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I Putu Udiyana Wasista
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Program Studi Kriya, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah, Sumerta, Kec. Denpasar Timur, Kota Denpasar, Bali 80235
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INDONESIA
Hastagina: Jurnal Kriya dan Indsutri Kreatif
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28297393     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
 Jurnal ini menerbitkan karya tulis hasil penelitian baik berupa kajian dan penciptaan yang merujuk pada aspek keilmuan kriya yang meliputi jenis medianya seperti: 1) Kriya Logam; 2) Kriya Tekstil; 3) Kriya Keramik; 4) Kriya Kayu; dan 5) Kriya Kulit. Sedangkan berdasarkan fungsinya, yaitu: 1) Kriya Ritual; dan 2) Kriya Dekoratif. Begitupula pada pendekatan yang digunakan, meliputi: 1) Tradisional; 2) Kontemporer; dan 3) Ekologis (penggunaan material berkelanjutan).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 116 Documents
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Pemanfaatan Kain Blacu Sebagai Dummy Sebagai Material Produk Tas Wanita Dengan Penerapan Teknik Makrame Eirene, Charisma; Endah Santoso, Ratna
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.3571

Abstract

A dummy is an item that resembles the original in shape, appearance, and type, or it can be said that a dummy is a replica made from calico fabric. Dummy fabric is fabric that has been shaped into clothing with dimensions that match the design and is usually collected and stored as a reference or sample. The making of this work was done by maximizing the potential of calico fabric as a reused dummy. Dummy is reprocessed into a rope that will be used to make a complementary fashion product in the form of a women's bag (handbag) by applying the macrame knotting technique. Handbags are an option in women's daily lives as a fashion complement because of their varied shapes as well as functions that are easily mixed and matched in various situations. The application of the macrame technique to the handbag also provides its own uniqueness and aesthetic value, so that the shape and appearance of the bag is more attractive and different from existing bags. The application of the method used is the creation of S.P Gustami which in the process of making through three stages including exploration, design and realization. The realization of the work is in the form of three designs of women's bags by utilizing calico cloth as a dummy with the application of macramé technique.
Perancangan PERANCANGAN MOTIF DENGAN TEKNIK IKAT CELUP UNTUK KEBAYA MENGGUNAKAN PEWARNA ALAM Safitri, Yuliana Dwi; Widyastuti, Theresia
Hastagina : Jurnal Kriya Seni Vol 4 No 01 (2024): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i01.3586

Abstract

Abstrak Perancangan dengan teknik ikat celup yang menggunakan pewarna alam ini merupakan perancangan motif ikat celup untuk menambah alternatif produk ikat celup dipasar dengan motif yang berbeda dari biasanya. Ide ikat celup merupakan salah satu dari tiga kain khas Jawa, yakni batik dan tenun lurik. Umumnya motif yang dihasilkan bulatan kecil atau kotak segi empat. Dalam perancangan ini motif dibuat agar memiliki bentuk lain, yaitu meniru bentuk serangga capung. Selain itu menggunakan pewarna alam Indigo Strobilanthes Cusia. Metode perancangan yang digunakan adalah teori penciptaan menurut Gustami dengan tiga tahap, yang diawali dengan kegiatan eksplorasi dengan cara mengumpulkan data, data visual, dan observasi pembuatan celup ikat. Perancangan menghasilkan beberapa alternatif motif baru hasil celup ikat yang diaplikasikan untuk kebaya.
Motif Lukis Wayang Kamasan Pada Media Keramik Alit Parwita Yana, I Made; Muka, I Ketut; Rai Sunarini, Ni Made
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4271

Abstract

Abstrak The art of Kamasan wayang painting is the main source of inspiration in the application of ceramic painting in the Kamasan decorative style. The Kamasan Wayang motif is applied to porcelain ceramic media using the on-glaze technique with special ceramic colors which go through a 700°C firing process to permanently bond the color to the porcelain surface in various shapes of concave, convex and flat ceramic media. The main aim of creating the art of Kamasan wayang painting on ceramics is to preserve Bali's rich cultural heritage and show the uniqueness of the phenomenal cultural arts. This practice is rare in the modern ceramics industry, making these works rare on the market. Therefore, it is important to introduce and promote this ceramic painting technique to the wider community. Kamasan wayang paintings on ceramics are not only decorative in a classic style, but are also able to present diverse aesthetics in various media. Decorative ceramics with Kamasan wayang motifs are not only objects of art, but also have potential as functional objects. The process of creating this work of art is carried out carefully at the Roki Ceramik Painting Company, ensuring that each work reflects the quality and authenticity of the work. Through a collaboration between tradition and innovation, the art of Wayang Kamasan painting on ceramics has significant potential to develop and integrate into the global art and design industry. By combining traditional craftsmanship with contemporary innovation, this art can gain a relevant position in the international market
Penerapan Mesin 3D Print Dalam Pembuatan Rancangan Produk Perhiasan di PT. Kapit Mas Yogi Artana, I Putu; Gede Arimbawa , I Made; Dana, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Jewelry is an object used to decorate body parts. The production process of making jewelry in the modern era currently utilizes sophisticated technology such as computer-aided design (CAD) and 3D printing machines. Today, many jewelry companies use (CAD) technology and 3D printing machines to facilitate the process of realizing jewelry, one of which is at PT. Kapit Mas. PT. Kapit Mas uses a 3D printer direct casting machine, namely a 3D printer machine that can be directly waxed with the Uniway brand. Another advantage of the Uniway machine is that this machine can print 3D with a high level of detail. The jewelry creation process at PT. Kapit Mas is carried out using the methods of observation, interviews, literature studies and active participation. The selection of this method is in line with the way the jewelry creation process is carried out at PT. Kapit Mas. The application of very modern technology, namely computer-aided design (CAD) and the Uniway 3D printing machine, makes it easier to make pendant, earrings, rings, charms and earcuff jewelry. In addition, other supporting tools and technologies also make it easier to make jewelry. PT. Kapit Mas uses CAD and 3D printing to simplify the process of jewelry realization, the application of 3D printing direct casting machines greatly facilitates the creation of jewelry samples where jewelry samples can be created in various sizes very quickly and with great precision
Study of Natural Color Processing in The Creation of Ecoprint Products at UMKM Griya Anyar Dewata Nadwitya Pramesthi, I Gusti Ayu; Gede Artayani, Ida Ayu
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4282

Abstract

The development of production in textile industry continues to follow current trends, which is fast fashion. Fast fashion is a textile industry that provides the latest fashion that is classified as mass market orientation, namely textile production in large quantities and scales. The fast fashion production process has a negative impact on releasing liquid waste. The waste comes from synthetic colouring which can pollute rivers and domestic waters. People also tend to be consumptive towards inconsistent fashion trends with low fabric quality. This phenomenon is important to further examine for the sake of environmental sustainability. Therefore, this study can be an alternative solution in reducing the impact of synthetic dyes. This study focuses on the processing techniques of natural materials as natural dyes. The technique used in the processing natural materials is ecoprint technique. The result of the application is to create ecoprint products such as bags, scarves, and feysen clothing. The purpose of this study is to provide knowledge and an overview of the processing of natural materials into high-value fashion products that support the concept of sustainable fashion, have great potential of their uniqueness and expected to provide new innovations that produce quality and highly competitive products. The deepening learn of  ecoprint technique uses the active participation method. In line with the internship activities, the active participation method means that in the process of product creation, the author collaborates with partners and expert colleagues who will encourage and take benefit in product creation
Teknik Cetak Resin Dalam Pembuatan Sarana Upakara Pengabenan Dan Petulangan Di Rugos Art & Casting: Resin Printing in the Production of Ritual Offerings for Cremation at Rugos Art & Casting i dewa, gede adikresna; Dana, I Nnyoman; Agung Jaya CK, I Gusti Ngurah
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4299

Abstract

The human body is enlivened by the soul, allowing the body to move and function in this universe. When the soul leaves the human body, that is when a person dies. The relatives and family feel the loss, and thus, a form of respect is carried out through a ceremony, according to the customs, beliefs, or religion of the deceased. In general, the Balinese people, who are predominantly Hindu, conduct a burial ceremony. Ngaben is a cremation ceremony aimed at expediting the return of the elements present in the human body (earth, fire, water, air, and space) to their original state. The Ngaben ceremony requires certain facilities such as offerings for the ceremony and a structure called "bade," which serves as a container for the corpse, carried to the cemetery and then burned. The construction of the bade is carried out cooperatively by the Hindu Balinese community, so the Ngaben ceremony can be conducted promptly. However, with modern times, constructing the bade through communal efforts has become challenging due to people's busy schedules and individual workloads. Thus, there is a need for new technology to expedite the construction of the bade, such as using ornaments as decorative elements on the bade. The presence of human and animal figurines on the bade and the time-consuming process required for their creation can take several days to complete. The resin casting technology, developed by Rugos Art & Casting, produces various forms of artistic works. Observing this, students are interested in undertaking fieldwork practice in resin casting, aiming to produce resin casts to speed up the creation of animal head forms. This would expedite the ornamentation process for the bade, making the Ngaben ceremony timelier and more efficient, thus ensuring it is conducted according to plan.
Teknik Pembuatan Gelungan Tari Topeng Panca Di Sanggar Seni Citra Kara Gus Adi, Kadek Bagus Adi Setiawan; Suparta , I Made; Agung Jaya CK, I Gusti Ngurah
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v4i2.4311

Abstract

The internship/work practice activities of the Independent Learning Independent Campus program were carried out by the author in Batuan Village, Sukawati District, Gianyar Regency, where most of the population is engaged in the field of art, both fine arts and performing arts. All forms of art have existed since ancient times and have been passed down from generation to generation. Citra Kara Art Studio is a studio located in Batuan Village, which produces mask art products and skin inlays, so it is considered to be able to provide new experience and knowledge about how and techniques of skin carving in making panca mask crown . Knowledge of tools and materials such as the use of chisels, the use of modern technology to speed up the assembly process. Knowledge of the type of chisel and the use of materials as well as the application of technology to accelerate the process of making products, especially the crown of the panca mask. From an academic point of view, the author gained knowledge such as the types of Balinese dance crown, the parts contained in , and the ornaments applied to the crown. The method used in the Independent Learning Independent Campus activity uses method tracing, observation, interviews, literature studies, and documentation. The headdress or crown that the author makes is in the form of a girdle of the panca mask or pajegan which is a wali or sacred dance that is staged at every religious event and has different characters such as, a gentle and weak character, a person with a hard character, a parent character, a wise character, and a person with a funny character  
Perancangan Tekstil Permukaan Bermotif Rajamala Melalui Teknik Digital Printing Pada Pembuatan Kemeja Casual Kristiyanto, Priska Nanette; Endah Santoso, Ratna
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.4363

Abstract

Starting from a love and hobby of photography by traveling to enjoy the beauty of the city of Solo, which has a diverse history and art, became one of the driving forces to realize the development of motif designs inspired by Rajamala. This design explores the potential of digital printed surface textiles combined with Rajamala to educate the public regarding local culture through casual shirt products. The resulting digital printing design is a combination of Rajamala and photos of iconic places in the city of Solo which are processed with a contemporary and modern style to attract the attention of the wider community to preserve local culture in a unique and interesting way. The design method used follows Bram Palgunadi's approach, which involves four main stages, namely the research process, analysis, concept preparation, design planning and product creation. Each stage is carried out in three steps, namely exploration, extraction and termination. The results of this design are six designs inspired by Rajamala motifs using digital surface textile printing techniques. This digital printing motif was applied as casual shirts for men and women, both teenagers and adults with two designs realized as shirt products, and one design realized as a cloth product. The design of Rajamala's visual processing using digital sublimation printing offers a different sensation from the existing Rajamala digital printing motifs. The resulting visuality becomes the value of novelty, uniqueness and product differentiation. The results of this design can also be a unique new choice for people who want original local souvenirs that convey art and culture in a casual shirt.
Revolusi Fashion Ramah Lingkungan: Mengubah Limbah Denim Menjadi Tas Teknik Art Embroidery Rachmandi, Cut Dea; Wahyunigsih, Urip
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5522

Abstract

This research focuses on innovation in sustainable fashion through the transformation of denim waste into bag products using art embroidery techniques. The study is motivated by the increasing amount of textile waste, particularly denim, which is difficult to decompose and poses a threat to the environment. Transforming this waste into high-value and aesthetically appealing products represents a strategic effort to support the sustainable fashion movement. The main objective of this research is to develop eco-friendly bag designs that are not only functional but also have artistic and economic value through the exploration of creative embroidery techniques. The research method involves several stages: collecting used denim materials, designing the product, experimenting with various embroidery patterns and threads, and analyzing the aesthetic and functional aspects of the final product. The creative process applies the principle of upcycling, emphasizing the transformation of discarded materials into new, higher-value products. The results show that denim waste can be processed into durable, visually attractive bags with strong market potential. The application of art embroidery significantly enhances the artistic value and unique character of the products. This study contributes to increasing awareness of sustainability within the fashion industry while opening opportunities for recycling-based creative economies. Furthermore, the results can inspire young designers to innovate in creating environmentally friendly products that are aesthetic, functional, and rich in cultural value.
Zerowrap: Inovasi Desain Busana Zero Waste Berbasis Filosofi Mummy Wrap Tri Hadinico, Assyifa; Wahyuningsih, Urip
Hastagina : Jurnal Kriya Seni Vol 5 No 02 (2025): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v5i02.5571

Abstract

This study explores Zerowrap, an innovative sustainable fashion design concept that merges the ancient Egyptian mummy wrap philosophy with the principles of zero waste fashion design. The main objective of this project is to create a garment that maximizes material efficiency, upholds ecological responsibility, and embodies strong aesthetic value. Employing a qualitative-descriptive approach with an experimental design method, the research focuses on the creative process from the conceptual to the production stage. These stages include visual exploration, moodboard development, material selection, design formulation, and the application of zero waste pattern cutting techniques. Linen was chosen as the primary material for its durability, natural fiber composition, biodegradability, and alignment with sustainable design principles. The results demonstrate that zero waste pattern cutting effectively eliminates textile waste by utilizing every inch of fabric. Moreover, leftover pieces were repurposed into decorative details such as ribbons and floral accents, enhancing the garment’s aesthetic appeal while reinforcing its ecological message. Visually, the Zerowrap design features asymmetric wrappings in red and pink hues, symbolizing strength and tenderness an expression of balance between function, form, and symbolic meaning. The reinterpretation of the mummy wrap serves as a metaphor for human care and responsibility toward environmental sustainability, where each piece of fabric holds both purpose and meaning. Ultimately, Zerowrap represents more than just an artistic and functional garment; it stands as a reflective medium that promotes ecological awareness and social responsibility within the contemporary fashion industry. This project affirms that zero waste design is not only a technical approach but also an innovative strategy to foster a more ethical, creative, and sustainable fashion system.

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