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Hadrianus Tedjoworo
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Department of Philosophy, Parahyangan Catholic University, Jl. Nias 2, Bandung 40117, Indonesia
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Melintas An International Journal of Philosophy and Religion
Published by Universitas Katolik Parahyangan
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 16 Documents
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Search results for , issue "Vol. 27 No. 2 (2011)" : 16 Documents clear
A Balthasarian ‘Ecclesiology’: Apprehending the Church with an Ecclesial Aesthetics Kristiatmo, Thomas
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.303.161-170

Abstract

Ecclesiology might have put the center of its gravity on the modern rationality. As a result, this kind of ecclesiology might overlook the mystical yet beautiful side of the church, which seem to have a more unifying character to the already divided church. This article wants to explore with Hans Urs von Balthasar’s theology of aesthetics the origin and the characteristics of the church from the people around Jesus, the event of the cross, the form of revelation, the Eucharist, the sacrament, and the way of love. This sort of an ecclesial aesthetics is one of the different ways of apprehending the church. This way might contribute to the traditional understanding of the church that has been characterized with modern logical concepts. Balthasar is offering the way of apprehending the church through the pulchrum toward the more unifying engagement with the mystery of God, the revelation of God through Jesus Christ. Keywords:*Ecclesiology, *rationality, *beauty, *mystical theology, *form of revelation, *the way of love, *ecclesial aesthetics, *bonumet verum
Negara dan Pasar: Globalisasi dan Dua Dasawarsa Seni Rupa Kontemporer Indonesia Hujatnika, Agung
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.304.171-186

Abstract

This paper analyses the changes in production’s pattens, distributions and consumptions of Indonesian contemporary art by way of comparing the regional and international art exhibitions participated by Indonesia during the last two decades (1990-2010). There were two dominant and different patterns in each decade. The development during the 90s showed the dominance of the state's role, notably Japan and Australia, through large-scale exhibitions with the support of government funding and infrastructure. However, Indonesian contemporary art later became more prominent among the non-government initiatives, especially through the market activities at the auction houses and art fair in Asia. By referring to cultural theories and globalisation process, this paper wants to show how the development of Indonesian contemporary art might have been related to the changes in the constellation of geo-political and geo-economic developments in Asia Pacific which lead to the triumph of neoliberalism. The growing popularity of international art fair involving commodities and capital in large quantities can be seen as an evidence of how the fine arts are increasingly following the pattern of trade and free markets. As an institution that previously was doing the 'validation' of art, public museum now 'competes' with the free market fundamentalism loaded with some elite’s interests. Keywords:*globalisation, *Indonesian contemporary art, *postmodernism, *geopolitics, *geo-economics, *artmarket, *neoliberalism, *regionalism, *art fair, *sociopolitical art
Pancasila sebagai Karya Estetis Bangsa Indonesia: Sebuah Refleksi Filosofis Doweng Bolo, Andreas
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.305.187-200

Abstract

Pancasila is the nation's art in Indonesia, that is, a masterpiece rooted in the values that have been grown in the society. Since it has been embedded in the society, the values it gives rise should be returned to the society. It is worthy to say that Pancasila is the substantial values of this nation, without which Indonesia will disperse. This value tracing is in fact not a finished work, but an ongoing process. Thus the language used to translate the values ought to be unique, communicative, and contextual. To the end that the language contextual, the learning of local cultural values is an important orientation since only with it Pancasila has a future in this nation. When Pancasila deters the values emerging from the local wisdom then something is definitely wrong there, for these values are the root of Pancasila. Pancasila enriches the local virtues and vice versa. Because Pancasila was formulated from the local virtues then it must also be returned using the local, contextual and hospitabe language. Dogmatic and unsocial language based on the Cartesian patterns that is used to put this ideology into practice needs to be recolored. In this paper, an aesthetic paradigm is reconsidered to make room for experiences. Pancasila should be approached in a language that grew out of the sense of awe. When we talk about awe, we talk about how to talk aesthetically. Being amazed by this spirit is a start to walk through the journey towards being Indonesia. Departing from this aesthetic paradigm, the author examines the spirits that already exist and grow in the societies. Keywords:*Aesthetics, *Pancasila, *experience, *aesthetic experience, *awe, *diversity, *local values, *contextual language, *aesthetic masterpiece, *familial and common experiences, *culturization
Insight - Kebalian dalam Ruang Kosmopolitan Wijaya, Putu
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.306.201-213

Abstract

Kebalian punya kans besar untuk menjadi kelengkapan yang mempesona ruang kosmopolitan. Eksotisme di dalam kebalian itu, bukan hanya pada keanehan karena keasliannya. Tetapi keindahan gerak batin, moralnya yang lentur dalam menyikapi berbagai keadaan yang kadang sudah kewalahan diantisipasi oleh masyarakat yang cenderung individualistik dan meninggalkan azas kekeluargaan. Bukan untuk mengatakan itulah yang lebih betul. Hanya sekedar menyuguhkan kemungkinan, yang akan membuat manusia kosmopolitan lebih kaya jurus, dalam menghadapi keserbanekaan dalam segala perubahan zaman  yang semakin lama semakin deras ini.
Film Reviews - "Manusia, Ilusi, dan Waktu" Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.307.215-221

Abstract

Pertama, ini bukan sebuah film. Kedua, ini bukan sebuah film cerita. Ketiga, sinematografi dan mise-en-scéne karya ini seperti berdiri sendiri. Keempat, karya ini berada di luar wilayah emosi. Kelima, apapun nama untuk karya ini, teknik dan peralatan yang digunakan tidaklah up to date. Keenam, karya ini masuk dalam nominasi empat festival film internasional yang berbeda, dan diganjar Best Foreign Film di Toronto Film Critics Association Award dan “Palm D’Or” di Cannes (sutradara pertama asia tenggara yang pertama menerima piala prestigious ini). Benar, karya ini berada di dua pilihan ekstrem yang berbeda: atau sangat bagus atau sejenis sampah, atau sangat teramat disukai atau sangat teramat dibenci. Tidak ada dasar untuk berdiri ditengah.
Chronicles - August 2011 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 2 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i2.308.222-241

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.

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