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All Journal JURNAL MAHASISWA BK AN-NUR : BERBEDA, BERMAKNA, MULIA Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Teknologi Informasi dan Multimedia Indonesian Journal of Engagement, Community Services, Empowerment and Development (IJECSED) Fruitset Sains : Jurnal Pertanian Agroteknologi Jurnal Penelitian Ilmu Pendidikan Indonesia Sanggitarupa Jurnal Manajemen Bisnis Era Digital Al-Qalam: Jurnal Kajian Islam Dan Pendidikan Spektra : Jurnal Ilmu-ilmu Sosial Al-Idaroh Darussalam: Journal of Psychology and Educational Communicative : Jurnal Komunikasi dan Penyiaran Islam Moderation: Journal of Islamic Studies Review
Deni Rahman
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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Pengendalian Persediaan Bahan Baku Kedelai Menggunakan Metode EOQ (Economic Order Quantity) Pada Kopti Kabupaten Bogor Deni Rahman; Fathiya Najmaayyubi; Hasna Salsabila; Rachmawati Rezeki; Noviqa Shaumi; Agung Prayudha Hidayat; Astiani Safitri
Jurnal Manajemen Bisnis Era Digital Vol. 1 No. 2 (2024): Mei : Jurnal Manajemen Bisnis Era Digital
Publisher : Asosiasi Riset Ilmu Manajemen Kewirausahaan dan Bisnis Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/jumabedi.v1i2.91

Abstract

The need for soybeans in Indonesia increases along with population growth, with demand reaching 2.7 million tons in 2023. Soybeans are an important raw material in the food industry, especially for processed products such as tempeh. This research aims to analyze the control of soybean supplies in the Bogor Regency Tofu and Tempe Cooperative (KOPTI) using the Economic Order Quantity (EOQ) method. The Economic Order Quantity (EOQ) method was chosen because it is able to optimize the costs of ordering and storing raw materials. Primary data was obtained through interviews with KOPTI owners and employees. The analysis results show that the optimal order quantity is 333,371 kg with an order frequency of 4 times per year. In addition, the safety stock required is 82,252 kg, and the reorder point is 85,865 kg. Using the EOQ method can save total inventory costs from IDR 14,332,491.57 to IDR 910,102.39. This research suggests KOPTI to apply the Economic Order Quantity (EOQ) method to increase cost efficiency and maintain stable raw material supplies.
LOGOTHERAPY COUNSELING ENCOUNTER WITH ZAKAT Rahman, Deni; Hidayat, Rahmad; Silvianetri, Silvianetri; Irman, Irman
Jurnal Mahasiswa BK An-Nur : Berbeda, Bermakna, Mulia Vol 10, No 3 (2024)
Publisher : Universitas Islam Kalimantan Muhammad Arsyad Al-Banjari Banjarmasin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31602/jmbkan.v10i3.11770

Abstract

This research aims to examine the relationship between logotherapy counseling and zakat. This research uses library research. The data used in this research is secondary data obtained from books, journals and scientific articles. The research results show that logotherapy and zakat counseling have a high level of agreement. The meeting between counseling perspective of logotherapy with zakat can be seen from three aspects, namely aspects goals aspects values and aspects of the process, so the meeting between zakat and logotherapy perspective counseling can help clients to live a more meaningful and useful life
Reka Cipta Brand UI/UX Program Studi Desain Komunikasi Visual menggunakan Metode Design Thinking Hasbullah, Hasbullah; Anas, Andi Sofyan; Rahman, Deni
JTIM : Jurnal Teknologi Informasi dan Multimedia Vol 6 No 3 (2024): November
Publisher : Puslitbang Sekawan Institute Nusa Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35746/jtim.v6i3.610

Abstract

The Visual Communication Design Study Program at Universitas Bumigora currently utilizes various digital platforms such as the website, Instagram, YouTube, and Facebook. However, branding across these platforms shows inconsistencies and insufficient interactivity between users and the system. This research aims to design a cohesive UI/UX solution for the Visual Communication Design Study Program by applying a design thinking approach, which includes stages of empathy, definition, ideation, prototyping, and testing. The study is grounded in interaction aesthetics theory, used to identify user needs and develop innovative, responsive design solutions. The results indicate that the new UI/UX design significantly improves user satisfaction and visual communication effectiveness. The resulting interface concept is more intuitive, with additional interactive features that support a more integrated user experience and more accurately reflect the institution's identity. This study makes a significant contribution to user-centered design approaches in academic environments and offers a model that can be applied to branding development in other educational institutions. The novelty of this research lies in the deep integration of UI/UX design principles within a specific academic context, providing more effective and representative solutions for institutional branding needs.
ANALISIS SEMIOTIK CHARLES SANDERS PEIRCE DALAM FILM SPOTLIGHT Deni Rahman; Jihan Fernanda
Communicative : Jurnal Dakwah dan Komunikasi Vol 4 No 2 (2023): Communicative : Jurnal Komunikasi dan Dakwah
Publisher : Program Studi Komunikasi dan Penyiaran Islam, Fakultas Dakwah dan Komunikasi, Universitas Islam Bunga Bangsa Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to analyze the film "Spotlight." This research uses a qualitative method with data collection techniques including primary and secondary data. The data analysis technique used in this research is a qualitative descriptive analysis technique. The semiotic method used for this research is Charles Sanders Peirce's Semiotics. The results of this research indicate that the meaning of the message of journalism symbols according to Charles Sanders Peirce's semiotic analysis in the film "Spotlight" is that a journalist must have 1) a high sense of curiosity 2) ethics when digging for a story, 3) the principle of balance, 4) objectivity, 5) a notebook or recorder as a tool to remember acquired information, and 6) the courage to conduct reporting and data research to be used as news.
SAPUT POLENG DALAM PENCIPTAAN KARYA SENI LUKIS DENGAN TEKNIK OPAQUE DAN IMPASTO Suyasa, I Nyoman; Rahman, Deni
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2121.837 KB) | DOI: 10.33153/acy.v9i1.2123

Abstract

The research titled “Saput Poleng dalam Penciptaan Karya Seni Lukis dengan Teknik Opaque danImpasto” was an art creation research based on the development of painting that served as an awareness media of nature conservation by raising local wisdom as symbol of natural balance. Polengcloth was a symbol of natural balance. In everyday life, Hindus in Bali, especially in Hindu ritualactivities, often wore objects or woven fabrics with various colors, such as white, red, yellow, or amixture of these colors. The variety of colors used was not just for enhancing the beauty of theceremonies in order to make them look splendid, but actually the use of color was based on thephilosophical meaning derived from the Vedic scriptures. This research used several methods of artistic research (art creation). These stages included: research, experimentation, contemplation, and formation. The research was focused on the meaning of poleng cloth in nature conservation, usingmetaphor language in its disclosure, visualizing it by combining opaque technique and impasto technique. These technique was used to create cloth characters and tree characters. Utilized acrylic paintas the ingredient, because in addition to dry quickly, this paint brought unexpected effects added tothe artistic value. The hope was, by creating this painting in addition to experimenting and exploringfor new possibilities in combining opaque techniques with wider and free impasto techniques, thepainting was also became awareness media to be more concerned with nature conservation.Keywords: Saput poleng, metaphor, opaque and impasto.
STUDI PENCIPTAAN SENI KINETIK “RAMPOGAN” Isnanta, Satriana Didiek; Rahman, Deni
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2457.638 KB) | DOI: 10.33153/acy.v10i2.2277

Abstract

The study of the creation of kinetic artwork with the title “Rampogan” focuses on the study of the creation of installation works that can move (kinetic). The purpose of this experiment-based art creation is to explore the possibilities of novelty on three aspects, namely: (1) visual rampogan aspects of the wayang kulit purwa as a representation of ideas, (2) aspects of the medium / material used and (3) mechanics aspects that can move the aesthetic elements of the work.The theme of the work in this creation study originated in Javanese cultural art, namely “Rampogan” (the puppet child who describes the dynamics of warriors leaving for war). This represents the idea of creating works about social phenomena that occur in Indonesia now, where the common life of the nation and state has been torn apart by a group of people who force the will of their groups by going down the streets.The method of creating this work uses a method of “artistic creation” which consists of three stages of creation, namely: (1) the experimental stages related to the exploration of materials, tools and techniques. (2) the contemplation stage relating to the exploration process of several alternative metaphors that will be used in the work, and (3) the formation stage which is the process of materializing the work by considering the principle of composition and structure.The output of this creation study is the creation of a kinetic work with the title “Rampogan”, scientific articles in national journals and intellectual property rights.Keywords: kinetic art, rampogan, Javanese culture
PEMANFAATAN TEKNOLOGI LASER ENGRAVING UNTUK MEMBUAT MATRIX RELIEF PRINT DENGAN MEDIA MDF Rahman, Deni
Acintya Vol. 12 No. 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i2.3577

Abstract

ABSTRACTThe invention of laser technology is an extraordinary breakthrough in human life. The needs of human life are mostly helped by laser technology, including medicine, and the creative industries. In the creative industry, laser technology is very significant in producing works and products that require complicated details, form precision, and speed of cultivation.The advantages of laser technology are utilized in the studies of graphic art creations in making matrix relief print with MDF (Medium Density Fibreboard) media. The use of laser engraving technology is to create a matrix of graphic print works with high print principles by combining the forms produced by manual images and the forms of digital processing, which is, then, assisted by laser technology. Keywords: MDF, cutting laser, high printing technique, matrix ­­ABSTRAKPenemuan teknologi laser merupakan terobosan yang luar biasa dalam kehidupan manusia. Banyak kebutuhan hidup manusia yang kemudian terbantu oleh teknologi laser ini, di antaranya bidang kedokteran, dan industri kreatif. Khusus di bidang industri kreatif, teknologi laser sangat signifikan dalam menghasilkan karya dan produk yang memerlukan detail yang rumit, kepresisian bentuk, dan kecepatan penggarapan.Kelebihan teknologi laser tersebut dimanfaatkan dalam studi penciptaan karya seni grafis untuk membuat matrix relief  print dengan media MDF (Medium Density Fibreboard). Pemanfaat teknologi laser engraving tersebut untuk menciptakan matrix karya cetak grafis dengan prinsip cetak tinggi dengan memadukan bentuk–bentuk yang dihasilkan antara gambar manual dan bentuk-bentuk hasil olah digital, yang kemudian pengerjaan dibantu oleh teknologi laser. Kata kunci: MDF, laser cutting, teknik cetak tinggi, matrix
Wheat Paste Di Jalanan Yogyakarta (Seni Cetak Grafis Sebagai Alternatif Media Pop Propaganda) Rahman, Deni
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.675 KB) | DOI: 10.33153/bri.v5i2.407

Abstract

When we observe the Indonesian public space, in big cities such as Jakarta, Bandung and Yogyakarta, we can see that the space is now packed with a wide range of consumer imagery, which is offered by the owners of capital, with posters, banners, and billboards . Moreover we can found also the spirit of ‘youth rebellion’ through graffiti, murals, and which is now becoming more popular or well is a wheat paste. Competing for attention with the visual images in the public space, of course, will always be won by those who have capital. The street artist should be smart to choose the media and what is the most appropriate technique to use. Using printmaking with many variety of technical work to make wheat paste of popular propaganda, will be one of smart strategy, because printmaking can be created massive, but still has the artistic power. Keywords: propaganda, printmaking, street art, wheat paste
SENI GRAFIS INDONESIA KEMBALI KE "JALAN MASIF" Rahman, Deni
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (490.901 KB) | DOI: 10.33153/bri.v9i2.2170

Abstract

The graphic practitioners' tactics of exclusive graphics so that they are equal to painting, it makes graphic art seem only as one of the techniques of painting. To bring graphic art closer to society, taking a "massive ways" will be a powerful strategy. This will put the graphic arts back in their nature, namely multi-impression works. keywords: graphic art, massive
INTERAKSI PERSAHABATAN MENURUT TUNTUNAN ISLAM SEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI SILK SCREEN Jayanti, Intan Dwi; Rahman, Deni
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3844

Abstract

Berangkat dari pengalaman empiris penulis berinteraksi dengan sahabat dalam lingkup masyarakat muslim dapat diambil pelajaran dari adab berinteraksi yaitu proses merefleksikan diri agar berkembang menjadi pribadi yang lebih positif dan upaya persuasif untuk mengajak masyarakat memahami dan menyadari pentingnya sebuah hubungan sosial yang ideal dan harmonis. Penciptaan karya mengacu pada tiga tahapan meliputi tahap eksperimen, perenungan, dan pembentukan. Hasil yang diperoleh dari penciptaan karya Tugas Akhir ini adalah karya seni grafis silk screen teknik afdruk dengan editing raster warna CMYK yang dicetak di atas kertas. Kata Kunci: Interaksi, Sahabat, Tuntunan Islam, Seni Grafis, Silk Screen.  ABSTRACT Departing from the author's empirical experience of interacting with friends within the scope of Muslim society, lessons can be learned from interacting manners, namely the process of self-reflection in order to develop into a more positive person and persuasive efforts to invite people to understand and realize the importance of an ideal and harmonious social relationship. The creation of works refers to three stages including the stages of experimentation, contemplation, and formation. The result obtained from the creation of this final project is a silk screen graphic art with afdruk technique with CMYK color raster editing that is printed on paper.  Keywords: Interaction, Friends, Islamic Guidelines, Graphic Art, Silk Screen.
Co-Authors Abidin, Idrus Agung Prayudha Hidayat Al Musawa, Nabiel Andi Sofyan Anas Arafah, Mudrikatul Astiani Safitri Daud Rasyid Dwi Budi Santoso Evalinda, Evalinda Farhana, Nurfitria Fathiya Najmaayyubi Fauzi, Ikka Kartika Abbas Fernanda, Jihan Fitriyana Fitriyana, Fitriyana Hasanudin, Miftah Hasbullah Hasbullah Hasna Salsabila Hayatuddin, Hayatuddin Hermawansyah, Wawan Hidayat, Khairul I Nyoman Suyasa Imam Santoso Irman Irman Jayanti, Intan Dwi Jihan Fernanda LIA AMALIA Mansyur, Anaway Irianti Maskur, Asep Masluchah, Lulu Muhibuddin Muhibuddin, Muhibuddin Mutakin, Asep Zenal Noviqa Shaumi Nurhaidah, Siti Nuri Nurlatifah, Syifa Rachmawati Rezeki Rahmat Hidayat Ramdani, Riska Rozelan, Ahmad Saparudin, Imam Satriana Didiek Isnanta Silvianetri, Silvianetri Sugandi, Tatan Tien Turmuktini Wahidah Fitriani Wardi, Miftahussa’adah Yusfik, Yusnita