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Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Published by Asosiasi Seni Desain dan Komunikasi Visual Indonesia
ISSN : 30322456     EISSN : 30321670     DOI : 10.62383
Core Subject : Art,
Arts
Journal of Arts, Media and Design Studies is a journal that is peer-reviewed and open. The fields of study in this journal include the Arts, Media and Design sub-groups. Abstract : The Journal of Arts, Media and Design Studies accepts articles in English and Indonesian
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 148 Documents
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Pemanfaatan Media Sosial sebagai Regenerasi Musik Tradisional Minangkabau kepada Generasi Muda Melalui Content Creator Musik Tradisi M. Aldhe Vishal; Alrizka Hairi Dilfa
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 6 (2025): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i6.967

Abstract

This study aims to analyze the use of social media as a means of regenerating Minangkabau traditional music among the younger generation through the role of traditional music content creators. The background of this research stems from the declining interest of young people in traditional music due to the dominance of popular culture and modernization. However, the emergence of content creators who utilize digital platforms such as YouTube, TikTok, and Instagram has opened new opportunities for the preservation of traditional music. This study employs a descriptive qualitative approach with data collected through in-depth interviews, observations, and documentation of several Minangkabau music content creators. The results show that social media plays a crucial role in the regeneration process of traditional music through three main functions: information (promotion), interaction, and motivation. By presenting engaging visuals, combining traditional music with modern elements, and encouraging interactive audience participation, social media effectively attracts young people to learn and appreciate traditional music. In addition, regeneration is the process of inheriting cultural values ​​through efforts to maintain the sustainability of performing arts by adapting the presentation methods and performance spaces to suit the times, so that traditional arts remain acceptable to modern society.
Makna Simbolis Ornamen pada Bangunan Pagoda Avalokitervara Buddhagaya Watugong Semarang Eva Nurhida Maulidha; Lubnaya Nabigha
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 6 (2025): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i6.972

Abstract

This study aims to identify the types of ornaments on the Avalokitesvara Pagoda Watugong Semarang, explain their symbolic meaning in the context of Buddhist teachings, and analyze how the ornaments reflect Buddhist architectural philosophy and spiritual values. The results of the study show that this pagoda is decorated with a variety of ornaments, such as reliefs of dragons, hong birds, humans, animals, Chinese writing, amulets of the eight gods, and pineapple ornaments. Each ornament has a deep symbolic meaning, reflecting values such as love, wisdom, and balance in life. The dragon relief symbolizes power and spirituality, the hong bird represents luck and peace, while the Chinese writing and the amulet of the eight gods symbolize blessings and good fortune in life. The ornaments also reflect the Buddhist architectural philosophy that emphasizes harmony between humans, nature, and spirituality, with the towering building design as a symbol of aspiration towards spiritual perfection. Apart from being a place of worship, this pagoda also functions as an interfaith meditative space, affirming the values of tolerance and harmony. This study concludes that the ornaments on the Avalokitesvara Watugong Pagoda are not only decorative elements, but also full of philosophical and spiritual meanings that enrich cultural values and strengthen tolerance. It is recommended to improve the preservation of ornaments, the development of education, and further research to explore the deep meaning of the existing reliefs.
Memori Koleksi yang Terselesaikan: Praktik Seni Rupa Berkelanjutan sebagai Respons Kritis terhadap Obsesi Konsumerisme Ananta Hari Noorsasetya
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 6 (2025): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i6.973

Abstract

This study explores the influence of childhood memories, particularly the experience of "unresolved revenge" in the form of a failed tricycle ownership, on the process of creating works of art. This phenomenon is analyzed through the lens of psychoanalysis and consumerism criticism, where childhood fantasies transform into an obsession with collecting in adulthood, as an outlet for powerful passionate sensations. Qualitatively, works of art are positioned not only as manifestations of personal expression, but also as sustainable and critical practices. The articulation of art becomes a way to resolve consumerist trauma in a non-physical way, transforming the urge for unsustainable material accumulation (the infatuation of collecting) into artistic output that reflects and critiques the symbolic prestige value of commodities in the 1980s. This study concludes that personal memory-based art practices offer a sustainable framework for psychological recovery and social critique of the endless cycle of material desires.
Jalan Swadaya Perumahan Bogor: Integrasi Desain Sirkulasi dan Resiliensi Iklim untuk Ruang Hidup Aktif Agung Sugiarto
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 6 (2025): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i6.978

Abstract

The rapid pace of housing development in Bogor has created a gap with the provision of formal infrastructure, which has encouraged the emergence of community-led self-help road initiatives. While capable of addressing urgent connectivity needs, these road formations often ignore essential design standards, particularly those related to circulation and environmental context. This study focuses on a specific challenge in Bogor, namely high rainfall ("force of nature"), which contributes to road degradation, causing flooding, and reducing user comfort. Adopting a descriptive qualitative method, this study analyzes the existing self-help access conditions through field observations and a literature review focusing on Water Sensitive Urban Design (WSUD) principles and circulation theory. Field findings confirm that the current design fails to manage surface runoff, resulting in low infiltration and the emergence of functional space conflicts (e.g., for parking and social activities). As a solution, this study proposes an integrated design demonstration that combines porous materials and micro-drainage to manage the force of nature, thereby improving circulation comfort and supporting active living for residents.
Perancangan Resor Wisata Pesisir Berbasis Arsitektur Tropis: Studi Pengembangan Kawasan Pantai Botubarani Dimas Arya Prayoga; Ernawati Ernawati; Dara Fitriani
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 6 (2025): November : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i6.1003

Abstract

This study formulates a design concept for the Beach Tourism Resort Area in Botubarani Village by applying tropical architecture that responds to coastal climatic conditions while enhancing the quality of visitor experiences. The research integrates principles of thermal comfort, environmental sustainability, and the ecological potential of coastal environments as the basis for creating climate-adaptive and environmentally responsive tourism areas. The methodology includes site analysis, field observation, climatological assessment, and a literature review related to tropical architecture and coastal tourism design. The collected data were used to determine building orientation, mass layout patterns, visitor capacity, materials, vegetation, and utility systems appropriate for humid tropical climates. The findings show that the site’s position between the sea and the mountains, combined with full-day sun exposure, requires design strategies that maximize cross-ventilation, utilize sloped roofs, provide natural shading, and apply local materials such as wood, bamboo, and red brick. The large spatial needs based on visitor capacity projections are accommodated through a flexible cluster layout that supports visual and functional connectivity between buildings while incorporating green open spaces to enhance microclimate comfort. The utility system is designed using sustainability principles through greywater–blackwater separation, infiltration wells, and recycling-based waste management. This study confirms that the application of tropical architecture in coastal tourism areas can improve thermal comfort, energy efficiency, and environmental sustainability. These findings guide developing tropical tourism area designs that are more adaptive to climate change and more responsive to visitor needs.
Examination of the Impact of Large-Format Printing on Graphic Design Practice in 21st Century Nigeria Akintola David Abiodun; Kalilu, Razaq Olatunde Rom
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 3 (2026): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v3i3.1069

Abstract

The emergence of Large-Format Printing (LFP) technology has transformed global visual communication by enabling the production of large-scale, high-quality printed materials, significantly influencing Nigeria’s graphic design industry. This study aims to examine the impact of LFP on graphic design practice (GDP) in 21st-century Nigeria and propose strategies for sustainable development while addressing emerging challenges. A mixed-method approach was employed, with a primary qualitative focus through interviews and participant observation, supported by quantitative data collected using a Likert-scale questionnaire to assess designers’ perceptions of LFP’s influence. The findings reveal a dual impact. On the positive side, LFP has enhanced design scale, print quality, creative flexibility, and production efficiency, effectively overcoming the limitations of earlier methods such as letterpress printing, manual clamp offset printing, and hand-painted signboards. However, several challenges persist, including the oversaturation of practitioners, increased design piracy, and issues of color inconsistency, which undermine quality outcomes. These challenges highlight gaps in professional standards and regulation within the industry. The study concludes that while LFP has driven innovation and growth in Nigeria’s graphic design sector, its optimal benefits are constrained by the proliferation of unaccredited freelance designers. Therefore, the study recommends the implementation of targeted training programs and stricter professional accreditation systems through relevant regulatory bodies to ensure sustainable development and maximize the transformative potential of LFP technology.
Analisis Semiotika dan Representasi Emotional Healing dalam Lagu “Perayaan Mati Rasa” Karya Umay Shahab Ft. Natania Karin Fadia Rachma Putri; Agustina Kusuma Dewi
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 3 (2026): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v3i3.1088

Abstract

The phenomenon of emotional healing has become increasingly prominent in popular culture as the younger generation experiences increasing loss, emotional exhaustion, and numbness. Popular music serves as a medium of expression, representing these emotional dynamics through poetic language and symbolic structures. This study aims to analyze the emotional representation of healing in Umay Shahab's song "Perayaan Mati Rasa" using Roland Barthes's semiotic approach. The research method used is descriptive qualitative, analyzing three layers of meaning: denotation, connotation, and myth, through breaking down the lyrics into several lexicons and reading signs. The results show that (1) denotatively, the lyrics construct an emotional arc from inner tension to self-contemplation; (2) connotatively, the use of diction and imagery represents vulnerability, resilience, and emotional reflection; and (3) at the mythical level, the song constructs release as a form of emotional maturity and loss as a process of identity formation. Thus, this song functions as a cultural representation in interpreting the process of emotional healing in popular culture.
Perancangan Masjid Joko Agung Purnomo: Arsitektur Islam Kontemporer di Lembang, Kabupaten Bandung Barat Nafi' Athoya Al Hikmah; Mohammad In Am Ainul Yaqin
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 3 (2026): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v3i3.1099

Abstract

The construction of worship facilities in densely populated urban areas in Indonesia often faces constraints regarding limited land and the inability to renovate existing structures. This study examines the architectural design of the Joko Agung Purnomo Mosque, a two-story mosque currently under construction in Lembang, West Java, built on a new site provided by a donor as a solution to the overcapacity of surrounding existing mosques. Using a qualitative descriptive method with an architectural design analysis approach, this research focuses on how the design integrates contemporary Islamic architectural principles with tropical climate responsiveness. The findings indicate that limited land is addressed through the application of a vertical space system to optimize the worship area. In response to the tropical climate, the design utilizes a central void, serving as the primary strategy for natural lighting and cross-ventilation. Structurally, the building utilizes reinforced concrete (columns, beams, and ring beams) with a light steel roof truss and spandex roofing. Islamic identity and ecological function are realized through the application of mashrabiyya geometric patterns on the arched facade openings, which successfully combine visual identity with passive ventilation systems.

Page 15 of 15 | Total Record : 148

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