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Linguistica
Published by Universitas Negeri Medan
ISSN : 23015152     EISSN : 26557517     DOI : 10.24114
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
LINGUISTICA Journal is a quarterly publication presenting articles on Linguistics. The contents include analyses, studies, applications of theories, research reports and reviews
Arjuna Subject : Ilmu Sosial - Linguistik dan Bahasa
Articles 5 Documents
 1 
Search results for , issue "Vol 7, No 3 (2018): (JUL-SEP)" : 5 Documents clear
LINGUISTIC EXPRESSION WITH REFERRENCE TO SEMIOTIC IN ULOS OF WEDDING CEREMONY OF BATAK TOBA Hendro Doglas Simamora
LINGUISTICA Vol 7, No 3 (2018): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v7i3.11890

Abstract

This study was deal with linguistic expression, in semiotics of ulos in wedding ceremony of bataktoba. This research used qualitative method which concerned with developing explanations of experience or on data. The source of the data was taken from the ulosin wedding ceremony of batak toba, and relevant with the transcript of interviewing by three informants with some criterias, that is the most dominant population in three different surename in Tarutung, at the age of 45 to 55 years old and have the recognition from each surename. The instruments that is used in this study was tape recorder, camera, and also the book which relevant to the data. In technique of analyzing data, descriptive qualitative data analysis stage is identifying the ornament, reducing the ornament which are not relevant, classifying, interpreting, analyzing and concluding the findings. There are three kinds of ulos used in wedding ceremony of BatakToba, they are ulosragidup, ulosragihotang, and ulossadum. Each ulos have topisokkar which explain that everything in this world have the limit and the color depend to the ceremony that is performed. In ulosragidup, there are hatirsymbolized of wealth, sigumang symbolized the hope of the giver of this ulos for the receiver to works right and efficient also, batuniansimun symbolizing the health, sisikniikansymbolizing a good life, tidy life, even in a crowded of life, and alsojungkit symbolizing in having an organized life well. In ulosragihotangthere are unok-unok, symbolized be a wise person like the humus,andjungkit. In ulossadum, there is torna where this symbol to remind the people that Batak people come from mountain.Keywords: Semiotic, Ulos in Wedding Ceremony of BatakToba, Ornaments. 
FEMINISM IN PATRIARCHAL SOCIETY REFLECTED IN THE MAIN CHARACTER OF PEREMPUAN BERKALUNG SORBAN MOVIE Farida Hannum Siagian; I Wy Dirgeyasa; Indra Hartoyo
LINGUISTICA Vol 7, No 3 (2018): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v7i3.13287

Abstract

This study is aimed to analyze what the feminism varieties and how is the feminism in patriarchal reflected by main character Annisa in Perempuan Berkalung Sorban movie. This study is conducted with the descriptive qualitative method. The source of the data of the analysis is Perempuan Berkalung Sorban movie and the data are linguistic feature that are format as sentence by the main character. The data were collected by the documentary technique and the instrument is documentary sheets. The study results that (1) The main character reflected the feminism varieties. Based on the Feminist Thought book there are three varieties of feminism. Liberal feminism, Radical feminism and Socialist Marxists feminism. The main character reflected the three kinds of feminism such as Liberal Feminism, Radical feminism, Socialist Marxist Feminism. The main character Annisa is reflected most dominant appeared Radical feminism. Annisa is powerful and rebellious women. She wants to get the equal with the man without any discrimination gender. (2) The feminism in patriarchal society in reflected is Annisa to represent the women movement to against all of objection toward woman. The each utterances of Annisa represent she is against all forms of women discrimination in private patriarchy and public patriarchy. The research focuses on the analysis of feminism in patriarchal society in the main character can be interpreted through Annisa as a main character and sentences of the movie and it is found of the main character reflected the feminism in a patriarchal society.Keywords:feminism, varieties, patriarchal, main character, movie.
THE CHARACTERIZATION OF THE MAIN CHARACTER IN GONE GIRL FILM Cindy Putri
LINGUISTICA Vol 7, No 3 (2018): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v7i3.11888

Abstract

This article deals with the characterization of the main character in Gone Girl film. The study was aimed to find outthe characterizations and the most dominant characteristic of Amy Elliot Dunne in thefilm. The study was conducted by applying descriptive qualitative method. The data of the study were taken from all utterances of Amy’s dialogues and monologues which were transcribed into 39 selected sentences. The findings of the study were: (1) the kinds of Amy characterizations: intelligent(17.94%), perfectionist (12.82%), insecure(28.20%), liar (33.33%)and vengeful(7.69%);(2) the most dominant characteristic of Amy was liar(33.33%).Keywords: characterization, characteristic, main character, film.
LOGICO-SEMANTIC RELATIONS IN MENDEZ’ UTTERANCES IN ARGO Dina Febriana
LINGUISTICA Vol 7, No 3 (2018): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v7i3.11889

Abstract

The study deals with the types of logico-semantic relations in Mendez’utterances in Argo. The objective of the study are to describe the types of logico semantic relations used in Mendez’ utterances and expalain how logico-semantic relations (unmarked and marked)  used in Mendez’ utterances. This study was conducted by using descriptive qualitative. The data of the study were clause complexes found in Mendez’ utterances. There were 63 clause complexes found. Based on the analysis, it was found that only seven of ten types of logico-semantic relations were used in Mendez’ utterances. The logico-semantic relation type which dominantly occurs in Mendez’ utterances is unmarked enhancement (24 utterances, 38.09%). Then it’s followed unmarked extension (17 utterances, 26.98%), unmarked elaboration (11 utterances, 17.46%), marked enhancement (5 utterances,7.93%),  marked locution ( 3 utterances, 4.76%), unmarked locution (2 utterances 3.17%), marked ectension (1 utterance, 1.58%). Meanwhile marked elaboration, unmarked idea and marked idea were not found in Mendez’utterances. Keywords : Logico-semantic relations, utterances
DEFENSE MECHANISM IN RAMBO: THE FIRST BLOOD FILM IN REFERENCE TO SEMIOTIC Doni Sehat Sitanggang; Sri Minda Murni; Meisuri Meisuri
LINGUISTICA Vol 7, No 3 (2018): (JUL-SEP)
Publisher : State University of Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jalu.v7i3.13286

Abstract

This study dealt with defense mechanisms in Rambo : The First Blood Film in reference to semiotic. It employed descriptive qualitative research method. This study was aimed to analyze: (1) The kinds of defense mechanisms experienced by Rambo and (2)  why defense mechanism affected the utterance and action of Rambo in reference of semiotic. The data of this study were dialogues statement and figure that contained defense mechanisms. The theories were applied by the writer from Sigmund freud (1993) about defense mechanism and Chandler (2007) about semiotic. Based on the analysis, there were five kinds of defense mechanism used by Rambo, namely Denial (23,8%), Displacement (4,8%). Projection (42,9),  Repression (14,3%), and Reaction Formation (14,3%) where Rambo used projection defense mechanisms the most. Fear that steam from trauma and to avoid conflict were the defense mechanism that happened and used by Rambo. Keywords: Defense mechanisms, semiotic, Rambo: The First Blood

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