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NURIZAL MUHAIR
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Jurnal Mahasiswa Antropologi
Published by Universitas Hasanuddin
ISSN : -     EISSN : 28304950     DOI : https://doi.org/10.31947/jma.v3i1
Core Subject : Religion, Humanities, Social,
Religion Humanities Environmental Science Social Sciences
JURNAL MAHASISWA ANTROPOLOGI adalah jurnal peer-reviewed dengan akses terbuka. Kami menerbitkan artikel dengan cepat dengan versi online, pada versi cetak diterbitkan dua kali setahun pada kategori topik yang telah ditentukan. Kami mengundang seluruh mahasiswa antropologi di Indonesia untuk kontribusi secara ilmiah tentang wacana-wacana kebudayaan di Indonesia dengan pendekatan Antropologi. Termasuk dalam kriteria hasil penelitian etnografi pada kelompok etnis tertentu, hasil penelitian lapangan dan terapan di bidang antropologi, teori/metodologi dalam antropologi. Jurnal Mahasiswa Antropologi diterbitkan untuk mengembangkan dan memperkaya diskusi ilmiah bagi para mahasiswa yang menaruh minat pada persoalan sosial budaya di Indonesia, terkhusus menggunakan pendekatan dan/atau perspektif Antropologi. Jurnal ini menerapkan proses peer-review single-blind dalam memilih artikel yang baik. Editor menyambut artikel berbasis penelitian lapangan hasil dari skripsi, tesis, maupun disertasi. Cakupan artikel penelitian yang diterbitkan dalam jurnal ini berkaitan dengan; Artikel menyajikan hasil penelitian etnografi/kualitatif dalam topik tertentu dan terkait dengan suku/kelompok sosial di Indonesia; Artikel ini merupakan diskusi mendalam tentang penelitian terapan dan kolaboratif dengan keterlibatan yang kuat antara penulis dan subjek kolaborator dalam melaksanakan program intervensi atau inisiatif pembangunan lainnya yang menekankan pada isu-isu sosial, politik, dan budaya. Ruang lingkup artikel yang diterbitkan dalam jurnal ini membahas berbagai topik, termasuk: Antropologi sosial-budaya; Antropologi Maritim: Antropologi Ekologi; Antropologi Agama; Antropologi Perkotaan; Antropologi Bisnis; Antropologi Ekonomi; Antropologi Pembangunan.
Arjuna Subject : Ilmu Sosial - Antropologi
Articles 5 Documents
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Search results for , issue "vol 4 no 2 (2025)" : 5 Documents clear
Kampusmu Dulu Kampungku: Studi Perubahan Lanskap Ekologi Dalam Memori Sosial Orang Kera-Kera Aoyama Nadaul Haq
Jurnal Mahasiswa Antropologi Vol 4 No 2 (2025)
Publisher : Departemen Antropologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/jma.v4i2.53096

Abstract

Few people know the history behind the establishment of Hasanuddin University’s main campus in Tamalanrea, from its initial planning initiated by Prof. Amiruddin to the construction process. As one of the most prominent universities in Eastern Indonesia, Hasanuddin University has a long history of development and has continued to contribute to social transformation up to the present day. This study applies the perspective of the anthropology of memory to examine how the people of Kera-Kera remember their village in the past, how they perceive the transformation of their village into a university campus, and how they view the campus today. The study employed a descriptive qualitative method based on observations and interviews. A phenomenological approach was used to explore the informants’ lived experiences in the past. The data were analysed using the concepts of the anthropology of memory, social change, and ecological landscape. Three informants were selected through purposive sampling based on predetermined criteria. The findings show that the memories of the Kera-Kera people remain strongly attached to their former village. Some of them can still remember the exact locations of their houses, even though these sites have now been replaced by university buildings. They also recalled their responses to the campus development plan, which required them to sell their land and relocate to new places of residence. The process did not proceed smoothly, as many residents initially refused to surrender their land. Even after many years, some residents still find it difficult to accept the displacement, particularly because several land compensation payments remain unresolved. Nevertheless, they hope that the university will continue to improve, especially in the field of education, and they also expect the university to provide them with employment opportunities in the future.
Seni Grafiti Di Kalangan Mahasiswa: Ruang Ekspresi Perlawanan Mahasiswa Terhadap Kebijakan Kampus Astrella Felicia Mallisa
Jurnal Mahasiswa Antropologi Vol 4 No 2 (2025)
Publisher : Departemen Antropologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/jma.v4i2.53097

Abstract

The phenomenon of graffiti art among university students in Makassar reflects a form of resistance to campus policies perceived as restricting freedom of expression. Graffiti has become an important medium through which students convey social criticism and articulate their aspirations, particularly when formal channels of dialogue are considered inadequate. This study therefore aims to analyze the motivations, meanings, and functions of graffiti as a form of everyday resistance within the framework of James C. Scott’s theory. This research employed a descriptive qualitative approach, with data collected through observation and in-depth interviews. The informants consisted of six students from three major universities in Makassar. The data were analyzed to identify emerging themes related to graffiti as a form of expression and resistance. The findings show that graffiti functions as a means of symbolic communication that enables students to express dissatisfaction with campus policies. Students’ motivations for creating graffiti vary, ranging from the need to articulate personal concerns to the desire to represent collective voices. Solidarity among graffiti artists is also evident in the production process, as they support one another and collaborate in creating their works. Despite the risk of sanctions imposed by university authorities, graffiti remains a pragmatic and adaptive form of resistance, creating space for dialogue and protest that is not adequately represented in formal forums.
Ingatan yang Mencekam: Studi Antropologi Memori tentang Konflik di Padamarari Poso Michelle Alfelnis Embong Bulan
Jurnal Mahasiswa Antropologi Vol 4 No 2 (2025)
Publisher : Departemen Antropologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/jma.v4i2.53098

Abstract

Background. The social conflict in Poso has left a profound imprint on the collective memory of local communities. Objective. This study examines how collective memory is formed and transmitted and how it shapes social dynamics in the post-conflict period. Method. Drawing on the anthropology of memory, data were collected through observation, in-depth interviews, and a literature review. The study explores how individuals and communities manage traumatic experiences, pursue reconciliation, and sustain social harmony. Results. The findings show that collective memory plays a complex role in shaping social relations in Bancea Village. Trauma and distrust remain present in several aspects of community life; however, local values such as Sintuwu Maroso have become central instruments for rebuilding solidarity across social and religious groups. Although some residents prefer not to revisit the conflict in order to preserve stability, others regard remembering as essential to preventing similar violence from recurring. The study highlights the importance of community-based approaches to post-conflict reconciliation and the need for policies oriented toward social and economic recovery. It demonstrates that conflict-affected communities can rebuild everyday life through the interaction of memory, culture, local values, and reconciliation.
Skena Musik Rock: Preferensi Musik Rock terhadap Gaya Berpakaian Mahasiswa di FISIP Unhas Nur Adiena Syaputri
Jurnal Mahasiswa Antropologi Vol 4 No 2 (2025)
Publisher : Departemen Antropologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/jma.v4i2.53100

Abstract

expressing individual freedom, and serving as an effective tool for voicing discontent with various aspects of social, political, and cultural life. Since its emergence, rock music has not only provided entertainment but has also offered a space for its fans to express their views and emotions, often in opposition to established social structures. One of the most visible expressions of rock music’s influence is the clothing style of its fans, which has become an integral part of their identity. In the rock music scene, fashion serves not only as a striking visual display but also as a medium for conveying deeper ideological messages, including freedom of expression and the rejection of conformity. This article examines the relationship between rock music, fashion, and self-expression among students at FISIP Unhas, highlighting how clothing choices—often featuring black colors, skull imagery, and designs inspired by rock subcultures—function as forms of resistance to established sociopolitical norms. Using Pierre Bourdieu’s concepts of habitus and praxis, the article explains how students’ social backgrounds and life experiences shape their behavioral patterns, attitudes, and preferences for clothing styles that reflect critical positions toward existing social structures. Habitus plays a crucial role in shaping forms of self-expression that move beyond conventional norms, while praxis refers to the concrete actions through which students express their positions in everyday life. In this context, clothing becomes a central means through which FISIP Unhas students assert independent identities and communicate their willingness to challenge injustice and social inequality. Overall, the article demonstrates that clothing styles inspired by rock music are not merely fashion trends, but expressions of social attitudes, ideologies, and values formed through broader social and political experiences.
Pseudo-Subterranean Values: Tinjauan Antropologis tentang Anarkisme di Kalangan Anak Punk Kota Jakarta Timur Muhammad Faris Al Fajri
Jurnal Mahasiswa Antropologi Vol 4 No 2 (2025)
Publisher : Departemen Antropologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/jma.v4i2.53102

Abstract

Punk is often positioned by dominant society as a deviant culture, while subculture provides a space in which marginalized actors can renegotiate identity and challenge dominant cultural norms. The incorporation of punk symbols into popular culture and capitalist markets, however, has weakened part of their oppositional meaning. This study examines how anarchist ideas and subterranean values are understood and practiced among punk youth in East Jakarta, and why those values frequently operate as pseudo-subterranean values. The study employed critical ethnography and was conducted in East Jakarta over 34 days. Data were collected through participant observation, in-depth interviews, and a review of secondary sources. Fifteen informants participated, five of whom, aged 20–26 years, were selected as case studies. The findings show that punk communities construct solidarity, freedom, anti-hierarchy, and alternative identity as forms of resistance to dominant culture. Nevertheless, their dependence on informal work, consumer goods, market circulation, and the wider economic system limits the autonomy of that resistance. Punk identity remains shaped by structural inequality and by the capitalist relations it seeks to oppose. The study concludes that punk subculture creates meaningful spaces for identity formation and mutual support, but its resistance is partial and contradictory rather than wholly independent of dominant structures.

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