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Interaksi Online
Published by Universitas Diponegoro
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Core Subject : Science, Social,
Jurnal Interaksi Online adalah jurnal yang memuat karya ilmiah mahasiswa S1 Jurusan Ilmu Komunikasi, FISIP Undip. Interaksi Online menerima artikel-artikel yang berfokus pada topik yang ada dalam ranah kajian Ilmu Komunikasi dan Ilmu Sosial
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Articles 21 Documents
Search results for , issue "Vol 8, No 1: Januari 2020" : 21 Documents clear
Produksi Program Acara Pro 2 Activity di Pro 2 RRI Semarang (Editor) Kristiawan Agma Bima Setyanto; Lintang Ratri Rahmiaji
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Radio media that can be said by friends of the public from various walks of life as media can accompany, entertain, and convey a variety of new information needed by the community. Radio is said to be a friend of the people from various walks of life because radio can be used from a variety of people with different educational backgrounds and customs to consume radio that provides information through voice networks. LPP RRI was established on September 11, 1945 and on that date was made the day of the RRI (Radio Republik Indonesia) which is commemorated every year. RRI Semarang is one part of the national radio in Indonesia that always carries out various creativities. RRI has four programs, one of which is specifically for young people, namely Pro 2 RRI. The author is in charge as an editor whose job is to prepare all creative content from earcather, radio show (paparazy), viral interlude (selvi), and voxpop. In addition, the editor also made pamphlets that would later be used to conduct buzzing activities through the official social media Pro 2 RRI Semarang such as Instagram, WhatsApp, Facebook and Twitter which were carried out while the broadcast was in progress. Pro 2 RRI Semarang has a program called Pro 2 Activity which broadcasts every day for three hours from 06.00 - 09.00 WIB. The reason for choosing this program to be developed is because of the lack of enthusiasm of listeners towards the Pro 2 Activity program. Seen from the lack of response on social media listeners. After the program was run for 8 weeks using a new concept the editor and the team succeeded in producing 24 episodes and the Pro 2 Activity program experienced an increase in listeners from initially 3 to 4 listeners every day to 8 to 10 listeners. And if in the future there are still field works in Pro 2 RRI Semarang is expected to provide better breakthroughs to increase listeners
Produksi Program Acara “Pro 2 Activity” di Pro 2 RRI Semarang (Pengarah Acara ) Roli Harni Purba, Juita; Pradekso, Tandiyo
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Radio Republik Indonesia is the oldest radio station in Indonesia and is the only radio owned by the Indonesian government. As a public broadcasting institution, RRI has a vision of realizing an Indonesian public broadcasting institution as a trusted and worldwide radio. RRI has a very wide network, from Aceh to Papua. However, there are still many young people who don’t know Radio Republik Indonesia. The number of private radios that have sprung up today causes the popularity of RRI decreased. In addition, the image of RRI as news radio and radio for parents in the society, so it is considered less attractive for young people who need entertainment and the latest things. In order to make RRI and its programs known to the public, especially young people, one solution that can be done is to re-concept or re-create the program "Pro 2 Activity" with a new concept by involving students and communities as resource persons in this program. During the implementation of this program, the writer is in charge as the program director, who is responsible for making the rundown and managing the program in accordance with the direction of the creative team with the producer. During 8 weeks, the writer and team succeeded in producing 24 episodes of the "Pro 2 Activity" program with a duration of 3 hours in each episode and presenting the youth and communities as resource persons with the concept of the program being packaged differently from before, successfully attract listeners to listen “Pro 2 Activity Program”. Through this program, the writer and team also succeeded in increasing the number of active listeners, which initially only 3 to 4 people in each episode, with a new concept, now the active listeners of "Pro 2 Activity” program is increased 8 to 10 active listeners in each episode.
Hubungan Terpaan Iklan dan Kredibilitas Brand Ambassador Dengan Minat Beli Produk Vivo Smartphone. Bianca Nuriena Nisa; Sri Widowati Herieningsih
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

This research aims to determine the effect of Vivo’s Smartphone advertising exposure and the credibility of brand ambassador on the interest in purchasing intentions of Vivo Smartphone Theories used are Strong Theory of Communication and concept from Schiffman & Kanuk and Hani et. Al. The sampling technique used is nonprobability sampling, conducted by purposive sampling with a sample of 60 people with the criteria as follow; men and women aged 22-30 years who lived in Semarang, had watched Vivo V17 Pro advertisement, have never bought Vivo Smartphone and recognize the brand ambassador of Vivo. Survey are carried out using the Kendall’s Tau B analysis. The results showed that the significance value for the Vivo advertising exposure variable and variable credibility of brand ambassador were 0,430 and 0,108 which means had no significance.
NEGOSIASI IDENTITAS HOMOSEKSUAL DALAM KELOMPOK KEAGAMAAN KRISTEN Syifa Salsabila, Astrid; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Christian gay individuals still has difficulties to fulfil their religious rights, one of them is affiliating themselves in a Christian-based group. It happens because heteronormativity is still dominant in Christian values, both in Protestant and Catholic teachings. Therefore, this study seeks to illustrate how homosexuals negotiate their sexual identities in Christian-based groups. Adopting critical phenomenology paradigm with interpretative method, this research does not only describe the negotiations, but also seeks to see whether there is a power relation to homosexuals in the sexuality discourse. Stella Ting-Toomeys’s Negotiation Identity Theory combined with Queer’s Theory was used to analyse the phenomenon. This research was not only conducted in-depth interviews with Christian homosexuals but also other members in the religious groups that are followed in order to overview the identity negotiations in the groups. Interviews with some religious leaders were also conducted in order to see how homosexuality is understood in Christianity views. The results of this study form the essence of homosexuals’ experience in negotiating their sexual identities in their Christian-based group that are followed. The formation of homosexual identity of the individuals is influenced by heteronormative teachings of Christianity so it created an identity struggle for the individuals. However, these individuals were still able to integrate their identities as homosexuals and Christians and eventually decided to become members of the Christian groups. Before negotiating identity in the religious groups, cognitive negotiations in homosexual individuals also have an ongoing role in determining the strategies that individuals will use to negotiate their identities. They use several strategies to negotiate their identities, from asserting, describing, modifying, and obscuring the identities so the identities can be accepted by themselves and other group members. Nevertheless, the process of negotiating the identity of individuals with each member of the religious groups will be different because it is also based on the closeness of the individual with each group member. The individuals did not fully neglected their homosexual identities despite some rejection in the groups. This study also still found power relations that rule how informants manage their homosexual identity based on heteronormativity values. However, these individuals try to change the power relations through the process of negotiating their homosexual identities in the groups.
Penyutradaraan Program Acara “Berkah Islami” di Kompas TV Jawa Tengah Muhammad Aufar Al Wafi; yanuar Luqman
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Television is one of the mainstream media which is still become the most consumed media by the society for getting information and entertainment. Because there are still a lot of audiences, so the copetition among the programs are growing as well. Berkah Islami appear in the middle of society to present Islamic Religious program which is easy to watch and easy to listen. The topics that will be discussed are about adab and sunnah which is very related to our daily life. This program will be packed up in different way. In the first segmen it will be a news feature, and then in the second one it will be a talk show, and the last one it’s gonna be an illustrasion sketch comedy. In this program, “Berkah Islami”, the director is leading a whole production process, from the pre production until the post production. The director is also in charge to explore the creative ideas to wrapped up the program to be interesting and make it happen, so “Berkah Islami” is finally created. Berkah Islami aired on Kompas TV Jawa Tengah every Sunday at 05.00 WIB, started since 1st September to 24th Noveber 2019. With this program, I hope the society get an alternative Islamic Religious TV Program and also educate and become a reminder for the society abaout adab and sunnah in our daily live at once.
Adaptasi Komunikasi Mahasiswa Tuli di Perguruan Tinggi Marshya Camillia Ariej; Turnomo Rahardjo
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The communication problem faced by Deaf college students in campus is the difference ability of their communication skills with the hearing students. This difference in ability, led them to some communication barriers. The difference in understanding between Deaf students and their hearing environment arises because there are no mutual understanding between participants in communication caused by verbal symbols that are not captured in their entirety. The verbal symbols that matters are languages. Efforts and processes to achieve mutual understanding between Deaf people and other participants in communication are hampered due to these physical limitations. Deaf people are more dominant using non-verbal symbols (Sign Language) compared to verbal symbols. This study aims to understand the experiences and communication barriers of Deaf students when adapting to the hearing environment in higher education through a phenomenological approach. This study uses the foundation of Communication Accommodation Theory by Howard Giles and Social Learning Theory by Albert Bandura. This study uses in-depth interviews as data collection techniques involving four Deaf students with severe Deaf categories. The results of this study indicate, Deaf students not only face obstacles in verbal but also language communication in the verbal form. Deaf students accept prejudice and discrimination from the environment expressed through refusal and demands to always use verbal symbols when interacting and communicating. In addition, Deaf students also experience anxiety, uncertainty, and foreign language barriers (English) in academic terms. Apprehension that occurs in Deaf students is a Situational Communication Apprehention. Besides experiencing communication apprehension, Deaf students are also faced with uncertain situations when they first become students. Three uncertainty reduction strategies namely passive, active and interactional are used by Deaf students when facing certain situations that cause uncertainty. A new theory emerged and it could explain the phenomenon of adaptation of deaf students in higher education, namely the Interaction Adaptation Theory. The adaptation patterns used by Deaf students in higher education are interactional synchronization, reciprocal, and compensation. Based on this research, it can be concluded that Deaf students adapt by making language adjustments, using verbal symbols, and supported by writing.
Penulisan Naskah Program Berkah Islami di Kompas TV Jawa Tengah Istiqomah Sheyla Al Kautsar; Yanuar Luqman
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Television is still ranked as the highest mass media consumed by the public. The development of the increasingly rapid television industry also invited local television to take part in filling Indonesia's glass screens. One of the local television stations in Central Java, especially Semarang, which still exists on air until now is Kompas TV in Central Java. Kompas TV Jawa Tengah became a television station that featured news programs and information that were accurate, fast, informative, trusted, educating and inspiring. The making of the Berkah Islami program stems from the lack of religious programs that raise adab and sunnah regarding minor issues in human daily life based on the Koran and Hadith which are discussed lightly and can be applied so that they are easily understood by the public. So that it becomes a challenge for the script writer to pour his ideas into a piece of paper that is presented in accordance with good writing procedures for television programs, so that the content presented in a program can be a reference and make it easier for all parties involved in the execution process both in front or behind the scenes to produce shows that are interesting, informative, and can educate the public. The "Berkah Islami" program is presented in a talkshow format which is present to give knowledge to the public about adab and sunnah in Islam and its application in daily life based on the Koran and hadith for thirteen (13) different themes in each episode. The Berkah Islami Program airs every Sunday at 05.00 WIB on Kompas TV Central Java with a duration of 21-24 minutes and airs from September 1 to November 23 2019. Work on the production of the work program "Berkah Islamic" program involves four production teams and one marketing person . This report focuses on describing the tasks of the script writer from the production, production, and post-production stages along with the obstacles and solutions. Through the Islamic Blessings program it is expected that the script writer can pour his ideas into a writing as a document that can be a reference for the director and work relatives (crew) in completing the production of television programs, in providing informative religious shows and educating Muslim communities in applying the customs and sunnah taught by Islam thus brings blessing.
Produksi Program Acara “Berkah Islami” di Kompas TV Jawa Tengah (Produser) Setiarama .; M.Bayu Widagdo
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Television is a medium that is still widely used to obtain information and entertainment by the public. Because of its ease od acces, all people can enjoy television shows. One program that is still in high demand is the religious program. For that reason, the writer and the team created a religious program that could be an alternative choice for the community, namely “Berkah Islami”. Tge producer is in charge of determining the theme, selecting the production team and marketing team, arranging the production schedule, finding sponsors, marketing the program to the audience, and contacting various stockholder during the production process. The Berkah Islami program airs on Kompas TV Jawa Tengah every Sunday at 05.00 AM. Aired for 30 minutes, Berkah Islami discusses about the manners and dunnah that is done everyday. First aired from 1 September 2019 to 24 November 2019.
Produksi Program Acara “Pro 2 Activity” di Pro 2 RRI Semarang (Pengarah Kreatif) Antika Yolanza; Lintang Ratri Rahmiaji
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Radio Republik Indonesia is the oldest radio station in Indonesia and is the only radio owned by the Indonesian government. As a public broadcasting institution, RRI has a vision of realizing an Indonesian public broadcasting institution as a trusted and worldwide radio. RRI has a very wide network, from Aceh to Papua. However, there are still many young people who don’t know Radio Republik Indonesia. The number of private radios that have sprung up today causes the popularity of RRI decreased. In addition, the image of RRI as news radio and radio for parents in the society, so it is considered less attractive for young people who need entertainment and the latest things. In order to make RRI and its programs known to the public, especially young people, one solution that can be done is to re-concept or re-create the program "Pro 2 Activity" with a new concept by involving students and communities as resource persons in this program. By targeting the youth as target audience, it is hoped that this program will be able to increase radio listeners, especially in Pro 2 RRI Semarang. During the program’s excecution, the author served as a creative director, who is responsible for recreate "Pro 2 Activity" program by creating creative ideas. In "Pro 2 Activity" program, the creative director is responsible for making program scripts and package scripts such as earcatchers, radio dramas (paparazy), viral interludes (selvi), and voxpop. During 8 weeks, the writer and team succeeded in producing 24 episodes of the "Pro 2 Activity" program with a duration of 3 hours in each episode and presenting the youth and communities as resource persons with the concept of the program being packaged differently from before, successfully attract listeners to listen “Pro 2 Activity Program”. Through this program, the writer and team also succeeded in increasing the number of active listeners, which initially only 3 to 4 people in each episode, with a new concept, now the active listeners of "Pro 2 Activity” program is increased 8 to 10 active listeners in each episode.
REPRESENTASI ORIENTALISME ASIA DALAM FILM CRAZY RICH ASIANS (Am I really Asian if I'm not Chinese?) Koesni Jannah, Soraya; Budi Lestari, Sri
Interaksi Online Vol 8, No 1: Januari 2020
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Film as a cultural product not only has inherited values and meanings, but also in the same time able to provide a picture of the culture and the role of each character that emerges. The formation of stigma about Asian characters that have been displayed often only looks at some viewpoints and does not generally represent the meaning of Asia itself. The aims of this research are to find out and analyze the narrative structure in Crazy Rich Asians movie’s and see how Asia is represented through Western point of view. Using a qualitative approach and a semiotic research method that refers to the semiotic theory of The Codes of Television by John Fiske who sees signs through three levels; reality, representation and ideology. Data was conducted by observing and interpreting the signs and symbols that was contained in the film of Crazy Rich Asians. The unit of analysis in this study is in the form of paradigms and syntagsm found at the level of reality, the level of representation, the level of ideology. The study concluded that Crazy Rich Asians film still used Western Orientalism`s point of view to identify the East by depicting Asian characters as Chinese ethnics, where there is still an assumption that Western culture is superior to Eastern culture which considered traditional and conservative. Like other Hollywood films, the director seems to agree with Asian stereotypes such as yellow skin, speaking using "Singlish" (Asian-English). Crazy Rich Asians use orientalism as commercialization, where the film can enter the world capitalist system by providing support for capitalism, especially transnational corporations such as Hollywood. Orientalism itself is used by directors to increase the sale value of films to audiences targeting Asian, Asian-American, and American (Western), by presenting Crazy Rich Asians from a Hollywood perspective.

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