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Kurnia Rahmad Dhani
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INDONESIA
Ekspresi: Indonesian Art Journal
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14114305     EISSN : 29645921     DOI : https://doi.org/10.24821/ekp.v1i11
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
EKSPRESI is a double-blind peer-reviewed international journal published twice a year in April and October. Ekspresi published by Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas, art creation, and community service activities in the fields of arts and humanities.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol 10, No 1 (2010)" : 8 Documents clear
I Wayan Geria: Penari, Pencipta, dan Guru Seni Pertunjukan Bali Ayu Ketut Putri Rahayuning
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7848

Abstract

I Wayan Geria: Dancer, Composer, and Balinese Performing Art Teacher. This study aims at comprehending I Wayan Geria’s important role and existence as a Balinese performing artist. The result of this research indicates that I Wayan Geria is an eminent dancer, a strong dance creator, and a highly respected dance teacher. As a dancer, Geria is a model for an artist with high dedication to his art, with an endless effort to improve his artistic skill. As a dance creator, Geria always dedicates his new works to his village and community. As a dance teacher, Geria always teaches his student with high discipline and provides them with the best training.Keywords: Balinese dancer, dance creator, performing arts.
Makna Simbolik Upacara Wulla Poddu dalam Masyarakat Loli Sumba Barat Nusa Tenggara Timur Flora Ceunfin
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7853

Abstract

The Symbolic Meaning of the Wulla Paddu Ceremony. The research on the Wulla Paddu ceremony of the Loli community in West Sumba, East Nusa Tenggara province, intends to find out the symbolic meaning expressed in local traditional music called talla. The ceremony represents ritual activity during the Holy month of Loli New Year observed once a year according to the cultural calendar of the local community who believed in the supreme being of Marapu. The aim of the ceremony is to show respect and to express gratitude and requests to Ama wolu-Ama rawi (The Creator) through the intercession of Marapu. Wulla Paddu ceremonial event is organized in several phases which are always accompanied by talla music. The performance of talla music represents a symbolic meaning in terms of worshipping the supreme being of Marapu. The performance of talla music has been compulsory as an important part of the annually observed Wulla Paddu where the rhythm of the music reflects the symbolic meaning of the ceremony. The outcome of this research has shown that the performance of talla music in Wulla Paddu ceremony has played an important role in revealing the meanings of religious, social, and cultural symbols. The music is worthy to be preserved in accordance with its local cultural values, as well as an intangible heritage of West Sumba people, that hopefully will remain observed by the Loli community for many generations to come.  Keywords: Talla, Marapu, Loli community
Menimbang Definisi Seni dalam Estetika Deni Junaedi
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7849

Abstract

Rethinking Art Definition in Aesthetic Field. In the aesthetic definition of art, an object is an art, and only if it is produced with the intention that it possessed a capacity of affording aesthetic experience. Aesthetic experience refers to some mental states that a spectator brings to or undergoes in responding to artworks. Two major accounts of aesthetic experience are the affect-oriented accounts. The affect-oriented accounts are marked by disinterestedness, empathy, and contemplation. The content-oriented accounts can be sorted under three broad headings: unity, diversity, and intensity. If the aesthetics definition of art can be examined for all artworks, the definition is correct; otherwise, if the aesthetics definition of art cannot be examined for all artwork, the definition is incorrect. Keywords: aesthetic experience; art definition
Kritik terhadap Pendekatan Psikologi Meyer dalam Analisis Musik Andre Indrawan
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7854

Abstract

Criticism toward Meyer’s Psychological Approach in Music Analysis. This paper discusses a psychological approach to music analysis introduced by Leonard Meyer that has been criticized by Nicolas Cook (1987). Meyer’s rhythmical and linear analysis which focused on the foreground expectation is less practical in observing large-scale musical structure. In terms of its benefit to advancing musical performance interpretation, the strength and weakness of the approach have been compared to the Shenkerian method which gives more attention to the harmonic reduction that focused on the harmonic background. Although the critic concentrates on technical analysis only, Meyer’s analysis would be valuable to the Shenkerian side if they also take into account his concept of musical style which is mostly regarded as the area of aesthetic rather than technical analysis.  Keywords: Critic, psychological of music, music analysis
Gejolak dalam Harmoni Mujiyono Mujiyono
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7850

Abstract

Harmony in Frightening Natural Phenomenon. The main creation source is the aesthetic impressions of clouds and waves which implicitly express frightening, fearful, and scary passion. The objects of the creations are expressed in painting arts which tend to be expressionistic and abstract in style. The supporting sources of the creations are some paintings of Franz Kline, Willem de Kooning, Joan Mitchell, Anselm Kiefer, Piet Mondrian, and Ibrahim. The originality is emphasized in individual emotional expression. The methods of the creations begin with the exploration of ideas, improvisations, and creations which become one activity. The transformation of ideas into art products creates a subject matter which contains biomorphic forms from expressive brushing that is based on intuition and spontaneousness. The differences in the width of the brush, the stress of brushing, the level of painting thickness, and the color have become the supporting techniques. The results of the creation are the painting art products containing line configurations, organic forms, and coloring with the wild, free, uncontrolled, and ‘mleber’ effects. Keywords: Expressionistic abstract, art harmony, painting.
Kajian Semiotika pada Road Sing Restoran Taman Pringsewu Yogyakarta Dyah Nurhayati
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7855

Abstract

The Semiotics of Road Sign in Taman Pringsewu Restaurant. This study aims at revealing the meaning of road signs as the elements of the sign system of the Pringsewu restaurant in Yogyakarta. The samples that are taken based on the message (its competitive advantage) include the ‘free formalin’ sign, the ‘alert chicken carcass’ sign, the ‘free hotspots’ sign, and the ‘playback’ sign. The four signs are important because they involve public interest issues and trends that represent the whole road signs. This study operates a qualitative method with a semiotic theory-based explanation. The data gathered are analyzed in a qualitative-interpretative way. It relates to the principles of visual communication design. The result of this study confirms that road signs carry the public needs issues and modern lifestyles. Keywords: Pringsewu, road signs, meaning signs
Postmodernisme: Sebuah Dekonstruksi dan Kritik dalam Seni Miftahul Munir
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7851

Abstract

Postmodernism: A Reconstruction and Criticism of Art. There is no truth that is admitted to be absolute truth or forever truth because everything that correlates to a human being is dynamic. ‘Freedom in art creation’ is needed to guarantee the maximum quality of art making process. When art creation is subject to the power of value or its ethical criteria, it is ‘a veiled oppression process’. In such practices, art is not created for the art itself. What happens there is humanizing the art, moralizing the art, and controlling the art. The characteristic of art is its capacity to free itself from substantive matters. In contemplation, the soul leaves the physical materials and becomes one in the idea of form so that the contemplator experiences exquisiteness or unexquisiteness. This experience is then expressed as a work of art. It is important to be comprehended that each element and each entity may function as an active component in completing human existence in the realm of artistic activities. Keywords: Art critics, human existence, art deconstruction.
Bentuk, Gaya, dan Makna Akting dalam Film Opera Jawa Sutradara Garin Nugroho Wahyu Novianto
EKSPRESI Vol 10, No 1 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i1.7852

Abstract

The Forms, Style, and Meanings of Acting in Opera Jawa. This research is qualitative research that intends to understand the structure and form. And action style, and also the meaning of action as a system of sign in a motion picture entitled ‘Opera Jawa’. The answers to the three issues above are found by employing the approach of form and acting style and also theatre semiotics. Theatre semiotics is used to examine the meaning of the acting sign system which is held by the protagonist and antagonist figure. The theatre semiotics approach used is the version of Tedeuksz Kowzan. Kowzan divides the segmentation of the theatre sign system into 13, but this research only focuses on 8 of it. The results of this study are first, the theme of Opera Jawa is violence; second, the protagonist and antagonist characters are always in a paradoxical relationship; third, the plot consists of three round structures. The acting in Opera Jawa is in form of opera acting. It is a transformation form from the realist acting to the symbolic one. Opera Jawa functions as the life guidance to appreciate, respect, and tolerate others.  Keywords: Acting, semiotics, form, style, Javanese opera

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