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I Putu Udiyana Wasista
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Program Studi Kriya, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah, Sumerta, Kec. Denpasar Timur, Kota Denpasar, Bali 80235
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INDONESIA
Hastagina: Jurnal Kriya dan Indsutri Kreatif
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28297393     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
 Jurnal ini menerbitkan karya tulis hasil penelitian baik berupa kajian dan penciptaan yang merujuk pada aspek keilmuan kriya yang meliputi jenis medianya seperti: 1) Kriya Logam; 2) Kriya Tekstil; 3) Kriya Keramik; 4) Kriya Kayu; dan 5) Kriya Kulit. Sedangkan berdasarkan fungsinya, yaitu: 1) Kriya Ritual; dan 2) Kriya Dekoratif. Begitupula pada pendekatan yang digunakan, meliputi: 1) Tradisional; 2) Kontemporer; dan 3) Ekologis (penggunaan material berkelanjutan).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 116 Documents
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Ayam Peasant Sebagai Sumber Ide Penciptaan Batik Tulis Pada Kain Bemberg Melati, Asri Yanti Sekar
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pheasant Chicken is a poultry that comes from China, long tail and beautiful color are the main attraction, the price of Pheasant Chicken is quite high, but there are also many collectors from Indonesia who already have the chicken. The existence of Pheasant Chicken is an inspiration to develop and fulfill batik motifs for Pheasant Chicken fans. Many who like pheasant-themed batik make batik in demand, and many consumers want it. The increasing consumer interest in the Pheasant chicken motif has made the craftsmen passionate about producing the batik motif. The main stages involved are the processes of exploration, design, and realization. The exploration stage involves activities to explore sources of ideas through the steps of investigation and problem identification. The design stage is based on key points from the analysis, followed by the visualization of ideas expressed in various alternative forms to select the best option to be used as a reference for realization, and finally, the realization stage where the work is brought to life. The written batik technique is collaborated with the granitan technique for the main motif. This batik is produced using bemberg material to add selling value and quality to the product. The result of this creation includes six types of designs, with two of them being visualized into ready-to-wear fabric. The market segmentation is targeted at adult men and women
Perancangan Sepatu Memanfaatkan Limbah Kulit dan Denim dengan Teknik Ecoprint Tamara, Qhawa
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

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Abstract

The development of the youth fashion world continues to change over time. Teenagers tend to want to look attractive and be the center of attention. One of the things that this group pays attention to is footwear. Its main function is to protect the feet when doing activities, especially when outdoors. Over time, humans continue to perfect the shape of shoes so that various types and attractive models appear. Currently, shoes are starting to change their function as supporting appearance and can even show a person's social status. The author uses the Gustami design method which consists of three stages, including: exploration, design, and embodiment. Data collection was carried out through field surveys, interviews, literature studies, visual studies, comparative product studies and trials. The ecoprint technique on leather is used to enrich the product's visuals and increase its value. Denim as a supporting material because it has an attractive texture and visual and a strong character so that it creates an aesthetic impression in a pair of shoes. The results of this design are shoes made of denim and leather waste that have been visually processed using the ecoprint technique. use of chemicals and In addition, the use of this technique and material aims to reduce pollution and environmental damage due to hazardous substances. The design of this shoe considers aspects of function, aesthetics, materials, and techniques so that it has more value. It is hoped that this product can provide inspiration for craft industry players and the community to innovate and develop sustainable products
Eksplorasi Teknik Tritik dengan Pewarna Teh pada Perancangan Tekstil Pakaian astuti, dewi; Nurani Sulistyati, Apika
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.2732

Abstract

The tritik technique with geometric motifs has great potential to be developed, looking at the jumputan fabric motifs produced in the city of Surakarta, the majority of which are clove motifs, tumpal motifs and zig-zag motifs and do not use rules or provisions for stitch spacing. One of the efforts is to explore the tritik technique which produces geometric motifs using a combination of stitch techniques, baste folding techniques, and overcast stitch techniques by applying stitch spacing rules so that the geometric motifs produced are more optimal and consistent. The tritik techniques produced in the city of Surakarta are less diverse, so exploration of tritik techniques is needed to create more diverse motifs. The design of this work uses tea coloring from a certain brand which provides many variants. Different tea variants have a great opportunity to be developed as color variations because they create different colors with a stable consistency to enrich the natural coloring repertoire of tea. The design of this work is used as a clothing textile product for women of all ages. The design of this work uses the method of creating works of art by S.P Gustami which includes the exploration stage, design stage and realization stage. The result of this design is a clothing textile product using the tritik technique and tea dye. The tritik technique can be developed into geometric shapes such as lines, circles, hexagons, meanders and squares by using certain techniques and applying stitch spacing provisions
Perancangan Motif Topeng Dengan Teknik Batik Cap Berbahan Kertas Untuk Cardigan Intania, Nur Annisa; Affanti, Tiwi Bina
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.2735

Abstract

This design is motivated by young people who currently have difficulty learning about batik and a culture that is almost extinct in Yogyakarta. Today's young people find batik difficult to work on considering the time it takes to make batik, especially written batik. One of the cultures in Yogyakarta which is currently almost extinct is Wayang Topeng Wayang. This culture is almost extinct due to the rarely played by the puppeteer's family. The purpose of this design is to provide an easy way for young people to learn batik and to make batik cardigans from paper stamps with motifs from Wayang Topeng Pedalangan Yogyakarta. The design of this cardigan product applies the art design approach according to SP. Gustami, who put forward 3 stages and 6 steps in the creative process. The three stages are the exploration or data collection stage, the design or sketching and design, the last is embodiment. The results of this design are as follows: (1) Dancer motifs, puppeteer motifs, and musician motifs are used as the main motifs with supporting motifs inspired by the ornaments in the saron in the form of leaves, flowers, and mlungker. (2) The product is made into a cardigan for middle class women aged 20-30 years. The cardigan uses stamped batik technique with remasol dab coloring. The cardigan material is Japanese cotton fabric.
Inovasi Visual Motif Ecoprint Teknik Blanket Untuk Bahan Pakaian Marthaningrum, Idha Kusuma; Affanti, Tiwi Bina
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.2764

Abstract

The background to this design is the lack of ecoprint pattern development using the blanket technique. In the market, most ecoprints with this technique come in the form of the same background color, although in fact it is still possible to develop patterns by utilizing the blanket application technique. So that new designs of ecoprint can be realized, engineered by the application of cloth blankets. The purpose of this design is to get a new visual pattern that is more varied than blanket technical textiles. as well as to satisfy the consumer tastes of ecoprint textile fans in particular. This design method uses the design approach Sp. Gustami explained that in the creation of craft works, it is carried out through three stages-six steps. The first stage of exploration which includes observation, and search for library sources. Second, the design stage, namely making several sketches, and making technical drawings. The third stage, embodiment, is the process of formation, and continued with the assessment and evaluation of the finished work” (Gustami, 2007:329). The result of this design is an ecoprint blanket fabric with a variety of different patterns from other blanket fabrics, with the result that several ecoprint fabric patterns have been engineered to apply blankets, namely in the form of 3 design ecoprint blankets which are included in the form of clothing textiles using natural dyes.
EKSPERIMEN/PENCAMPURAN TANAH LIAT STONEWARE DI UD. TRI SURYA KERAMIK MENGGUNAKAN PASIR MALANG DAN PASIR KARANGASEM PADA PRODUK TABLEWARE DAN HOME DÉCOR Wiswambhara, Dewa Gede; Sunarini, Ni Made Rai; Mahadi, Mercu
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.2908

Abstract

The creation of this ceramic work aims to create a mixture of innovative materials that can be applied to stoneware soil in creating innovative ceramic products. This creation is also one of the exploration spaces in the development of creativity in conducting experiments on ceramic raw materials. The experiment was carried out by combining a mixture of Malang sand and Karangasem sand with stoneware soil in the process of realizing a ceramic body. The experimental process was carried out at the UD company. Tri Surya Ceramics which is one of the companies that takes part in making ceramics with modern contemporary nuances but still traditional nuances. Based on that, UD. Tri Surya Keramik is considered the most appropriate to bridge the space of exploration and experimentation in realizing the idea of mixing Malang and Karangasem sand with stoneware soil. Besides that, it can provide a new color for the company in the choice of materials that will later be applied in the manufacture of ceramic products. Home décor products consist of urns, straight and threaded flower fittings, while tableware products consist of plates, bowls, and glasses. The two products are glazed only on the inside, while the outside is still left natural to display the texture of the material and color caused by the mixing of stoneware soil with Malang and Karangasem sand.
Penciptaan Keramik Earthenware Dan Stoneware Pada Bedroom Di Hotel Fourteen Roses Boutique, Legian, Kuta, Badung Suartana, Putu Erik; Artayani, Ida Ayu Gede; Laba, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3168

Abstract

A hotel is an accommodation facility that provides lodging facilities as well as commercial food and beverage services. Because it is commercial, the hotel is equipped with supporting facilities such as; halls, lobby, restaurants, management offices and others. Hotels are divided into several types whose classification is reviewed from various purposes such as; the purpose of the guest's arrival, the length of the guest's stay, the number of rooms, the location and based on the division of star hotel clusters. The number of hotels spread across Bali is directly proportional to the increasing need for exterior and interior complementary products, it is interesting to explore further in creating ceramic products made of earthenware and stoneware as an answer to the exterior and interior needs of a hotel. Based on this phenomenon, then this was realized in the implementation of the MBKM program of the Independent Project scheme. SP Gustami creation method is used such as exploration, design, and embodiment in the process of realizing the creation of ceramic products. Exploration is carried out in two steps, namely idea exploration and physical exploration as the basis for designing ceramic products. The design is carried out by visualizing the idea in the form of alternative sketches and selected sketches. The final process of this method is that the embodiment is carried out according to the selected sketch. The result is in the form of 4 functional ceramic products in the form of teapot products, shampoo holders, snack and fruit holders, and sleeping lamps, as well as 1 wall decoration work, by applying a brick motif arrangement decoration inspired by the Fourteen Roses Boutique Hotel concept, and applying glaze colors inspired by pink and maroon rose colors. The products that have been produced will later be used in the Intermediate Room of the Fourteen Roses Boutique Hotel aiming to provide comfort and harmony for each user.
PRODUK KERAMIK STONEWARE DENGAN KONSEP FRONTO DI THE FRONTIER HOUSE Satrio Hutomo, Adam; Mudra, I Wayan; Muka, Muka
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3419

Abstract

Fronto is a concept to create a functional ceramic work for the needs of the coffee shop at The Frontier House which is a partner in completing an independent project in the Merdeka Learning Independent Campus (MBKM) program. Fronto is a mascot from The Frontier House in which Fronto is a dinosaur (T-Rex). Fronto is embodied by an upright posture and holding a cup in his right hand, has a simplified shape, wears a raglan shirt with the F logo on his chest and complete with his pants and shoes. The costume from Fronto is inspired by the costume of American students in the 70s, with the hope that The Frontier House's coffee shop business can remain standing, become big, and everlasting. Based on this, the author got the idea to create a functional ceramic product that can be directly applied to The Frontier House coffee shop business, as a realization of an agreement with MBKM partners. Using creation methods such as observation methods for introduction, exploration methods for exploring ideas, design design methods to illustrate clearly, and work creation methods for the execution stage, with embodiment techniques applying rotation techniques, pinching techniques, and cast printing techniques. The result is the creation of two types of incense holders, glasses, ashtrays, and succulent pots by applying the elements contained in Fronto into the form of ceramic works, by applying vintage colors, namely olive green and orange in accordance with the color concept applied by The Frontier House, thus producing harmony between ceramic products made with The Frontier House concept which can provide comfort and interest for visitors.
HARMONY AS A CONCEPT OF CREATION BONE BASED ACCESSORIES AT PT. KIRANA'S IMAGINATION HOUSE, JIMBARAN, BADUNG, BALI Widhi Adnyana, I Wayan; I Made, Suparta; I Nyoman, suardina
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3482

Abstract

The creation of accessories made of bone with the concept of harmony is one of the answers to the phenomenon that occurs in the fashion world, where the fashion world sometimes overrides accessories in its manifestation. In fact, accessories and the fashion world have a relationship and dependence on each other, so accessories have an important role in the fashion world to add to the perfection of the appearance of fashion works. This phenomenon is interesting to reveal by creating a set of fashion accessories products with the concept of harmony taking the shape of roses as an exploration space that is in harmony with the shape of roses that have harmony, unity of shape, color and fragrance forming an amazing harmony frame. Through the creation of this fashion accessories product, it is hoped that it will provide a further understanding for fashion designers as well as the general public that accessory products can raise the dignity and value of fashion itself. The creation process uses the method proposed by Sp Gustami (2007:329) through three stages and six steps, namely exploration, design, and embodiment. Exploration includes exploration activities to explore creative sources. The design is built based on the acquisition of items from the results of the analysis formulated in the visualization of the idea of sketch form as a design reference. The embodiment of making a model according to the selected sketch becomes a prototype model until the perfection of the desired product shape is found. The result Based on exploration, experimentation of techniques, materials, innovations and using carving techniques with a tuner drill produced five sets of accessories with the titles Urn of Life, Compassion, Life Cycle, Charisma, and Three Brothers, which have applicative power in the world of fashion design.
Penciptaan Kostum Tari Wayang Wong Ngereka Seraga Japatuan Adnyana, I Ketut Agus Putra; Mertanadi, I Made; Berata, I Made
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3501

Abstract

The existence of the Wayang Wong Mask in community interlocution events in the current era has experienced a downturn, which in fact is low in appreciation and a decline in the interest of the millennial generation in its continuation. This phenomenon is because wayang wong dances are mostly performed on certain days, and most wayang wong dances are sacred arts. This very interesting issue was raised as a basis for the creation of new creative wayang wong mask costumes, in the form of creating a wayang wong dance costume set which was packaged innovatively entitled "Wayang Wong Ngereka Seraga Japatuan Dance Costume", which is an interpretation of the visualization of Geguritan Japatuan in the form of a costume set. wayang wong dance. The creation of the Wong Ngereka Seraga Japatuan Wayang Dance Costume works uses a creation method which consists of three stages of creation, namely: exploration, design and realization. Exploration includes activities to explore sources of ideas by identifying and formulating problems regarding creative sources in interpreting Ngereka Seraga Japatuan. Design, ideas are built based on obtaining important points from the results of the analysis which are formulated in the visualization of ideas in alternative sketch forms as design references. Realization, making a model according to a sketch or technical drawing that has been prepared into a prototype model until it reaches the complete form of the work and can represent the substance of Gaguritan Japatuan.

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