symbol of dress by certain communities. This study aims to describe the historical background of omah petrok weaving in Torso Jepara Village, explain the creative process of omah petrok weaving for the people of Torso Village, outline the forms and meanings contained in the Omah Petrok woven cloth used by the people of Troso Jepara Village. This research is a qualitative research. The subject of this research is Omah Petrok's woven fabric in Troso Jepara Village. In addition, data obtained from observation techniques, interviews and documentation. Data analysis was also carried out in a qualitative descriptive manner with the steps of data collection, data reduction, data processing, data testing, and drawing conclusions or verification. The research location is on Jl. Datuk Ampel Troso Village 01/02 Pecangaan Jepara. The results of this study are to determine the home industry that produces weaving, namely Omah Petrok Weaving, to determine the production potential of the home industry. The technique for making Omah Petrok Weaving includes: selecting materials and tools, making weaving designs, choosing colors based on themes, coloring processes, weaving and finishing processes. As well as explaining the meaning of the omah petrok woven motif and the uses of the omah petruk woven motif.

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2022 2022


Reset
Filter By Issues
All Issue Vol. 5 No. 1 (2025): Sanggitarupa Vol. 4 No. 2 (2024) Vol. 4 No. 1 (2024) Vol. 3 No. 2 (2023) Vol. 3 No. 1 (2023) Vol. 2 No. 2 (2022) Vol. 2 No. 1 (2022) Vol. 1 No. 2 (2021) Vol. 1 No. 1 (2021)