cover
Contact Name
Ernie D. A. Imperiani
Contact Email
passage_linglit@upi.edu
Phone
+6281294235049
Journal Mail Official
passage_linglit@upi.edu
Editorial Address
Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154
Location
Kota bandung,
Jawa barat
INDONESIA
Passage
ISSN : -     EISSN : 27764680     DOI : https://doi.org/10.17509/psg
Passage is a journal published by English Language and Literature Study Program, Universitas Pendidikan Indonesia. Initially published for students’ articles based on their final research paper, Passage now is also accepting articles from researchers outside the study program. The journal focuses on research in language and literary studies written in English. Passage addresses issues on, but not limited to, roles of language and literature, genre, gender, discourse, ethnicity, and media within the frameworks of linguistics and literary theories. It also welcomes more specific research on Indonesian and Southeast Asian contexts to introduce a wider scholarship in the region for a more global readership. This journal is published twice a year in the months of April and November.
Articles 5 Documents
Search results for , issue "Vol 9, No 1 (2021): April 2021" : 5 Documents clear
An Analysis of Women’s Subordination in Eka Kurniawan’s Magical Realism Novel Entitled Beauty is a Wound (2015) Riksan Dani Juniardi; Nia Nafisah
Passage Vol 9, No 1 (2021): April 2021
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v9i1.32770

Abstract

Women’s subordination is one of the most prevalent topics in the study of feminism. One of the novels that portrays the issues of women’s subordination in Indonesia is Eka Kurniawan’s magical realism novel titled Beauty is a Wound (2015). By applying descriptive qualitative approach and textual analysis method, the study analyzes how women’s subordination is portrayed in the novel based on Juliet Mitchell’s (1966) socialist feminist theory. The study found that women’s subordination occurred in four sectors of production, reproduction, sexuality, and socialization. Women’s subordination is portrayed through the men and women characters’ actions, behaviors, and thoughts. The study also found that women’s subordination in every sector is interrelated and occurs frequently in the sexuality sector. It can be implied from the portrayal that women’s subordination is a rampant issue in Indonesia, especially in terms of women’s sexuality. Keywords: Beauty is a Wound, magical realism, socialist feminism, women’s subordination
Textual Meaning in Three Most Viewed Ted Talks Khairunnisa Khairunnisa; Iwa Lukmana; Riesky Riesky
Passage Vol 9, No 1 (2021): April 2021
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v9i1.32771

Abstract

Public speaking has become a necessary skill to have and it gains a lot of interest from people. There are numerous public speaking line-ups available on the internet and one of the platforms is the TED website which provides TED Talks. This study focused on how Textual Meanings are realized in three most viewed TED Talks. The data were taken from TED website www.ted.com, which were taken in July 2020. Three titles were taken, namely ‘Do schools kill creativity?’ by Sir Ken Robinson, ‘This is what happens when you reply to spam email’ by James Veitch, and ‘Your body language may shape who you are’ by Amy Cuddy. This study used a descriptive qualitative method. Theory of textual meaning proposed by Halliday and Matthiessen (2004) and theory of public speaking by Schreiber and Hartranft (2013) are used. It is found that in three most viewed TED talks that Topical Theme is the most frequently used theme. Topical Theme appears 931 times (58.89%). Textual Theme appears 529 times (33.46%), and Interpersonal Theme appears 121 times (7.65%).Keywords: Public speaking, TED Talk, textual meaning, theme and rheme
An Analysis of Language Features in Local Fashion Brands’ Advertisement on Instagram Ghina Lugyana; Ernie D. A. Imperiani
Passage Vol 9, No 1 (2021): April 2021
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v9i1.32772

Abstract

This study attempts to investigate and give a comprehensive account of persuasive techniques and linguistic features in local fashion brands’ advertisements on Instagram, along with the influence of persuasive techniques towards the implementation of linguistic features in the advertisements. To figure it out, this study gathered the data from five captions on recent Instagram posts of Cotton Ink and Look Boutique Store. Using persuasive techniques proposed by Kleppner (1986) and linguistic features in advertising proposed by Grey (2008), the study revealed that the two advertisements had all of three types of persuasive techniques; namely pioneering stage, competitive stage, and retentive stage. In terms of linguistic features, the advertising copywriters used 12 out of 20 types of linguistic features in these two advertisements. Furthermore, the use of persuasive techniques affects the implementation of lexical features in these two brands’ advertisements. Since competitive aims to make the products seem better and unique than the others, the advertisers had to use attractive words or terms to make people believe that the products have a superiority than the other similar products. It also affects the syntactic features, hence the advertisers tend to inform it in long noun phrases with detailed explanations of the products which make them seemed superior. Moreover, the advertisers used present tense to make the customers feel as if the benefits of the superior product they will get will last for a long time. Keywords: Advertisement, Instagram, language feature, linguistic feature, local brand, persuasive language
Investigating the use of text modifications in L2 reading Miksalmina Miksalmina; Wawan Gunawan; Ruswan Dallyono
Passage Vol 9, No 1 (2021): April 2021
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Research on text modifications has been around since the 80s until the present day. These studies have come a long way from manual text modification methods to the use of computerized models in its present form. However, there seems to be no resolution to the question of whether modified texts can help language learning. This study went back to the basics, manually modifying a text to find out whether it can help non-native English readers’ English reading comprehension. A text taken from a semiotic textbook was modified using the text modification strategies outlined by Parker Chaudron (1987). The text was then given to an experiment group comprising of 7th semester students studying linguistics at Universitas Pendidikan Indonesia. Having read the text, these students were given a written test alongside a questionnaire. Their scores and their attitudes toward the modified text (from the written test the questionnaire, respectively) were taken to measure and compare with the scores and attitudes of a control group reading the original text. The results showed a difference between the scores of students in the control group and those in the experiment group, with the latter having more students who scored high. There are also more students in the experiment group with a positive attitude toward the text they read compared to those in the control group. However, the difference in scores proved to be statistically not significant, and also most students who viewed the modified text positively scored low on the written test. Keywords: Elaboration of text, simplification of text, text modifications
Gender Hegemony in Denis Villeneuve’s Blade Runner 2049 (2017) Rahadian Nugraha; Safrina Noorman
Passage Vol 9, No 1 (2021): April 2021
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v9i1.32775

Abstract

The issues regarding gender hegemony in literary works have been widely discussed; yet only few relate the issue to non-human characters. Non-human characters, in this case, are characters which are technologically made and thought-driven being with a lesser capacity for emotion. This study was conducted to investigate how gender hegemony for non-human characters is constructed in a film. The non-human characters that were analyzed are K and Joi from Blade Runner 2049 (2017), a science fiction film directed by Denis Villeneuve. K is portrayed as a male synthetic being called the replicant, while Joi is portrayed as a female holographic digital companion called a DiJi. To investigate gender hegemony among the characters, this study applied Schipper’s (2007) framework of gender hegemony, Boggs and Petrie’s (2008) theory of characterization, and Heintz and Stracey’s (2006) film elements to analyze the hierarchy of masculinity and femininity in the film. The analysis revealed that the gender hegemony in the film is constructed through the exploitation of characterization, particularly between K and Joi who are presented with stereotypical hierarchical gender characteristics. These stereotypical characteristics created a gendered hegemony revolving around three major themes, namely love, loyalty, and revenge. Further exploration implies that, because the gender hegemony is very embedded in the film, the filmmaker could not offer an alternative of male-female relationships for non-human characters. Keywords: Blade Runner, femininity, gender hegemony, masculinity, non-human characters

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