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Life and Death: Journal of Eschatology
Published by Institute for Advanced Science, Social, and Sustainable Future
ISSN : -     EISSN : 3025275X     DOI : https://doi.org/10.61511/lad.v1i1.2023
Core Subject : Religion, Humanities, Social,
Religion Humanities Social Sciences
Life and Death: Journal of Eschatology focuses on multidisciplinary studies from religion, philosophy, social, psychology, literature, anthropology and other relevant fields. The research collaborates theories and facts that were attached with life and death. This journal facilitates various critical aspect of common issues in sciences for recognizing impacts and phenomena due to life and death using multi-perspective of ideas.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 32 Documents
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Swami vivekananda’s perspective on radicalism and extremism: Tolerance, pluralism, and education as strategic solutions Widyastuti, Ni Putu; Rumbay, Christar Arstilo; Wirya, Zen Prasetya
Life and Death: Journal of Eschatology Vol. 3 No. 1: (July) 2025
Publisher : Institute for Advanced Science Social, and Sustainable Future

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61511/lad.v3i1.2025.2159

Abstract

Background: Radicalism and extremism have become phenomena that threaten social peace and political stability across various regions of the world. The teachings of Swami Vivekananda—a prominent Indian spiritual leader and philosopher—offer an alternative perspective for addressing these issues. In an increasingly polarized global context, Vivekananda’s thoughts on religious tolerance, pluralism, and the transformative power of education present a meaningful framework for confronting the roots of radicalization and violence. This study aims to explore Vivekananda’s views on radicalization by emphasizing the principle of ahimsa (nonviolence), appreciation of religious diversity, and education as a preventive tool against extremism.  Methods: Employing a qualitative approach, this research conducts a textual analysis of Vivekananda’s works, especially his renowned speeches, to identify core principles relevant to the problem of radicalization.  Findings: The findings reveal that Vivekananda strongly opposed all forms of radicalism and extremism, advocating instead for a deep respect for diversity, peaceful coexistence, and holistic education as a means of cultivating moral character. Conclusion: In conclusion, Vivekananda’s teachings have significant implications for both religious theory and social practice, offering a compassionate, interfaith-based approach to reducing the risk of radicalization in modern society. Novelty/Originality of this article: This study uniquely highlights Swami Vivekananda’s teachings as a humanistic and interfaith-based philosophical framework to counter radicalization through nonviolence, pluralism, and transformative education.
Baris wayang dance: Ritual meaning and community perception in balinese hinduism Satyawan, Made; Wisarja, I Ketut; Bintang, Ida Ayu Putu
Life and Death: Journal of Eschatology Vol. 3 No. 1: (July) 2025
Publisher : Institute for Advanced Science Social, and Sustainable Future

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61511/lad.v3i1.2025.2160

Abstract

Background: The Baris Wayang Dance is only performed at the Dalem Beads Upgrading Great Lumintang Temple. This dance is a combination of dance, karawitan , vocal, puppetry, and costume, and is only performed upon the God's vision who lived at the temple occurred. Methods: This study uses a qualitative method with a descriptive-analytical approach. To obtain valid data in the field, this study used observation techniques, interviews with key informants and the community in Lumintang village, and literature studies. To analyze the above problems, religious and semiotic theories were used. Findings: The results of the study show that, the form of the Line Wayang Dance performance is composed of the structure of kawitan , pepeson , pengumbang , and pengluwuran ; performed on the basis of the God's vision who resides in the temple; danced by nine dancers while singing the purifying song, and holding puppets that represent Gods; also accompanied by traditional music, the public's perception of this dance performance is understood as a means of purifying and offering sacred offerings to God, the denotative meaning of this performance is reflecting the story of wayang and Hindu religious symbols; this dance connotatively represents the cycle of human life, a form of communication between people and the divine; and at the mythical level it is interpreted as the embodiment of the God's vision. Conclusion: Based on this phenomenon, the problems in this study can be formulated as follows, what is the form of the Baris Wayang Dance performance, what is public perception of the Baris Wayang Dance performance, what is the meaning contained in the performance from a Hindu theological perspective. Novelty/Originality of this article: The novelty of this study lies in its unique exploration of the Baris Wayang Dance as a sacred, vision-inspired ritual that integrates multiple traditional art forms to symbolize divine communication and the human life cycle within a specific Balinese temple context.

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