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Dr. Wening Udasmoro, M.Hum, DEA
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jurnalpoetika.fib@ugm.ac.id
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+62274513096
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jurnalpoetika.fib@ugm.ac.id
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Post-graduate program of literature of the Faculty of Cultural Sciences, Universitas Gadjah Mada
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Daerah istimewa yogyakarta
INDONESIA
Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 8 Documents
 1 
Search results for , issue "Vol 3, No 2 (2015): Issue 2" : 8 Documents clear
PRODUKSI SIMBOL DALAM SAMPUL BUKU SASTRA TERBITAN GRAMEDIA Saeful Anwar
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10428

Abstract

As the design and printing technology develops rapidly, the covers’ design of  literary books on store develops as well. The covers tell not only title, writer’s name, and publisher, but also show textual symbols such as subtitle, phrases describing title, phrases describing writer, book category, quotes of  the content, other writer’s comment, and more. Those additional texts make the cover look full. Gramedia is one of  the publishers which keeps putting only title and writer’s name on the book covers without adding up more additional texts mentioned above. Instead, the publisher put the additional texts on the back cover. This article aims at explaining why Gramedia keeps the design of  book covers that way. This article applies method of  Bourdieu’s theory on literary sociology. The result shows that Gramedia applies a strategy of  symbolic capital exchange among the writers whose works published by Gramedia. The symbolic capital exchange is used indirectly to increase the literary books’ sale. Gramedia takes a subtle way of  the strategy to keep the symbolic capital of  the books and their writers affiliated with the publisher. Gradually the publisher gathers more symbolic capital that consequently increase its economic capital.Keywords: symbol production, Gramedia, literary books’ covers, literary sociology, Bordieu.
SASTRA ‘MUNGKIN’: KONTESTASI SIMBOLIK ANDREA HIRATA DALAM ARENA SASTRA INDONESIA Kukuh Yudha Karnanta
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10431

Abstract

The article entitled Sastra ‘Mungkin’:  A Symbolic contestation of  Andrea Hirata in Indonesian Literature Arena is discussing the literary practices of  Andrea Hirata, a novelist who surprisingly popular in Indonesian literature from 2006 to present.  This article aims to explicit the views and contestation of  Andrea Hirata literary practices based on his views in gaining legitimacy of  his works as an author. This research applies Pierre Bourdieu’s Arena Cultural Production, which assumes that literature is not just a question of  aesthetics but also the struggle of positions between agents operating in the literary arena. According to the research that has been conducted, the result reveals that Andrea Hirata actually has a tendency, furthermore, obsession, in order to gain a specific legitimacy as an author (literar y figure). In doing so, Andrea Hirata impose his views about possibility in Indonesian literature.Keywords: field, Andrea Hirata, symbolic violence, legitimacy, doxa, heterodoxa
STRATEGI, AGEN, DAN POSISI EMHA AINUN NADJIB DI ARENA SASTRA DAN ARENA SOSIAL Latief S. Nugraha
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10435

Abstract

This research is conducted to prove about Emha Ainun Nadjib’s position, strategies and employment as a agent in the literature and social field. This study uses the sociological literature theor y proposed by Pierre Bourdieu to analyze the problems. The result of  the study shows that Nadjib cannot achieve his current position by relying only on his literary works, but also by relying on his social and political movements which are done in literature and social field. Nadjib successfully manages capital with reproduction strategy and reconvention strategy to apply his ideas. Those strategies are employed to accumulate capital for achieving , maintaining , and improving social recognition in the field of  national literature which further creates trajector y to a wider social field. The rest, the role of  agents around him also have a major influence in cementing his name and position in the constellation of   literature and social field in both nationaland international.Keywords: Emha Ainun Nadjib, the field of  cultural production, agents, field of  literature, field of  social.
PIERRE BOURDIEU, LANGUAGE AND SYMBOLIC POWER Eka Ningtyas
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10437

Abstract

Judul: Language and Symbolic PowerPenulis: Pierre BourdieuPenerbit: Polity Press, MaldenTahun: 2007Tebal: 302 halaman
KORELASI MODAL TERHADAP KONTESTASI ARENA DAN PRAKTIK FEBA SUKMANA PENULIS NOVEL HOLLAND: ONE FINE DAY IN LEIDEN DALAM ASPEK PASAR, NARASI, DAN PENGGUNAAN BAHASA Hary Sulistyo
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10438

Abstract

This research focuses to show Feba Sukmana’s modal implementation in narration and language use aspect. The first thing is about her cultural asset. She was born from art family and it made her likes reading stories and writing diary. The second asset is her Dutch insight when she studied in University of  Indonesia and master program in Leiden University. The third asset is about her habbit built since she was child, started from writing diary until writing Holland: One Fine Day In Leiden novel. The relation between educational background and language using is on the language choice. It is showed in the ability of  building narration, describing condition, using foreign language such as English and Dutch. Moreover, describing Dutch condition and concept  has so much relevance to the educational background. Keywords: Feba Sukmana, asset, the field of  contestation, and study and language relevance.
KRITIK SASTRA DI PRANCIS Muhammad Al-Fayyadl
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10439

Abstract

The emergence of literary criticism, as sort of “literary institution” in a modern sense, is relatively a new phenomenon in France as it happened in 19th century and would be more institutionalized in 20th century. It due to the progressive distinction between the author criticism and the critic cricitism as well as to the decline of poetic representation, which has been built on hierarchy of genres and critic’s superiority over authors in 17th century. This article traces the institutionalization of literary criticism and the duality of its practices through the lens of Roland Barthes’ “two criticism”, applied to read the practices of literary criticism in France from 16th century onwards.        Keywords: literary criticism, “two criticism”, crisis. 
ARENA (KRITIK) SASTRA INDONESIA: STUDI KASUS PADA JURNAL POETIKA FIB UNIVERSITAS GADJAH MADA Dharma Satrya HD.
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10440

Abstract

Abstrack This paper discusses the journal as an arena for literary criticism. In the journal the practice of legitimacy is occurred, as a writer, critics or academics. Taking and making positions are conducted by the agents of the journal. This study found that in Jurnal Poetika, academics legitimize the writer and conversely the writer who became the academics legitimize the other writer and even criticize the other academics in their different arena, and it is also possible in the same arena. In the arena of criticism, the exchange of positions continues as long as the existence of the arena, depends on the authorities of the arena, with Faruk as the agent of symbolic power, and even the power is identical to himself. In the arena (criticism) of Indonesian literature especially in the University of Gadjah Mada, Faruk brings the arena (criticism) of Indonesian literature to a new direction with a new angle to bring the literary text towards newer perspective that is identical to the newer view which is a part of the habitus in Indonesian literature.Keywords: Arena, Practice, Positions.   
PERGULATAN IMAN BUDHI SANTOSA UNTUK MENCAPAI POSISI TERKONSEKRASI DALAM ARENA SASTRA YOGYAKARTA Anggun Nirmala Safitri
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10441

Abstract

This article tries to uncover the strug gle of  Iman Budhi Santosa to reach the dominant position in the field of  Yogyakarta literature. Bourdieu’s theor y, the field of  cultural production, is used to uncover the relation between objects that support Iman to become a consecrated poet in the field of  Yogyakarta literature. The relation of  the objects are explained by the concepts of  habitus, capital, strategy, practice, trajectory.Literary practices which are manifestated in the form of  literary writing and publishing activities, the participation in literary activities, institution forming in Yogyakarta are accumulated as symbolic capital which directs his possition to become a consecrated poet in Yogyakarta.Keywords: Iman Budhi Santosa, Bourdieu, the field of  cultural production, habitus, capital, strategy, practice, trajector y

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