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Muhammad Wali
Contact Email
journal@stmiki.ac.id
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+62651-7552408
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jimik@stmiki.ac.id
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Jl. Teuku Nyak Arief No. 400 Jeulingke Banda Aceh
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INDONESIA
Jurnal Indonesia : Manajemen Informatika dan Komunikasi
Published by STMIK Indonesia Banda Aceh
ISSN : 27768074     EISSN : 27237079     DOI : https://doi.org/10.35870/jimik
Core Subject : Science, Education,
Computer Science & IT Languange, Linguistic, Communication & Media Library & Information Science
Jurnal Indonesia: Manajemen Informatika dan Komunikasi is a scholarly publication dedicated to advancing the fields of information technology and communication management in Indonesia. The journal serves as a platform for researchers, academicians, practitioners, and policymakers to share their insights, knowledge, and expertise in these domains. This journal is a peer-reviewed online journal dedicated to high-quality research publications focused on research, implementation. Jurnal Indonesia: Manajemen Informatika dan Komunikasi is a scholarly publication dedicated to advancing the fields of information technology and communication management in Indonesia.
Arjuna Subject : Ilmu Komputer (semua kategori) - Jaringan Komputer dan Komunikasi
Articles 782 Documents
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Pemanfaatan Instagram sebagai Media Komunikasi Publik Disdukcapil Wonogiri melalui Konten "Sinau Siklo" Yuniar Fais Twenti Wanti; Sudarto Sudarto
Jurnal Indonesia : Manajemen Informatika dan Komunikasi Vol. 7 No. 3 (2026): September
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) STMIK Indonesia Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63447/jimik.v7i3.2116

Abstract

This study aims to analyze the use of Instagram as a medium for population administration education through “Sinau Siklo” content on the Instagram account of the Department of Population and Civil Registration of Wonogiri Regency (Disdukcapil Wonogiri). It employs a constructivist paradigm and a descriptive qualitative approach. Data were collected in January–February 2026 through observation and documentation of the content and user interactions on the Disdukcapil Wonogiri Instagram account. The unit of analysis consisted of four “Sinau Siklo” posts—#5, #6, #7, and #8—published between November 26, 2025, and January 21, 2026. The data were analyzed using the five elements of Harold D. Lasswell’s communication model: communicator, message, channel, receiver, and communication effect. The four posts received a total of 78 likes and 26 comments. On several posts, users asked questions and raised population administration issues. Admin replies to user comments indicated two-way interaction, although such interaction was not observed on every post. These findings indicate that “Sinau Siklo” serves as a public communication channel for sharing population administration information while providing a space for users to respond. This study did not directly measure improvements in public understanding; therefore, the communication effect is limited to user responses observable on Instagram.
Makna Sosial We The Fest sebagai Festival Musik Internasional dalam Perspektif Semiotika Sosial Theo van Leeuwen Leora Nathania August; Jefri Audi Wempi
Jurnal Indonesia : Manajemen Informatika dan Komunikasi Vol. 7 No. 3 (2026): September
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) STMIK Indonesia Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63447/jimik.v7i3.2121

Abstract

Music festivals serve not only as entertainment but also as social and cultural spaces where different actors construct meaning. This study analyzes the social meaning of We The Fest as an international music festival through the concepts of discourse, genre, style, and modality in Theo van Leeuwen’s Social Semiotics. Using a qualitative approach within an interpretive paradigm, the study drew on in-depth interviews with four main informants: an international audience member, an Indonesian audience member, a sponsor, and an organizer. Interviews with HONNE, Alt-J, and Pamungkas were used for source triangulation. Data were analyzed through data condensation, data display, and conclusion drawing and verification. In the discourse dimension, the international audience member interpreted the festival as a space for cultural exchange, the sponsor as a medium for brand communication, the organizer as a representation of Indonesia’s creative industry, and the Indonesian audience member as a festival with a strong line-up and a modern concept. In the genre dimension, meaning was shaped through digital promotion and direct interactions involving music, art, food, and community activities. The style dimension revealed a combination of modern creativity and local Indonesian identity, while modality reflected the actors’ confidence in the festival based on their experiences and assessments. We The Fest was thus interpreted not only as a music event but also as a space for social interaction, cultural exchange, and the representation of Indonesian creativity in the global music context.

Page 79 of 79 | Total Record : 782

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