Article Per Year (5 Year)
p-Index From 2020 - 2025
1.642
P-Index
This Author published in this journals
All Journal Humaniora Litera LiNGUA: Jurnal Ilmu Bahasa dan Sastra Diglossia Poetika: Jurnal Ilmu Sastra EDULITE: Journal of English Education, Literature and Culture Haluan Sastra Budaya BASINDO : jurnal kajian bahasa, sastra Indonesia, dan pembelajarannya Educatio Adabiyyat: Jurnal Bahasa dan Sastra TEKNOSASTIK Logat: Jurnal Bahasa Indonesia dan Pembelajaran SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Tamumatra : Jurnal Seni Pertunjukan ADMA: Jurnal Pengabdian dan Pemberdayaan Masyarakat Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Jurnal Ilmiah Pengabdian dan Inovasi
Satrya HD, Dharma
Universitas Hamzanwadi
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Nursing Social Sciences Other

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
DEWI RENGGANIS (KAJIAN ANTROPOLOGI SASTRA LEVI- STRAUSS) hilmiyatun, hilmiyatun; satrya, Dharma
Educatio Vol 10, No 2 (2015)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (287.109 KB) | DOI: 10.29408/edc.v10i2.163

Abstract

Penelitian ini bertujuan untuk mendeskripsikan civitas budaya yang muncul dari nalar masyarakat Sasak Lombok yang terkandung dalam cerita rakyat Dewi Rengganis. Pendekatan penelitian yang digunakan pada penelitian ini adalah  pendekatan kualitatif deskriptif dengan jenis penelitian analisis teks (content analysis). Teknik noniteraktif dilakukan untuk pengumpulan data dengan cara membaca secara intensif cerita rakyat  Dewi Rengganis dengan melakukan pencatatan secara aktif melalui analisis dokumen. Sementara itu teknik analisis data yang digunakan dalam penelitian ini adalah analisis model interaktif yang meliputi tiga komponen penting yang selalu bergerak, yaitu reduksi data (data reduction), penyajian data (data display), dan penarikan simpulan (conclusion drawing). Selanjutnya Keabsahan data yang digunakan adalah teknik trianggulasi data. Trianggulasi data atau sumber dilakukan dengan cara mencarik informasi tentang produk nalar masyarakt Sasak Lombok yang terdapat pada naskah cerita rakyat Dewi Rengganis berdasarkan analisis dokumen. Hasil penelitian mengungkap bahwa cerita rakyat Dewi Rengganis  merupakan hasil imajinasi manusia dan produk nalar manusia khususnya masyarakat Sasak. Sebagai hasil imajinasi, cerita rakyat Dewi Rengganis ini menjadi tempat ekspresi untuk mengungkapkan banyak hal, baik yang sifatnya nyata maupun tidak nyata, dan bahkan tidak akan pernah nyata namun terwijud dalam civitas budaya masyarakat Sasak pada umumnya. Hal ini dibuktikan dengan adanya kepercayaan masyarakat Sasak tentang sebuah keajaiban berasal dari kegaiban (bersifat tidak nyata). Selain itu adanya aktivitas bermusyawarah diyakini sebagai salah satu cara menyelesaikan persoalan yang dihadapi oleh masyarakat Sasak untuk menemukan solusi dari masalah yang menimpa mereka (bersifat nyata). Kata Kunci: Cerita Rakyat, Dewi Rengganis, Antropologi Sastra
PERTUNJUKAN MENUBUHKAN SENI(NYA INDONESIA) DAN RESPON PENONTON Murcahyanto, hary; HD, Dharma Satrya
Educatio Vol 11, No 1 (2016)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (284.254 KB) | DOI: 10.29408/edc.v11i1.251

Abstract

This study focused on the creative process and the audience response that refer to the post-colonial and post-modern theory. The method used is discourse analysis. The performance of Indonesia art processed during a month, which is in the lecturing process conducted during four meetings. The creative process starts from the discourse about the body and embody. The body discourse as a tool and goal. Body shown is the body of dance and drama, with another sentence is to embody the dance and Indonesian drama. The dances are performed is a dance of Papua, Kalimantan, Java, Bali, Indonesia, and Sasak. The sixth area was a representation of Indonesian art. The next show is a drama of White Blue Love then ended with a dance and Gugur Mayang music. The creative process based on the ability of setting up objects, events, pantomime and processes involving multimedia. All performances are getting response from the audience. There is good and less good respond. Some said exceptional, cool, fun, exciting, and entertaining. The responses indicate a logical reasoning about the stage and sense reasoning about the effect of the show. Another interpretation of these events in perspective post structuralism with refers to post structuralism Bartes and Foucoult and refers to post modernism Jameson and Lyotard, that the show was not be seen as a tradition or modernity, but an event with post-space, at the crossroads between tradition and modernity. The show speaks to the value.Keywords: Indonesia Art, Audience Response, Post-Structuralism, Post-Modernism   
KONTEKSTUALISASI TRADISI Yuliatin, Riyana Rizki; Satrya, Dharma
Logat: Jurnal Bahasa Indonesia dan Pembelajaran Vol 6 No 2 (2019): Logat: Jurnal Bahasa Indonesia dan Pembelajaran
Publisher : Universitas Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36706/logat.v6i2.88

Abstract

Teater Putih dan Teater Embrio, sama-sama berusaha mengeksplorasi teater kontemporer dengan menjadikan tradisi sebagai sumber penciptaan lakon. Penelitian ini bertujuan untuk mengetahui  estetika Teater Putih dan Teater Embrio melalui  naskah Memaling Anak Umat dan Satu Lawan Satu. Untuk memperoleh kecenderungan estetika garapan Teater Putih dan Teater Embrio, penelitian ini melakukan penelusuran dokumentasi naskah pertunjukan. Pertujukan Memaling Anak Umat dan Satu Lawan Satu merupakan pertunjukan yang masih belum sepenuhnya menerapkan konsep garapan teater kontemporer sepenuhnya. Kedua pertunjukan menjadikan tradisi hanya sebagai konten, sementara bentuk garapan pertunjukannya cenderung dipengaruhi oleh spirit modern, karena memposisikan tradisi sebagai sesuatu yang buruk (pada Memaling Anak Umat) dan perlu dikontekstualisasikan dengan tuntutan kehidupan modern (pada Satu Lawan Satu).
TEATER SEBAGAI WACANA: SEBUAH METODE DALAM GARAPAN SENI PERTUNJUKAN PADEPOKAN SENI BAGONG KUSSUDIARDJA (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (169.85 KB)

Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher?s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art. Keywords: PSBK, theatre method, discourse   
FROM EUROPE TO LOMBOK: THE DISCOURSE OF LOMBOK TOURISM IN THE NOVEL MEDULLA SINCULASIS Satrya HD, Dharma
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2 (2020): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v15i2.10088

Abstract

This article discusses the discourse of Lombok tourism in Paox Iben's novel Medulla Sinculasis. In Lombok, discourse on tourism was initiated by Tuan Guru Bajang, a religious scholar, after he was elected the governor of West Nusa Tenggara, Indonesia, in 2008. Within this context, the novel Medulla Sinculasis is discussed. The novel constructs an understanding of Lombok as a tourism destination, beginning with Europe. In this story, Nuruda is driven to visit Lombok after seeing a painting titled Medulla Sinculasis being auctioned at the Van Gogh Museum in the Netherlands. After returning to Indonesia from Europe, Nuruda decides to travel directly to Lombok and meet Husin Nanang, the painter. His meeting with Husin Nanang, as well as the situation in Ampenan City, leads Nuruda on a transformation from tourist to social activist, fighting to protect the rights and promote the interests of marginal groups. Nuruda's struggle is ultimately unsuccessful, and he is killed in a hit-and-run. The Lombok in this novel is part of the discourse from the 2000s and 2010s, a period that was dominated by the economisation of Lombok. The novel Medulla Sinculasis may be seen part of this dominant discourse, and thus having the economisation of Lombok as part of its agenda.
Teater Sebagai Wacana: Sebuah Metode dalam Garapan Seni Pertunjukan Padepokan Seni Bagong Kussudiardja (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1125

Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher’s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art.  
LELAKAK SASAK, KEARIFAN YANG TERNATURALISASI Dharma Satrya HD
BASINDO : jurnal kajian bahasa, sastra Indonesia, dan pembelajarannya Vol 1, No 1 (2017)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.741 KB) | DOI: 10.17977/um007v1i12017p046

Abstract

Tulisan ini memakai konsep kearifan lokal Ahimsa Putra dan konsep naturalisasi Roland Bartes. Sampiran menaturalisasi yang sifatnya kultural. Kearifan tradisi ada pada sampiran, sedangkan kearifan modern dan bahkan pascamodern ada pada isi. Lelakak adalah kearifan yang bersumber pada ciri khas lokalitasnya seperti makanan dan budaya khas Sasak. Antara yang tradisi dan modern dalam lelakak adalah sebuah kebutuhan bahwa olah-olah dan sekolah, serta setakilan dan kejarian manusia adalah kebutuhan, baik dalam konteks tradisi, modern, dan bahkan pascamodern.
The Representation of Sasak Society in the Text “Gugur Mayang” Dharma Satrya HD; Zainul Muttaqin
Humaniora Vol 32, No 1 (2020)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (13.574 KB) | DOI: 10.22146/jh.27461

Abstract

This study examines the representation of Sasak society in the text “Gugur Mayang”. It aims to semiotically explain the significance and communication of the text in Sasak culture by applying Paul Ricoeur’s interpretation method. Analysis shows that the “Gugur Mayang” text represents Sasak society while highlighting the sadness, tragedy, and grief of a life that is full of danger and pain. By interpreting the text within sociocultural, spiritual, and literary context, the researchers have been able to obtain a transcendental (rather than empirical) understanding of Sasak society.
REPRESENTASI BANGSAWAN SASAK DALAM TEKS ANGIN ALUS MASYARAKAT SASAK Dharma Satrya HD; Zainul Muttaqin
LITERA Vol 17, No 1: LITERA MARET 2018
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v17i1.15291

Abstract

Penelitian ini bertujuan mendeskripsikan representasi bangsawan Sasak dalam teks Angin Alus masyarakat Sasak-Lombok. Pembahasan teks ini menggunakan perspektif semiotik Peirce dengan metode analisis Recouer. Pembahasan terdiri atas analisis struktur teks dan dunia yang digelar teks dan analisis hubungan pertama dan kedua dengan dunia penafsir. Hasil penelitian menemukan bahwa teks Angin Alus menunjukkan representasi kabar kesedihan orang Sasak dan bangsawan karena kehidupan membawanya ke suatu ruang yang memberikan penderitaan, baik dalam konteks historis Sasak maupun dalam konteks kekinian dengan konteks sosial yang berbeda. Hal tersebut mengindikasikan bahwa masyarakat Sasak juga mengalami percampuran dengan pihak luar yang mempengaruhi caranya memandang kehidupan. Generari muda Sasak-Lombok harus memahami posisi sebagai buaq ate, kembang mate, generasi yang selalu berserah diri dan sebagai lomboq, dengan selalu mengembalikannya kepada yang satu (Sa Sak), yakni Tuhan. Perbedaan antara diri dan yang lain melebur menjadi Sasak-Lombok sekarang.Kata kunci: representasi, masyarakat Sasak, kabar kesedihan, bangsawan  THE REPRESENTATION OF SASAK ARISTOCRATS IN SASAK COMMUNITY’S TEXT ANGIN ALUSAbstractThis study aims to describe the representation of Sasak aristocrats in Sasak-Lombok community’s text Angin Alus. The discussion of the text used Peirce’s semiotic perspective and Recouer’s analysis method. It consisted of the analysis of the text structure and the world represented by the text and the analysis of the first and second relationships with the world of interpreters. The research finding reveals that the text Angin Alus shows the representation of the news of sadness of Sasak people and aristocrats because life brings them to a space that gives suffering, both in the historical context of Sasak and in the contemporary context with different social contexts. This indicates that Sasak community also experience mixing with outsiders that affect the way they view life. Sasak-Lombok young generation have to understand the positions as buaq ate and kembang mate, as a generation that always show submission and as lomboq by always returning it to the one (Sa Sak), namely God. The differences between the self and others merge into the present Sasak-Lombok.Keywords: representation, Sasak community, Angin Alus, news of sadness, aristocrats
Back to Java: The discourse of Lombok art in Salman Faris’s Kenari Mentaram Dharma Satrya HD; Baiq Rismarini Nursaly
EduLite: Journal of English Education, Literature and Culture Vol 6, No 1 (2021): February 2021
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (336.394 KB) | DOI: 10.30659/e.6.1.179-188

Abstract

This article is triggered by the emergence of ethnicity aspects in Indonesian literature. The importance of ethnicity in Indonesian literature is because Indonesian literature is assumed to be plural, not singular. That is, the reality of Indonesia in Indonesian literature is not limited to one ethnicity, but various ethnicities. In the perspective of modern Indonesian literature, Indonesian novels are synonymous with Malay, Jakarta, Java and several other cities that have contributed to the development of Indonesian literature. In the perspective of ethnic Indonesian literature, Indonesian novels are identical with ethnicities whose existence is ignored in modern Indonesian literature. In this context, ethnic Indonesian literature is important to explore. This article explores the interesting representation of Lombok in Ethnic Indonesian literature. Lombok serves an ethnic that needs to be analyzed in Indonesian literature, because Lombok is assumed to be part of Java (Marrison, 1999; Meij 2011) and Lombok is hegemonyed in Java (Satrya, 2018). The problem is whether Indonesian literature still represents Lombok as shown by Marrison, Meij, and Satrya in the study of philology and literature. The Indonesian novel of Lombok delineating the issue of Java in interpreting Lombok is the novel Kenari Mentaram (2013) by Salman Faris. This article applies Stuart Hall’s representation theory and model. Based on that theory, the novel Kenari Mentaram is assumed to be a production of meaning regarding Lombok. The analytical method uses the semiotic analysis method and the Stuart Hall discourse model. Lombok is interpreted in the novel Kenari Mentaram in the context of internationalization. In this context, Lombok's art is the only commodity that can be sold. The art of Lombok represented is the art of Lombok which is capable of competing internationally by taking a model from Java. Thus, the internationalization of Lombok can only be done by taking the Javanese Model. In the  internationalization context, the discourse of Lombok art discussed is the multicultural art of Lombok. The Kenari Mentaram novel delineates as part of the discourse of the nationalization of Lombok in the context of Indonesian literature and the internationalization of Lombok in the context of tourism.
Co-Authors Baiq Rismarini Nursaly, Baiq Rismarini Hary Murcahyanto Hilmiyatun, Hilmiyatun Lalu Mas’ud Moh. Irfan Mudarman Puspita Dewi, Puspita Riyana Rizki Yuliatin Ummi Risti Ayuni Rahman Zainul Muttaqin