cover
Contact Name
Paramita Atmodiwirjo
Contact Email
paramita@eng.ui.ac.id
Phone
-
Journal Mail Official
interiority@eng.ui.ac.id
Editorial Address
Department of Architecture, Faculty of Engineering, Universitas Indonesia Kampus UI, Depok 16424, Indonesia
Location
Kota depok,
Jawa barat
INDONESIA
Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : https://doi.org/10.7454/in
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research. Authors are invited to submit articles that address the questions of interiority in a wide range of interior context, which may include but not limited to: domestic and urban interior, personal and collective interior, contemporary and historic interior, global and indigenous interior. The journal also provides an open forum for discussing various aspects of localities that celebrate interior in specific socio-cultural contexts where particular ideas of interiority might originate and further extend. Submissions are also invited in the forms of reviews of books, projects and exhibition that are intended to challenge and extend the ideas of interiority.
Articles 114 Documents
Water-Based Settlement and the Loss of Community Water Resilience Yodsurang, Patiphol; Uekita, Yasufumi; Shimizu, Ikuro
Interiority Vol. 5, No. 2
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Abstract

After the first dam was built in the Chao Phraya River during the 1950s, several water-controlled structures and megaprojects were built throughout the basin. For the first 30 years, water levels were stable, and the dams largely provided flood prevention. However, in recent years, global warming and climate change have been driving the frequency and intensity of extreme events. Local people have gradually lost their resilience against living with water during the years of a stable flood and flow system. This caused the interiority of the amphibious culture to drown into an oblivion state in the water-based settlement. The investigation was conducted in two villages with identical environmental conditions and similar cultural livelihoods in the floodplain of Ayutthaya Province against seasonal water intrusion. The physical characteristics of housing and cultural landscape of the waterfront villages were analysed via floor plans and cross-sectional study to explain the physical changes through time. The primary investigation revealed that the loss of the underneath space is an important indicator of housing changes resulting from the water conditions becoming more stable. Individuals have started to forget how to live with water. At the same time, the characteristics of the stilt house with an underneath space indicated that the communities continue to practice resilience to co-exist with the flood phenomenon.
Hybrid and Performative Spaces: Towards a New Analytical Lens Kassem, Ayman
Interiority Vol. 5, No. 2
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Abstract

The exhibition space is a territory where architects and designers have experimented with hybrid and performative spatial qualities. However, such spatial mechanisms have expanded into other spatial practices. As we live in a constantly changing world, these practices allow spatial systems that adjust to continual changes in modes of living. Newer approaches to spatial transformation try to respond to the need for transience and flexibility. Hybrid and performative interventions are elaborated to transform existing spaces with strategic non-architectural rearrangements. As a result, our inhabited spaces, such as exhibitions, are becoming hybrid and performative. However, hybrid and performative may be perceived as tools, or as resulting qualities. The literature review analysis shows many intersections between hybrid and performative. Both terms indicate a flexible built environment that is designed and organised to be multifunctional. Hybrid mostly refers to the various modes of accessing, using and being present in the space, while performative refers to the concept of flexible mechanisms, the openness towards changes and the unpredictable characterisation of a space. Performative is also linked to the ability of the space to multitask and perform different roles, including communicative tasks. This study investigates the repertoire of hybrid and performative through an analysis of a literature review conducted through the lens of exhibition design. We seek to explore and promote applications in spatial interventions and the potential to define a set of analytical tools. Seeing the emergence of a constantly changing world, spatial disciplines are trying to respond with flexible mechanisms. Therefore, newer critical lenses, scholarships, and analytical tools must be investigated, explored, and proposed to cope with such continuous shifts.
My House and Coronavirus: Experiences of the Pandemic Full Lockdown Al-Murahhem, Faredah Mohsen
Interiority Vol. 5, No. 2
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Abstract

On March 2, 2020, Saudi Arabia announced the first coronavirus case. A complete lockdown started in Makkah on April 2, 2020. The holy capital of Islam has always been packed with pilgrims, but the situation was different with COVID-19. The full lockdown continued in Makkah even during the holy month of Ramadan. This study discusses the experience of full lockdown in the context of Makkah with its unique status as a holy city, with the longer period of its complete lockdown compared to other Saudi cities. The article presents a case study focusing on the interior design students at Umm al-Qura University in Makkah. The students’ experiences of the pandemic and the full curfew are discussed using descriptive and analytical methods. This article highlights the students’ challenges and difficulties regarding their emotions, specifically concerning the house and considers the functionality of its interior space. The study concludes with an evaluation of the inconveniences and discomforts of the domestic space. This article highlights some key observations, such as the lack of fresh air and natural light in some zones. Finally, the study notes several cultural issues that had a major impact and suggests some recommendations for future house planning.
Work from Home: Lessons Learned and Implications for Post-pandemic Workspaces McGee, Beth L.; Couillou, Ryan J.; Maalt, Kristjan
Interiority Vol. 6, No. 1
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Abstract

The experience of working from home (WFH) has evolved due to the COVID-19 response. A concurrent mixed-methods approach was used to assess the experiences and needs of WFH during COVID-19 pandemic across eight countries. Input concerning office workspace modifications was also explored. Participants (n = 82) were from Asia, Europe, and North America. Participants were working from home more and indicated they were somewhat satisfied with WFH and saw no change in productivity. The most common experience was feeling distracted while others experienced focus or calmness. Most participants were challenged by the lack of appropriate furniture and equipment, as well as being distracted by technology and communication. Participants most frequently used dedicated workspaces and outdoor views. They preferred workspaces with natural light, neutral colours, and natural ventilation. Participants reported better thermal comfort and air quality when compared to their pre-pandemic office but less access to necessary equipment, collaboration, and communication. WFH during the pandemic challenged how people worked and shifted their experience of home interiority. The key outcomes show support for hybrid work options as well as design strategies offered for accommodating home offices in the future.
Towards Responsive Interiors: Practicing Neuroscience-Informed Design Approaches in Interior Design Education Storgaard, Eva; Michels, Marjan; Somers, Inge
Interiority Vol. 5, No. 1
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Abstract

Growing insights from neuroscience—here, understood as an umbrella term for a number of empirical disciplines that study the relation brain, nervous system, genes, and behaviour—and its inquiries into how human behaviour and well-being is affected by interiors can enrich and inform the design of interiors and its properties innovatively. Interior design education can play a key role in linking the insights stemming from research and turn the question of human, experiential responsiveness into an elementary perspective of the design process. In this paper, we explain a pedagogical method developed for one of our graduate studios that addresses this issue and create a framework for a neuroscience-informed focus. Additionally, we illustrate the outcomes of student work created in this studio through two projects, each having a unique focus relating to interiors and the question of human behaviour and well-being, i.e., visual complexity and affordances. With the establishment of this master studio, we aim to provide students with an awareness and insights into how the many fields of study within neuroscience can facilitate, support, confirm, or adjust design knowledge.
Fragments Within Fragments: The Collective Negotiation of Exquisite Corpse Drawings Ardianta, Defry Agatha; Yatmo, Yandi Andri; Atmodiwirjo, Paramita
Interiority Vol. 8, No. 1
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This paper argues for the critical role of collective drawings as a form of representation that highlights the open process. The open process of collective drawing involves actions performed by multiple actors and actions that are not limited to producing drawings together but also require the expression of ideas. Collective drawing encourages negotiations among fragments of the drawing, which opens up various possibilities of representations within the interiority discourse. Exquisite corpse drawings made by Surrealist artists occupy an influential position as drawings produced via an open process regulated by the internal mechanism, manifesting as a continuous act of drawing. This study on exquisite corpse drawings is conducted by dissecting the drawing fragments and examining how the head–torso–feet relationship is negotiated within them. The study reveals that layers of negotiation among fragments represent how the collective act of drawing works. This finding contributes to expanding the internal logic and system of a collective drawing process, allowing diverse interpretations and articulation of the representation works.
The Kitchen as a Social-Spatial Barometer: Deconstructing the Domestic Realm From a Gender Perspective Amoroso, Serafina; Alcocer, Atxu Amann
Interiority Vol. 8, No. 1
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Abstract

Emergent domesticities have generated new forms of urban life that have dissolved the historical duality between the home and the city. Last century's gender revolution in Western societies, together with contemporary technologies, has affected how people organise their daily lives. Everyday time has replaced typological space, blurring the lines between reproductive and productive activities and consequently affecting private and public spaces and how we live together. Pre- modern dwellings consisted of spatial spaces in which a few pieces of furniture were used to carry out everyday activities and were replaced in 18th-century bourgeois culture by spatial devices organised into 'room.' Defined typologically according to modern concepts such as intimacy, domesticity and privacy, as opposed to the public sphere, room has now become a political tool to challenge the status quo. This article focuses on a renewed understanding of the kitchen as the appropriate element to showcase emerging ways of life related to architecture, gender, and the city, which coexist with the prevailing model of capitalism. The text aims to highlight the shift from a model based on relationships of social reproduction to a (counter-)model relying on caring and collective interactions that can contribute to the unfinished process of gender equality and social justice.
Interior Fragments Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 8, No. 1
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Abstract

The critical role of fragments in spatial discourse stems from the complex relationship between fragment and whole. The paradox of fragments offers a deeper understanding of how our architecture, interior, and urban systems are constructed by the presence of fragments and whole and, more importantly, by their interrelationship. Understanding fragments is more than just understanding them as independent spatial entities; it establishes knowledge of how fragments are constructed, connected, and negotiated. This issue of Interiority presents a collection of inquiries on fragments within various everyday interior contexts and representations, demonstrating the emergence of spatialities that celebrate interconnection possibilities beyond the independent parts. The articles in this issue present inquiries into fragments, demonstrating the role of fragments in constructing relationships, building narratives and layers of interconnections, and establishing deeper meanings in various interior phenomena and representational media.
Soul Surfers Forced Into a Fragmented Exteriority Roslan, Siti Balkish; Ismail, Nor Atiah; Ismail, Sumarni
Interiority Vol. 8, No. 1
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This study explores the profound impact of the COVID-19 pandemic on soul surfers, individuals for whom surfing transcends mere sport to embody a spiritual, psychological, and physical communion with the sea and ocean. The pandemic’s restrictions, which limited access to the sea, challenged the core of soul surfing practices, prompting surfers to seek alternative means to sustain their connection with the sea and ocean. Through qualitative research, employing phenomenological analysis, theories of affordance, symbolic interactionism, and interpretive interviews, the study examines the transition from a natural exterior to a built interior, adapting their living spaces to maintain their surfing identity, rituals, practices, and the re-creation of their sacred space that was once the sea and ocean. The study also examines the philosophical implications of identifying as a surfer when physical engagement with the sea is obstructed, highlighting the enduring nature of the soul surfer’s identity beyond the physical act of surfing. The findings reveal a shift towards an inward spiritual and psychological practice, where meditation, mindfulness, and physical training within the confines of their homes served as a bridge to the oceanic experience and a renewed sense of their interior affordances. This adaptation underscores the resilience and creativity of soul surfers in preserving their deeply rooted bond with the sea despite external disruptions. Conclusively, the study offers insights into the dynamic relationship between soul surfers and their sacred spaces, illustrating how the pandemic has reshaped their practices and, by extension, their identities.
Analysis of the Represented Interior Space: Hermeneutic Study of the Peres Maldonado Ex-voto de León, Blanca Ruiz Esparza Díaz; Gonzaléz Romo, Héctor Omar
Interiority Vol. 8, No. 1
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The paper demonstrates the application of Henri Lefebvre's postulates in the hermeneutical study of the Peres Maldonado Ex-voto, created in Aguascalientes in 1777. This piece, authored by an unknown artist, likely illustrates the first mastectomy performed in Mexican lands. This study employs an analytical framework that integrates the propositions made by the philosopher Henri Lefebvre and the experiential spatial systems proposed by the authors. The former formulates a conceptual foundation that unfolds the body in three spatial dimensions: mental, physical, and social. The unfolding could make possible the defragmentation of the painting's elements to analyse the concept of corporeality or total body, as mentioned by Lefebvre. Subsequently, the experiential spatial systems complement the spatial analysis through relational concepts consisting of body-mind, body-gestures, body-attire, body-objects, and body-interior/exterior envelope. The analysis offers some new insights into several components of the simulated pictorial space of the voting offering, including the principal female figure, the secondary characters, the gestures and postures, attire, objects, furnishings, and constructed interior environment. The findings contribute to the development of new methodologies for interpreting spatial configuration in artistic works and, consequently, offer significant advancements in the fields of interior architectural space design and art.

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