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Contact Name
Ahmad Zaidanil Kamil
Contact Email
jipct@uinsa.ac.id
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+6285230982716
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jipct@uinsa.ac.id
Editorial Address
Faculty of Ushuluddin and Philosophy, UIN Sunan Ampel Surabaya. St. Ahmad Yani 117 Surabaya, East Java 60237, Indonesia.
Location
Kota surabaya,
Jawa timur
INDONESIA
Journal of Islamic Philosophy and Contemporary Thought
Published by Universitas Islam Negeri Sunan Ampel
ISSN : -     EISSN : 29880262     DOI : https://doi.org/10.15642/jipct
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Social Sciences
Journal of Islamic Philosophy and Contemporary Thought is a peer-reviewed research journal published by the Faculty of Ushuluddin and Philosophy, UIN Sunan Ampel Surabaya. The language used in Indonesian and English. The journal provides an international scholarly forum for research on Islamic Theology, Islamic Philosophy, Quranic Sciences and Exegesis, Hadith Sciences, Islamic Political Thought, Religious Studies, Sufism, and Psychotherapy. Taking an expansive view of the subject, the journal brings together all disciplinary perspectives. It publishes peer-reviewed articles on the historical, cultural, social, philosophical, political, anthropological, literary, artistic, and other aspects of the subject in all times and places. The journal aims to become one of the leading platforms in the world for new findings and discussions of all the aforementioned fields. Academics from any country who are interested in these topics are cordially invited to submit their article to Journal of Ushuluddin and Islamic Philosophy and Thought and to use this open-access journal. Novelty and recency of issues, however, are the priority in publishing.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 32 Documents
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Negotiating Digital Polygamy: Hadith, Authority, and Public Engagement on Instagram Billah, Rodina; Mukhammad Zamzami; Abd A’la
Journal of Islamic Philosophy and Contemporary Thought Vol. 3 No. 1 (2025): June
Publisher : Faculty of Ushuluddin and Philosophy

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jipct.2025.3.1.36-67

Abstract

Polygamy remains a controversial issue in contemporary Islamic discourse, causing tension between the legitimacy of hadith texts and their social implications for gender justice. This study explores the construction of discourse on polygamy in the digital space through a netnographic approach to the Instagram account @khalidbasalamahofficial. The analysis focuses on the representation of hadiths on justice in polygamy and how the public responds to, affirms, or criticizes the content of these sermons. The results show that hadiths are selectively represented to affirm the legality of polygamy in Islamic law, while also functioning as a symbolic instrument in building digital religious authority. However, public interactions give rise to negotiations of meaning that indicate an epistemic transformation, in which religious authority shifts from formal institutions to a more participatory digital public sphere. In this context, the Qirā’ah Mubādalah approach offers a reinterpretative framework that emphasizes the principles of reciprocity and justice, demanding the realization of equal social relations and fair and dignified treatment of women. Thus, polygamy is not only understood as a permissible practice but also as an arena for moral reflection, affirming that balance, equality, and mutual benefit are at the core of religious authority and practice in the digital age.
Visualizing the Sacred: Cross-Cultural Constructions of Fear and Religious Authority in Horror Cinema Aisyah, Ratu Kasih; Akhmad Siddiq
Journal of Islamic Philosophy and Contemporary Thought Vol. 3 No. 1 (2025): June
Publisher : Faculty of Ushuluddin and Philosophy

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jipct.2025.3.1.89-129

Abstract

Horror cinema functions as a powerful medium for articulating cultural anxieties about the metaphysical and the sacred. While Western horror frequently reflects concern about the erosion of religious faith, Southeast Asian horror, particularly in Indonesia, remains deeply embedded in localized theological traditions. This study examines contrasting representations of religious fear by comparing the construction of Demons in Western cinema (The Exorcist, Hereditary) and Jinn in Indonesian cinema (Qodrat, Pengabdi Setan). Drawing on Roland Barthes’s semiotic framework, specifically the interplay of denotation, connotation, and myth, this research decodes key religious signifiers, including the crucifix, exorcism rituals, Qur’anic recitation (ruqyah), and cultic imagery. The findings reveal a marked cosmological divergence: Western horror tends to portray the demonic as a symptom of a modern spiritual crisis and the tension between faith and secular rationality, whereas Indonesian horror situates the Jinn within the dynamics of public piety, Islamic orthodoxy, and syncretism, and critiques religious authority. Beyond their entertainment value, these films function as cultural texts that construct myths about divine power and spiritual vulnerability. This study contributes to scholarship on religion and media by proposing a cross-cultural semiotic model that demonstrates how horror cinema operates as a theological battleground in the modern imagination.

Page 4 of 4 | Total Record : 32

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