Journal of Studies on Art, Culture, and Society
The scope of research in art is the range or limitation of topics that can be researched in the field of art. The scope of research in art can vary depending on the purpose, method, and approach of the research. However, in general, the scope of research in art can include: 1. The journal explores various aspects of art, culture, and society in the contemporary world. 2. The journal covers topics such as performing arts, visual arts, music arts, literary arts, media arts, digital arts, popular culture, local culture, global culture, subaltern culture, hybrid culture, and transnational culture. 3. The journal also covers topics such as multicultural society, civil society, post-industrial society, post-modern society, identity, difference, power, resistance, agency, representation, and negotiation. 4. The journal further covers topics such as globalization, modernization, colonialism, post-colonialism, neo-colonialism, decolonization, gender, sexuality, race, ethnicity, social class, religion, ideology, and values. 5. The journal additionally covers topics such as environment, sustainable development, climate change, natural disasters, and ecological crises. and than, 6. The journal accepts research articles that present original and innovative findings and arguments on the above topics. 7. The journal also accepts book reviews that critically evaluate recent publications on the above topics. 8. The journal also accepts essays that provide personal or creative perspectives on the above topics. 9. The journal also accepts interviews that feature prominent or emerging figures in the field of art and culture studies. 10. The journal also accepts artworks that express artistic or cultural visions on the above topics.
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<![CDATA[Post-Pandemic Arts and Culture ]]>
<![CDATA[Rizka Dwi Puspitasari]]>;
<![CDATA[Zahra Raudhatun Nisaa]]>
<![CDATA[ Journal of Studies on Art, Culture and Society Volume 3 Issue 2 July 2026 ]]>
Publisher : <![CDATA[Professorline ]]>
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DOI: 10.62012/1092w003
<![CDATA[The global pandemic has brought about significant changes in the arts and culture landscape, not only in the way works are produced and distributed, but also in their meaning, function and relationship with society. The post-pandemic period has become a reflective and transformative space for arts and cultural practices in response to experiences of crisis, social limitations and the accelerated adoption of digital technology. This journal explores various post-pandemic arts and cultural phenomena by highlighting the adaptation of artistic practices, shifts in cultural consumption patterns, and the emergence of new hybrid and cross-media forms of expression. Apart from that, the studies in this journal also place art as a medium for negotiating identity, collective memory and social resilience in contemporary society. Through a multidisciplinary approach, this journal aims to enrich academic discourse on the role of art and culture in reshaping social relations, public space and cultural imagination in the post-pandemic era.]]>
<![CDATA[A Dialogue between Traditional and Contemporary Fine Arts ]]>
<![CDATA[Aerin Regina Putri]]>;
<![CDATA[Alisa Rahma]]>
<![CDATA[ Journal of Studies on Art, Culture and Society Volume 3 Issue 2 July 2026 ]]>
Publisher : <![CDATA[Professorline ]]>
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DOI: 10.62012/p3xva967
<![CDATA[Traditional art and contemporary art are often positioned dichotomically: one is perceived as representing the values of the past, while the other is understood as an expression of novelty and experimentation. This article aims to examine the dialogue that occurs between traditional and contemporary art, both in terms of concept, medium, and cultural meaning. Through a qualitative-descriptive approach and literature study, the discussion is focused on how contemporary artists reinterpret elements of tradition and how traditional art adapts in the contemporary context. The results of the study show that the relationship between the two is dialogical and dynamic, not mutually negotiating, but enriching each other in forming an artistic identity that is relevant to the development of the times.]]>
<![CDATA[Art as the Language of Modern Society ]]>
<![CDATA[Gabriela Vanesa Mutiarani]]>;
<![CDATA[Alisa Rahma]]>
<![CDATA[ Journal of Studies on Art, Culture and Society Volume 3 Issue 2 July 2026 ]]>
Publisher : <![CDATA[Professorline ]]>
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DOI: 10.62012/2aj6wb22
<![CDATA[Art in modern society has a role that is not only limited to aesthetic aspects, but also as a medium of social communication that reflects the dynamics of people's lives. The development of technology and globalization has encouraged the transformation of art forms and functions to be more widespread, including through digital media that allows the global dissemination of messages without space and time limits. In addition, art also functions as a means of social reflection that is able to convey criticism of various contemporary issues such as the environment, social inequality, and cultural change. Thus, art has become a universal language that connects cultural values, social identity, and public awareness in the face of changing times.]]>
<![CDATA[Art, Religion, and Cultural Identity: A Review of Recent Publications ]]>
<![CDATA[Marsa]]>;
<![CDATA[Zahra Raudhatum Nisaa]]>
<![CDATA[ Journal of Studies on Art, Culture and Society Volume 3 Issue 2 July 2026 ]]>
Publisher : <![CDATA[Professorline ]]>
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DOI: 10.62012/wa1gn673
<![CDATA[This article reviews recent scholarly publications examining the dynamic relationship between art, religion, and cultural identity in contemporary and historical contexts. The review highlights how artistic expression functions not only as aesthetic production but also as a medium for spiritual communication, cultural preservation, and identity formation. Across diverse societies, religion has significantly influenced artistic forms, iconography, and symbolism, shaping collective memory and moral values. Recent literature emphasizes the role of globalization, migration, and digital media in transforming religiously inspired art and renegotiating cultural identity. By synthesizing findings from interdisciplinary sources including art history, anthropology, theology, and cultural studies this review identifies key theoretical frameworks, methodological trends, and emerging debates. The article argues that contemporary scholarship increasingly positions art as an active site of dialogue where sacred traditions and modern identities intersect, adapt, and evolve.]]>
<![CDATA[Mosaic of Arts and Cultures: From the Local to the Global ]]>
<![CDATA[Siti Nur Avira]]>;
<![CDATA[Elza Inayati Sainong]]>
<![CDATA[ Journal of Studies on Art, Culture and Society Volume 3 Issue 2 July 2026 ]]>
Publisher : <![CDATA[Professorline ]]>
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DOI: 10.62012/hrdfmy07
<![CDATA[Art and culture are two inseparable domains embedded in the dynamics of social life. In the context of globalization, the relationship between art and culture has become increasingly complex due to human mobility, technological advancement, and intensified cross-cultural exchanges. This article examines how various forms of artistic expression including performing arts, visual arts, music, literature, media arts, and digital arts interact with local, popular, global, subaltern, hybrid, and transnational cultural dynamics. Rather than viewing art merely as an aesthetic object, this study positions it as a social practice deeply intertwined with power relations, identity formation, historical contexts, and cultural economies. Employing an interdisciplinary approach that integrates cultural studies, sociology of art, anthropology, and media studies, this article demonstrates that art does not simply reflect social reality but actively shapes how societies understand identity, space, and intercultural relations. The metaphor of the “mosaic” is used to describe the diversity of global arts and cultures as composed of distinct yet interconnected fragments within a global network. The study argues that globalization does not solely produce cultural homogenization; rather, it also creates spaces for dialogue, creativity, and negotiation of meaning between the local and the global.]]>
