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INDONESIA
Jurnal Kawistara
Published by Universitas Gadjah Mada
ISSN : 20885415     EISSN : 23555777     DOI : https://doi.org/10.22146/kawistara
Core Subject : Humanities, Science, Education, Social,
Humanities Decision Sciences, Operations Research & Management Environmental Science Languange, Linguistic, Communication & Media Social Sciences
Jurnal Kawistara aims to explore elements of Indonesian culture and society by publication of research findings and scientific innovations that are practically relevance for the preservation of local culture, environmental sustainability, social cohesion and community welfare. Jurnal Kawistara seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, and exploratory papers. In particular, Jurnal Kawistara looks for academic works that show the implication of social studies on practical issues concerning culture, environment, social cohesion and community welfare. Jurnal Kawistara also accepts papers from the discipline of natural science and technical studies that emphasize on social dimension of humanity issues. We invite critical and applied inquiries into wide range of sub-topics including but not limited to the following: 1. Culture (a unique study of performing arts and classical culture, traditional from various regions in Indonesia, and modern cultural arts such as dance, fine arts, and music art also includes the study of Indonesian literature on classical and contemporary literary issues) 2. Religion (Study of comparative religion, study of pluralism and religious diversity in Indonesia) 3. Media (Cultural studies and media, New Media and Contemporary Societies) 4. Gender (Urban Culture, Gender bias, and gender inequality) 5. Public policy (extractive public policies, distributive public policies, and regulative public policies) 6. Development (economic and social development, urban and regional development) 7. Environment (customs, social and environmental, land and natural resource utilization) 8. Disaster (local wisdom and social culture, disaster management, community empowerment, survival and humanity, disaster and social emergency response organizations) 9. Tourism (ecotourism, tourism management, religious tourism, urban tourism, and cultural tourism) Other disciplines (engineering, natural science, arts) that emphasize on their implication on social and humanity issues. All accepted manuscripts will be published both online and in printed forms. The journal publishes three thematic issues per year, namely April, August, and December.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 408 Documents
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MEMAHAMI INGATAN KULTURAL YAHUDI DALAM KONFLIK ISRAEL-PALESTINA Leonard C. Epafras
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3978

Abstract

This article is an assessment to the role of the Jewish cultural memory in the Israeli-Palestinian conflict.Cultural memory in this regard is a social or collective memory that links to the fateful moment(s) inthe past. These past experiences shape the ones identities, way of life, self-image and perception, andthe attitude toward the others. Jewish cultural memory is supplied by religious narratives, diasporaexperiences, the emergence of Zionism, Holocaust/Shoah, and the rebirth of Masada historical moment.Those memories have a strong influence toward Israeli government in dealing with the conflict with theArabs, especially with Palestinians.
THE LEGITIMAZATION OF VIOLENCE AGAINST THE AHMADIYYA COMMUNITY IN INDONESIA Torhild Breidlid
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3979

Abstract

The Ahmadiyah community in Indonesia has experienced increasing infringement on their religiousfreedom in various forms during the last ten years. The opening up of democracy in 1998 resultedin the involvement of “non state actors “in religious violence. Despite increasing attacks against theAhmadiyah community, the state has been reluctant to prevent or punish religious attacks against theAhmadiyah community. In this article I argue that violence against the Ahmadiyah is in danger ofbecoming legitimate.
KONSTRUKSI NASIONALISME DALAM NOVEL-NOVEL INDONESIA PRAKEMERDEKAAN (STUDENT HIJO DAN SALAH ASUHAN )
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3980

Abstract

This paper aims to discuss construction of nationalism contained in Indonesian novels preindependence, especially Student Hijo and Salah Asuhan using perspective hegemony Gramsci’s theory. The analysis showed that both the novel construct of ideology of nationalism against colonialism in the Dutch colonial era. Both novels also showed his duties as a battle field of ideology of nationalism against colonialism.
PEREMPUAN DAN NEGARA: KAJIAN FEMINIS DALAM KONTEKS SOSIAL “BH” KARYA AGUS NOOR Chris Woodrich
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3981

Abstract

The struggle of the oppressed to obtain their rights is never complete. There is always someone who ismarginalized. In his short story “BH” Agus Noor presents a young woman who is ultimately killed by her bra, a garment which had repeatedly groped her breasts previously. At the surface this unrealistic story appears to be a simple critique against the repression of women. However, when placed against the socio-political backdrop in which it was written, namely that of the repressive New Order government under President Suharto, it is readily apparent that the oppression of women is used as a symbol of the general oppression and censorship in New Order Indonesia. In the New Order, as presented by Agus Noor, the aged (and thus empowered) forces used a familial form of “anakisme” to subjugate the general populace and thus ensure that the general populace cannot ef????ciently overturn the power structure. This reading reminds us that women’s struggle for recognition and equality cannot be divorced from the struggles of other oppressed classes, which must ????ght for their rights and often collaborate for a greater effect.
PRAKTIK TANGGUNG JAWAB SOSIAL PERUSAHAAN PT. BAKRIE SUMATRA PLANTATIONS(TBK.) UNIT JAMBI Suwandi Suwandi
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3982

Abstract

Companies all over the world have implemented corporate social responsibility. This research is aimed toanalyze factors affecting CSR practice by Bakrie SumatraPlantations Unit Jambi, a palm oil plantation company. The CSR practice was hypothesized to be in????uenced by government regulation and corporate strategy. The primary data was collected through survey, interviews, focused group discussion, anddirect observation in the ????eld. Meanwhile, the secondary data was gathered from various documents. The data was analyzed by using quantitative and qualitative approaches.The result shows that thegovernment regulation CSR has no impact on the CSR practice. On the reverse, the corporate commitment and strategy were the decisive factors in the successful of CSR practice. This research also found that the CSR practice has contributedto the improvement of people’s economic and social conditions. The prominent weakness is that the CSR policies and strategies were top-down and the participation of local people were limited. The other empirical ????nding is that the nucleus-plasma partnership was able to implement the basic principles of CSR which were prevailing generally in different sector of businesses.
FANATISME, EKTREMISME, DAN PENYINGKIRAN CIRI ANTROPOLOGIS PENGETAHUAN Najiyah Martiam
Jurnal Kawistara Vol 3, No 2 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3984

Abstract

perlunya seorang ilmuwan atau agamawan mempunyai keyakinan yang  teguh, baik keyakinan agama atau keyakinan intelektual, tetapi tak terjebak pada dogmatisme keduanya. Menurut Supelli sikap dogmatis inilah yang melahirkan fanatisme dan ektrimisme yang pada gilirannya akan memunculkan tindakan kekerasan dan kebrutalan, baik atasnama agama maupun ilmu pengetahuan
SENI DOLALAK PURWOREJO JAWA TENGAH: PERAN PEREMPUAN DAN PENGARUH ISLAM DALAM SENI PERTUNJUKAN Djarot Heru Santosa
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.5218

Abstract

The role of women artists in the performing arts, also within the arts as well as the other broader life, inIndonesia, seems to be strengthening in recent years. It doesn’t mean that it is a new issue, of course. Butperhaps it happened since Indonesia experiencing and witnessing a great change of mainstream withinit self since 1998; this issue, as well as the other critical issues gaining a more free momentum and spaceof expression. Of course, this still needs further scrutinization. The superiority of women is not limitedto the mith in which giving special space for them, but indeed women have strong key role as the escortof performing arts. Women have the central key in promoting traditional arts; however, there is womenrole shift in the stage of performing arts. Women artists in the culture posseses inevitable duality ofposition. They are praised as high as the sky, in the other hand they are also insulted, abused, and usedas a profit-making commodity. Besides their beautiful manner and behaviour, women are also capableof breaking through the boundary of culture. Women as the mother earth who’s also identical withthe symbol of fertility, paragon, and the parameter of values and norms that is expected by the socialcommunity, are also capable of fulfilling the promises attached into the miths that praise and adorethem. Therefore, it is their nature that they have the central role in the success of a performing art bothtraditional and modern. Serious problems in the world of performing arts occur when women artists tryto promote tradition. Inner conflict uccur between their basic nature and their environemntal condition.In this case, pressures are not only coming from the social environment but also from within. In fact,the soul of tradition survives and sustain from their very hands. When the stage experiences shift, therole of women as the escort of the tradition is also fading. Performance industry does properly placestage women as a subject but only as a commodity to attarct the market for the capitalists. Together, weshould be able to solve this problem if we still want women to attend in the world of performing artsand change the world into a more colorful one.
SEMIOTIKA NARATIF GREIMASIAN DALAM IKLAN BUSANA MUSLIM Rulli Nasrullah
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.5219

Abstract

Muslim Fashion has transformed to be cultural industry profitable financially. The flourish of Muslimfashion producers certainly needs business strategy to promote the products. Advertisement becomesone of promotional tools that can communicate product excellence. Moreover advertisement in massmedia gives space for producer to visualize image of product wanted especially when the advertisementis promoted in Muslim mass media. In semiotic tradition, advertisement does not only communicateproduct for sale but it has ideology constructed by both advertiser and advertising company in order toestablish in consumers’ thought including Muslim fashion that is no longer clothes for covering body inaccordance with Islamic syariah. Narrative semiotics can be understood as effort of recounting or rereada subject from overall text or message to view narrative or plot from signs in this case, it is advertisement.Advertisement basically is assumed as a narrative that tells certain meanings therefore advertisement iscreated also published through media in order to influence readers. In Greimas’ opinion, advertisementis considered as text that has actant that becomes model or subject organizing plot in a text as destinator/sender, receiver, subject, object and also adjuvant even traitor/resistor. By using Greimasian semiotic,this research reveals latent meaning inside Muslim fashion advertisement that shows Muslim fashionproduced by Muslim house especially ZeaTM Zenura brand basically not only just communicating Muslimfashion advertisement but also constructing myths that the fashion is Muslim fashion for family and verysuitable to wear in special events such as Muslim celebration day, Idul Fitri 1433 H
PERANCANGAN DESAIN PENGALAMAN TURISTIK MELALUI ECOTOURISM RUMAH ADAT BALI KUNO DI DESA MANGESTA KECAMATAN PENEBEL KABUPATEN TABANAN PROPINSI BALI R.M. Pramutomo R.M. Pramutomo
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.5220

Abstract

This article based on the research’s result of empowering the traditional architecture in Bali calledBale Mundhak. The Bale Mundhak originally is a traditional house which is potentially related to itsactivities inside the building and surround it. Several problems had known and it has been indicatedby some proposed research. Some of them presented through this article as a result of the first yeartarget of the research proposition. Through this article the propose will be answered identificationof Bale Mundhak’s function as a traditional house in Mangesta village, district Penebel of Tabananregion in Bali. In other side this article will also strives identification several social and cultural activitiesinherence to the traditional function of Bale Mundhak as a rites location. And the last proposition thisarticle will also examines the Bale Mundhak and its function related to the special arts activities in danceand gamelan music. All the propose research will expose a creative industry based on tourist villageby empowering Bale Mundhak as a traditional house in Mangesta village and its arts activities which issupporting human resources surround the village based on ecotourism inclusively
AKSIOLOGI TARI BEDHAYA KRATON YOGYAKARTA Sunaryadi Sunaryadi
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.5221

Abstract

Bedhaya at Palace dance was originally a sacred dance that is laden with symbols of life because it’snot just a dance movement, but an action that is displayed and that becomes the life reference. Bedhayais presented as a mirror of Javanese culture axiological which includes ethical and aesthetic values . Itis a reflection of manunggaling kawula-Gusti in terms of its ethical dimension and it has the aestheticvalues of the motion, fashion, and makeup. Bedhaya dance philosophy is summaried in the doctrineof ngelmu sangkan paran covering three things: the first it’s related to the human consciousness thatcomes from God (urip iki saka sapa); the second, it is irelated to the duties and obligations of humanbeings in the world (urip iki arep apa); and the third, it is related to man’s return to his Lord (urip ikipungkasane piye). Therefore, in the moral ethics context, Javanese life purpose is how to be a good manto reach the manunggaling kawula with Gusti as it is believed that goodness and beauty (mind) are themanifestation of the Essence of the Most Holy. The journey of human life portrayed in lampah bedhayaof majeng beksa , beksa to mundur beksa is a role model to determine the choice between good and bad .

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