Indonesian Journal of Conservation
The Indonesian Journal of Conservation [p-ISSN 2252-9195] is a journal that publishes research articles and conservation-themed conservation studies, including biodiversity conservation, waste management, green architecture and internal transportation, clean energy, art conservation, ethics, and culture, and conservation cadres
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<![CDATA[STRATEGI ADAPTASI SIMBOLIK PEMBATIK YANG TERMARGINALKAN TERHADAP HEGEMONI PASAR ]]>
<![CDATA[Casta, Casta]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.18999
<![CDATA[The structure of Trusmi-Cirebon batik actors release some entrepreneurs who have capital strength which hegemony the market and the marginalized craftsman. This study aimed to understand the hegemony patterns of batik market and symbolic adaptation strategies of artisans who are marginalized in the creation of designs, marketing, and interpreting internal conflicts. Research used a qualitative approach using a type of phenomenological research. The results of this study showed that the market hegemony was carried out by showroom, produced batik with thecategory of anggon batik, the used of silk materials, and adapted to market interest. On the other hand, marginalized craftsman of Trusmi batik face the hegemony of batik market by carried out the design creation strategy by making batik with the category of obrogan, made a typical of traditional batik motifs, not used silk and another similar materials, avoided showrooms market, and used the service of pengeber, yarnen and yarlud. They choose to avoid internal conflicts by considering batik as a joint property which was an ancestral heritage. It was concluded that the symbolic adaptation strategy of marginalized craftsmen was conducted to maintain the balance (homeostasis), order, and social integration]]>
<![CDATA[UPAYA RESTRUKTURISASI KAWASAN HUTAN GUNUNG LIO KABUPATEN BREBES PASCA BENCANA TANAH LONGSOR BERBASIS KEARIFAN LOKAL MELALUI COMMUNITY DEVELOPMENT ]]>
<![CDATA[Trimasukmana, Danang Junior]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.19000
<![CDATA[The role of social institutions is very important as local wisdom because it can facilitate the community when planning, coordinating, and controlling activities to rehabilitate the environment. Local customary institutions also play a role in the development of rural areas, especially highland communities that function to build social capital: social, cultural, economic and environmental values, which are a wealth of local wisdom. By using social capital based on local wisdom, the community can rehabilitate forests with an effective local leadership system]]>
<![CDATA[PENGEMBANGAN KESENIAN KEMPLING SEBAGAI UPAYA PELESTARIAN DI DESA WISATA KANDRI KOTA SEMARANG ]]>
<![CDATA[Raharjo, Aprellian Luthfi]]>;
<![CDATA[Muttaqin, Moh.]]>;
<![CDATA[Rachman, Abdul]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.18996
<![CDATA[Kempling art is a traditional art that has the characteristics of the form of musical performances that use musical instruments gembur, kendhang, karon, telon, kempling and kemanak which is almost the same as the tools used in rebana music which in its development changed like the addition of a keyboard and guitar that is not leaving the characteristic Kempling art with songs that sung like sholawatan, praise and songs that are poupuler in society. Kempling art is an art that has existed in the era of Sunan Giri and Sunan Kalijaga and in 1962 preserved in the Village Tourism Kandri Semarang City. Kempling Art Development conducted by Kempling Art Group is done so that Kempling Art can be enjoyed by the people of Semarang City. Kandri Tourism Village becomes a tourist village in 2012 and it becomes the community's duty to manage and utilize the existing tourism potentials. This study uses qualitative methods with data collection techniques using observation, interviews and documentation and data validity techniques examined by source triangulation method. The purpose of the study is to describe the development undertaken by the community without changing and keep holding tightly Kempling Artistry in the Village Kandri Semarang. Kempling art development is done through the development of songs, musical instruments, performances and costumes.]]>
<![CDATA[KELIMPAHAN DAN KEANEKARAGAMAN JENIS BURUNG DI HUTAN MANGROVE KPHL GUNUNG BALAK ]]>
<![CDATA[Iswandaru, Dian]]>;
<![CDATA[Amrullah Khalil, Abdul Rouf]]>;
<![CDATA[Kurniawan, Beny]]>;
<![CDATA[Pramana, Rudi]]>;
<![CDATA[Febryano, Indra Gumay]]>;
<![CDATA[Winarno, Gunardi Djoko]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.19001
<![CDATA[The diversity and abundance of bird species in an area can indicate how the conditions in the area, such as mangrove forest which are the habitat of various species of wild bird. The purpose of study was to analyzing of relative abundance and diversity of birds in the mangrove forest of KPHL Gunung Balak. Data collection using the explore method in a habitat (field to field method). The result of study record was 30 species of birds from 9 family with total number 671 individuals. Analyzing showed the highest abundance of species little egret (Egretta garzeta) is 8.79% and the smallest abundance of species white-breasted Kingfsher (Halcyon smyrnensis) is 0.15%. Shanon-Wienner diversity index shows as medium scale with the value 3.13 which means that the condition of mangrove forest ecosystem in KPHL Gunung Balak is relatively good to support the life of wild birds.]]>
<![CDATA[PERKEMBANGAN KESENIAN JARAN JENGGO ASWO KALOKO JOYO GENERASI KE-6 SAMPAI GENERASI KE-7 DESA SOLOKURO KECAMATAN SOLOKURO KABUPATEN LAMONGAN ]]>
<![CDATA[Wulandari, Ayu]]>;
<![CDATA[Jazuli, Muhammad]]>;
<![CDATA[Malarsih, Malarsih]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.18997
<![CDATA[Jaran Jenggo art is a circumcision dress art procession using a horse or jaran accompanied by jedor music. Jaran Jenggo art began to develop from the 6th generation to the 7th generation which has been implemented because of various aspects of modern thought, education and economics Making Jaran Jenggo Art Aswo Kaloko Joyo makes art form innovation so that it is not monotonous. It is this change that motivates. Jaran Jenggo Aswo Kaloko Joyo developed the form. The aim of the study was to find out the development. Jaran Jenggo Aswo Art Kaloko Joyo from the 6th generation to the 7th day. This study uses qualitative methods through the Sociology of Arts approach to encode the development of society towards artists in the creation of films. Jaran Jenggo to make it look more attractive. Social change, making Jaran Jenggo Art finally began to rise with innovative forms, accompaniment, costumes and make-up, even to the stage that consisted of the farewell stage which began in the 6th Generation to become a new form and developed until the 7th generation ofization. Jaran Jenggo Art Aswo Kaloko Joyo has found a country that is mature enough in the mood, with the development that creates Jaran Jenggo still has to improve the quality and quality of the art they have.]]>
<![CDATA[KAJIAN ESTETIKA ORNAMEN PADA ELEMEN MASJID AGUNG SURAKARTA DALAM KONTEKS BUDAYA ]]>
<![CDATA[Yunianti, Esterica]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.19002
<![CDATA[Ornaments of the Great Mosque of Surakarta appear in several forms. Ornaments influenced by Hindu, Buddhist, Islamic and Javanese patterns are interesting phenomena to be studied. This study aims to (1) Identify and analyze ornaments (2) Analyze the meaning of ornaments (3) Analyze the linkages of aesthetic elements found in the ornaments of Surakarta Grand Mosque with education. This study uses qualitative methods through aesthetic studies to find the shape and meaning of ornaments in the Great Mosque of Surakarta. Data collection is done by (1) Observation (2) Interview (3) Study of documents. Data analysis is done by data reduction, data presentation, and conclusion drawing / verification. Results (1) ornaments on elements of the Great Mosque of Surakarta have a visual form that is influenced by Javanese culture, Islam is related to Hindu-Buddhism (2) ornaments on elements of the Great Mosque of Surakarta have aesthetic values that are in accordance with 'the concepts of Javanese aesthetics and Islamic aesthetics (3 ) ornaments on elements of the Great Mosque of Surakarta have educational values including useful and valuable values (truth values), beautiful (aesthetic values), good (moral values), religious (religious values).]]>
<![CDATA[PERAN SENIMAN BANYUMAS DALAM PELESTARIAN CALUNG BANYUMASAN: STUDI KASUS PADA SENIMAN SUJIMAN BAWOR ]]>
<![CDATA[Suharto, Suharto]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.18998
<![CDATA[This study aims to describe the role of an artist Calung Banyumasan who has a high dedication in maintaining two roles at once namely maintaining the economic life of his family, the traditions he loves and his responsibilities as a member of the community. This research uses a hermenuetic approach, integrated professional theory, and compensation theory to reveal the attitude of an artist who performs the attitude taken in his social cultural life. The results of the study show that artists who love art and culture will maintain their attitude by performing their faith. This activity can be in the form of working as an artist earnestly, doing other work as a support for his life and carrying out his social activities as a gesture of attitude that is in love with the art and culture of the ancestors he loves.]]>
<![CDATA[SUMBER BELAJAR DONGENG YANG BERMUATAN KONSERVASI BUDAYA “BANYUMASAN†]]>
<![CDATA[Febriani, Meina]]>;
<![CDATA[Sugiarto, Eko]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.19003
<![CDATA[Local culture is a content that can be used in the preparation of textbook material. Javanese culture (Banyumasan) as having noble values that should be understood by children, especially at the primary education level in Banyumas Regency. This research reveals: the type of Banyumasan fable and its potential as a source of learning as the conservation of Banyumasan culture through education. Research uses a qualitative approach to case study design. This research is believed to provide theoretical benefits about the concept of learning art and literature. The results show that Banyumas has various folklore with Banyumasan values. Tales that contain conservation of Banyumasan culture can potentially be a source of learning (enrichment) for children in the education process.]]>
<![CDATA[PENGEMBANGAN KESENIAN KEMPLING SEBAGAI UPAYA PELESTARIAN DI DESA WISATA KANDRI KOTA SEMARANG ]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.18996
<![CDATA[Kempling art is a traditional art that has the characteristics of the form of musical performances that use musical instruments gembur, kendhang, karon, telon, kempling and kemanak which is almost the same as the tools used in rebana music which in its development changed like the addition of a keyboard and guitar that is not leaving the characteristic Kempling art with songs that sung like sholawatan, praise and songs that are poupuler in society. Kempling art is an art that has existed in the era of Sunan Giri and Sunan Kalijaga and in 1962 preserved in the Village Tourism Kandri Semarang City. Kempling Art Development conducted by Kempling Art Group is done so that Kempling Art can be enjoyed by the people of Semarang City. Kandri Tourism Village becomes a tourist village in 2012 and it becomes the community's duty to manage and utilize the existing tourism potentials. This study uses qualitative methods with data collection techniques using observation, interviews and documentation and data validity techniques examined by source triangulation method. The purpose of the study is to describe the development undertaken by the community without changing and keep holding tightly Kempling Artistry in the Village Kandri Semarang. Kempling art development is done through the development of songs, musical instruments, performances and costumes.]]>
<![CDATA[KELIMPAHAN DAN KEANEKARAGAMAN JENIS BURUNG DI HUTAN MANGROVE KPHL GUNUNG BALAK ]]>
<![CDATA[ Indonesian Journal of Conservation Vol 7, No 1 (2018): IJC ]]>
Publisher : <![CDATA[Badan Pengembang Konservasi UNNES ]]>
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DOI: 10.15294/ijc.v7i1.19001
<![CDATA[The diversity and abundance of bird species in an area can indicate how the conditions in the area, such as mangrove forest which are the habitat of various species of wild bird. The purpose of study was to analyzing of relative abundance and diversity of birds in the mangrove forest of KPHL Gunung Balak. Data collection using the explore method in a habitat (field to field method). The result of study record was 30 species of birds from 9 family with total number 671 individuals. Analyzing showed the highest abundance of species little egret (Egretta garzeta) is 8.79% and the smallest abundance of species white-breasted Kingfsher (Halcyon smyrnensis) is 0.15%. Shanon-Wienner diversity index shows as medium scale with the value 3.13 which means that the condition of mangrove forest ecosystem in KPHL Gunung Balak is relatively good to support the life of wild birds.]]>
