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Hadrianus Tedjoworo
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Department of Philosophy, Parahyangan Catholic University, Jl. Nias 2, Bandung 40117, Indonesia
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Melintas An International Journal of Philosophy and Religion
Published by Universitas Katolik Parahyangan
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 14 Documents
 1   2 
Search results for , issue "Vol. 28 No. 1 (2012)" : 14 Documents clear
Chronicles - April 2012 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (121.778 KB) | DOI: 10.26593/mel.v28i1.292.104-117

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
Liturgi Sakral yang Indah, Liturgi Indah yang Sakral Sebastian Heatubun, Fabie
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (168.591 KB) | DOI: 10.26593/mel.v28i1.288.39-60

Abstract

Celebrating the liturgy is still regarded as a duty. It was not particularly wrong. Even the church itself teaches and demands the faithful to attend the liturgy with some penalties if this obligation is ignored. Art is not so much friendly with the word 'duty'. The ‘ludic’ spirit of the liturgy cannot work with force. If the liturgy is seen as an art, then the basic character of beauty which has the dimensions of luring and tempting can indirectly educate the human person in order to be better able to 'bow down', to be more humble before the Mystery. Artistic liturgy will invite without force. The liturgy expects resignation, ‘sumarah’, an attitude of admiration, worship and awe. It is like Moses who had to take off his sandals to approach the burning bush. The beauty of the liturgy brings the meanings of encounter and promise. The beauty of the liturgy is supposed to free the human to understand all, to be understood readily, to be silent and to adore in the presence of the Mystery. In this case the liturgy makes humans more humane. Liturgy should bring back human to his or her true self, to his or her original nature.
Feng-shui: Elemen Budaya Tionghoa Tradisional Kustedja, Sugiri; Sudikno, Antariksa; Salura, Purnama
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (615.358 KB) | DOI: 10.26593/mel.v28i1.289.61-89

Abstract

It has been contextual nowadays to observe the traditional feng-shui theory currently  becoming popular topic of discussion. The discussion covers the stake holders in building industry, developers, home owners, professionals, and among the academics of architecture education in the universities. What is the essence of the feng-shui concept? This paper approaches this topic from the different aspects of culture, socio-history, anthropology, ethnography, semiotics, and hermeneutic. It analyses in brief about its history, the major premises in feng-shui, any changes through the Chinese cultural history timeline,  the application tools to transfer the concept into real construction, the persistence of feng-shui in modern life, and the discussions within current contextual situation.
K.R.T Purbaningrat: Bĕdhaya sebagai Media Rekam Peristiwa Apriastuti Rahayu, Yosephin
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (90.217 KB) | DOI: 10.26593/mel.v28i1.290.90-99

Abstract

Information conveyed through the history is not always recorded in writing, but also in various other media. Information about events in the past can be obtained in various ways and in various forms. K.R.T. Purbaningrat, a Kraton Yogyakarta abdidalĕm who lived during the colonial times chose a unique way to 'record' the historical events of his time. As a ‘choreographer’, K.R.T. Purbaningrat used the mystical dance bĕdhaya as a medium to record and pass on information. Sindhenan in bĕdhaya was used as well to reveal the important events surrounding the king and his kingdom. This paper wants to suggest an interpretation of a cultural dance used to record historical events. It also brings forward a challenge for contemporary history science in the discovery and interpretation of historical information sources other than writings.Keywords:informasi sejarah l K.R.T. Purbaningrat l tarian bĕdhaya lmedia rekam l KratonYogyakarta l budaya Jawa
Re-Interpreting The Catholics’ Images of the Church in Java – Part I Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (152.568 KB) | DOI: 10.26593/mel.v28i1.286.1-22

Abstract

This article is an endeavour to be ‘imagerially present’ among the believers in Java, and in this way, could add to the sensitivity to what is happening in the praxis of faith of the Catholics in Java. Christian faith may have caused some changes in the believers’ imagination. Catechesis on the church in Java can take many advantages from this research, considering that its outcome comprises of the church images which can be used to enhance the catechetical material. The distinction of images appears in four dimensions (the believers’ imagerial preferences, the church’s relevance, the believers’ intentions to participate and their contextual and meaningful images). This research is an opening towards further reflections about ‘imagerial catechesis’ in Java. In this eye, it prepares a necessary path for deepening the conviction that the believers’ ‘cultural’ ways of being church are an essential element in the process of doing theology with images. No less than seventeen images have surfaced during the efforts of re-imagining the church images. These ‘cultural’ and communal images are correlated with the ‘biblical’ images of the church in order to unearth the believers’ interpretations of the latter within the sociocultural contexts.
Film Review - Menjawab Rahasia Gyges Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (52.721 KB) | DOI: 10.26593/mel.v28i1.291.100-103

Abstract

Sebuah karya dengan budget terbesar sepanjang sejarah sinema China, sebuah kisah dengan setting sejarah yang cukup kontroversial, seorang sutradara anak “Revolusi Kebudayaan” yang gemar bermain dengan warna dan keindahan, seorang westerner pada sebuah budaya easterner, dan pemain-pemain pendatang baru yang menjadi salah satu pemain utama. Film ini bagi sebagian orang dianggap sebagai sebuah propaganda, atau sebuah cacat karena tontonan yang berlebihan, namun bagi sebagian orang yang lain dianggap sebagai sebuah kisah mengharukan tentang perjuangan, cinta, dan pengorbanan. Seperti sebuah cermin, film ini persis memantulkan nilai-nilai personal bagi siapapun yang menyaksikannya. Dan karenanya, ini sebuah karya yang gemilang.
Sakral dan Profan dalam Kaitan dengan Ritus dan Tubuh: Suatu Telaah Filsafati Melalui Agama dan Konsep Diri Subianto Bunyamin, Antonius
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (127.571 KB) | DOI: 10.26593/mel.v28i1.287.23-38

Abstract

Rationalism has led to the inability of capturing the presence of the divine in human activities. In such situations, the rites tend to be seen as a mere ceremonial activities and secularism pervades religious life in the believers’ ways of living of their faith. Secularism happens when people only look at the physical and material elements in the religious activities, and not the work of the Spirit in an institution or in particular rites. Secular world happens because God no longer has a place in human life. A religious becomes a secular person if he or she is "not afraid of God", "does not appreciate God", and "does not recognize God’s role in life". God is probably recognised, but God is far from the real life. To counter secularism in the rites and bridging the sacred and the profane worlds, rites should never be separated from life, the concept of life needs to be developed from the concept of the self as God's image, and the self-concept needs to be renewed constantly towards the direction of the integral self.
Re-Interpreting The Catholics’ Images of the Church in Java – Part I Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v28i1.286.1-22

Abstract

This article is an endeavour to be ‘imagerially present’ among the believers in Java, and in this way, could add to the sensitivity to what is happening in the praxis of faith of the Catholics in Java. Christian faith may have caused some changes in the believers’ imagination. Catechesis on the church in Java can take many advantages from this research, considering that its outcome comprises of the church images which can be used to enhance the catechetical material. The distinction of images appears in four dimensions (the believers’ imagerial preferences, the church’s relevance, the believers’ intentions to participate and their contextual and meaningful images). This research is an opening towards further reflections about ‘imagerial catechesis’ in Java. In this eye, it prepares a necessary path for deepening the conviction that the believers’ ‘cultural’ ways of being church are an essential element in the process of doing theology with images. No less than seventeen images have surfaced during the efforts of re-imagining the church images. These ‘cultural’ and communal images are correlated with the ‘biblical’ images of the church in order to unearth the believers’ interpretations of the latter within the sociocultural contexts.
Sakral dan Profan dalam Kaitan dengan Ritus dan Tubuh: Suatu Telaah Filsafati Melalui Agama dan Konsep Diri Subianto Bunyamin, Antonius
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v28i1.287.23-38

Abstract

Rationalism has led to the inability of capturing the presence of the divine in human activities. In such situations, the rites tend to be seen as a mere ceremonial activities and secularism pervades religious life in the believers’ ways of living of their faith. Secularism happens when people only look at the physical and material elements in the religious activities, and not the work of the Spirit in an institution or in particular rites. Secular world happens because God no longer has a place in human life. A religious becomes a secular person if he or she is "not afraid of God", "does not appreciate God", and "does not recognize God’s role in life". God is probably recognised, but God is far from the real life. To counter secularism in the rites and bridging the sacred and the profane worlds, rites should never be separated from life, the concept of life needs to be developed from the concept of the self as God's image, and the self-concept needs to be renewed constantly towards the direction of the integral self.
Liturgi Sakral yang Indah, Liturgi Indah yang Sakral Sebastian Heatubun, Fabie
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 28 No. 1 (2012)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v28i1.288.39-60

Abstract

Celebrating the liturgy is still regarded as a duty. It was not particularly wrong. Even the church itself teaches and demands the faithful to attend the liturgy with some penalties if this obligation is ignored. Art is not so much friendly with the word 'duty'. The ‘ludic’ spirit of the liturgy cannot work with force. If the liturgy is seen as an art, then the basic character of beauty which has the dimensions of luring and tempting can indirectly educate the human person in order to be better able to 'bow down', to be more humble before the Mystery. Artistic liturgy will invite without force. The liturgy expects resignation, ‘sumarah’, an attitude of admiration, worship and awe. It is like Moses who had to take off his sandals to approach the burning bush. The beauty of the liturgy brings the meanings of encounter and promise. The beauty of the liturgy is supposed to free the human to understand all, to be understood readily, to be silent and to adore in the presence of the Mystery. In this case the liturgy makes humans more humane. Liturgy should bring back human to his or her true self, to his or her original nature.

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