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Lexicon
Published by Universitas Gadjah Mada
ISSN : 23022558     EISSN : 27462668     DOI : http://dx.doi.org/10.22146/lexicon
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Lexicon, Journal of English Language and Literature, is an open access, peer reviewed, academic journal published by the English Department, Universitas Gadjah Mada in cooperation with the English Studies Association in Indonesia (ESAI). It is devoted primarily to the publication of studies on English language and literature. It publishes original articles written exclusively in English twice a year in April and October. Manuscript submission is free of charge and open all year round to any author all across the globe.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 10 Documents
 1 
Search results for , issue "Vol 6, No 1 (2019)" : 10 Documents clear
Responses to Sarcasm in Three Star Trek Movies Shafira Sherin; Adi Sutrisno
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50305

Abstract

Sarcasm has been widely studied in various disciplines such as linguistics, psychology, neurology, sociology, and even cross-cultural studies. Its aggravating nature, however, often elicits various responses by the hearer. This study attempts to investigate responses to sarcasm by the characters of three Star Trek “reboot” version movies. It aims to examine responses to sarcasm and to analyze the patterns of responses to sarcastic remarks in relation to the characters’ interpersonal relationship. The data used in this research were taken from the dialogues of the movies, which were categorized into eight classes of responses: laughter, literal, zero response, smile, nonverbal, sarcasm, topic change, and metalinguistic comment. The results show that the most frequent responses conveyed by the characters were literal responses (29.41%), whereas the least frequent responses are laughter (1.96%). There is no pattern in responding to sarcastic remarks in relation to the interpersonal relationship between the interlocutors. However, strangers tend to respond in literal, zero response, and topic change. Meanwhile, close acquaintance tend to give various responses.Keywords: interpersonal relationship; pragmatics; response; sarcasm.
Eddie's Psychological Problems in Mitch Albom's The Five People You Meet in Heaven Muhammad Hafidz Hilmawan; Rahmawan Jatmiko
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50306

Abstract

This research aims to understand the characterization of Eddie, as someone who lives a life full of psychological problems, in the novel The Five People You Meet in Heaven (Albom, 2003). This research examines all the psychological problems that Eddie has and analyzes the roots of all of them. Eddie’s journey in heaven after death where he meets five different people is seen as the way Eddie solves all the problems that he has. By employing Sigmund Freud’s psychoanalytic approach, this research focuses on the psychological problems that are most prevalent in Eddie’s character. The data are taken from the narratives and dialogues in the story. The background chapters in this novel are analyzed to understand the roots of Eddie’s psychological problems. His journey in heaven is viewed as the method of curing all of those problems.
The Translation of Idioms in George Orwell’s Animal Farm Husnul Abdi; Aris Munandar
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50307

Abstract

This research aims to study the use of idioms in Animal Farm (1954) and their translation into Bahasa Indonesia. The idioms found in the original text are classified based on the classification of idioms by Adam Makkai (1972). The idiom translation strategy is identified by comparing the idioms in the source text to the translation in the target text. The research identifies 156 idioms and classifies them into phrasal verb idioms (39%), tournure idioms (34%), irreversible binomials (11%), phrasal compound idioms (14%), and incorporating verb idioms (2%). There are 4 strategies to translate an idiom following Mona Baker (1992) and 1 strategy following Newmark (1991). The idiom translation strategy is classified into translating an idiom by using an idiom of similar meaning and form (1.92%), translating an idiom by using an idiom of similar meaning but different form (1.92%), translating an idiom by using paraphrase (85.90%), translating an idiom by using omission (0.64%), and literal translation strategy (9.62%).
Request Strategies in the American TV Series Full House Yemima Febriani; Sharifah Hanidar
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50308

Abstract

This research aims to analyze the request strategies used in an American TV Series entitled Full House season 7 episodes 1-12. The main characters are family members from three different age groups (adult, teenager, and children). This research attempts to see if there is any difference on the choice of request strategies used by the three age groups. Blum-Kulka and Olshtain’s (1984) theory on request directness level is used to classify the requests. Relative power and social distance are also studied to see how they influence the characters in making their requests. The results show that mood derivable is the most frequent strategy used by all age groups. Specifically, direct request is highly used by the adult age groups. On the other hand, indirect request is mostly used by the younger age groups. The results also show that all age groups tend to use direct strategy when the social distance is negative. However, when the social distance is positive, the choice of strategy depends on the authority of the speaker.
Tolerance and Intolerance of Muslims in Australia in Abdel-Fattah’s Does My Head Look Big in This? Shofi Ayudiana; Muh. Arif Rokhman
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50309

Abstract

Australiais a multicultural country which claims themselves accept and respect the right of all people in Australia. However, its multiculturalism is questioned when the Australian people still treat Muslims with negative stereotypes and discrimination. This research examines the image of the Australian people towards Australian Muslims as represented in Randa Abdel-Fattah’s novel Does My Head Look Big in This? This study is a library research employing the theory of representation (Hall, 1997). The results show that the Australian people are both tolerant and intolerant to Muslims. People who are tolerant manifest their behaviors by having respectful attitudes, positive images of Muslims, and curiosity of Muslims and Islam. On the other hand, people who are intolerant express their behaviors in the forms of disrespectful attitudes, negative stereotypes, and discrimination towards Muslims.
Request Strategies in the TV Series Victorious Windy Alviora Lestari; Thomas Joko Priyo Sembodo
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50310

Abstract

This research aimed to investigate request strategies as found in an American TV series Victorious. In particular, it attempted to identify and classify request head acts, external modifications, and types of sentences of the requests expressed by the characters in the series. Therefore, utterances containing requests in the TV series were used as the data of this study. The results show that the most frequently used request strategy in the TV series was direct strategy (mood derivable) with 194 occurrences (67%). In addition, an external modification by means of grounder was found to be the most frequent strategy in the TV series with 32 occurrences (94% of the total number of the external modifications). Furthermore, it was found that the imperative sentence was the most frequent type of sentence utilized by the characters in the series when making requests with 216 occurrences (74%). In conclusion, the tendency for the characters to use mood derivable as their request strategy might due to their intimacy with each character and the informal situations and conversations where they interacted with each other throughout the TV series. In addition, the proclivity of the characters to use grounder may relate to ease and simplicity. Finally, the tendency of the characters to use declarative sentences when making requests might due to its simplicity and function to state facts, opinions, or ideas.
Blends in Gravity Falls TV Series Ermi Andriani; Rio Rini Diah Moehkardi
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50311

Abstract

This research investigates the blending process used in Gravity Falls TV series seasons I and 2. It aims to classify blends based on the classification of blends proposed by Mattiello (2013) and interpret the meaning of blends. From the data source, there are fifty-four data considered as blends. The data are categorised in three perspectives, namely: morphotactic, morphonological and graphical, and morphosemantic. The result shows that morphotactically, the most frequently used pattern is partial blend particularly the blends consist of full word followed by splinter with 49 percent data. Then, morphonologically and graphically, non-overlapping type in which neither the graphs nor the sounds of source words are overlapped each other is commonly used in the series with 57 percent of overall data. Finally, morphosemantically, the most used structure with percentage of 63 percent is right headed blend in which the head is the second source word.
Taboo Words in the TV Series Stranger Things Theresia Ria Anjani Kurniawati; Tofan Dwi Hardjanto
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50312

Abstract

This study investigates taboo words produced by teenagers in the TV series entitled Stranger Things Season 2. It classifies taboo words into five referents, that is, mental, physical, religious, scatological, and sexual terms, and also categorizes them based on their functions. The data were taken from the subtitles of this TV series. The results show that the most frequently used taboo words are related to scatological terms with 55 (43%) occurrences. However, the teenage characters in the TV series rarely uttered taboo words which refer to mental and physical terms. Taboo words in the TV series were used for two main purposes, swearing and insulting. Swearing serves as a means to only relieve emotions, while insults are uttered to verbally attack the interlocutors. The findings suggest that the teenage characters use taboo words mostly for expressing their emotions rather than causing harm on their interlocutors.
Eugene O’Neill’s Protest about White Supremacy in All God’s Chillun Got Wings Setyani Setyani; Bernadus Hidayat
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50313

Abstract

This article investigates Eugene O’Neill’s protest against racism and white supremacy found in his play, All God’s Chillun Got Wings. O’Neill expressed his protest in relation to white supremacy as a reflection of some part of his life. Therefore, M.H. Abrams’ (1971) expressive approach is applied. To answer the research questions, the primary data of this research, i.e., excerpts from All God’s Chillun Got Wings script and Eugene O’Neill biography related to white supremacy were collected and analyzed. Dictionaries, newspapers, journals, and articles related to the play and Eugene O’Neill were used as secondary data to support the analysis.  The analysis reveals that O’Neill criticizes the different treatments because of skin colour and how to fix it. The study suggests that the different treatments related to the racial differences did not only affect the oppressed but also the oppressor. The solution Eugene O’Neill presented to remedy the situation is to see each other in the same standing regardless of the difference in racial genetics.
Death and Woman: Comparing the Meaning of the Deaths of the Female Main Characters in the Works of Toni Morrison and Alice Munro Achmad Munjid
Lexicon Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v6i1.50315

Abstract

This paper seeks to explore the meaning of death in two important works by two female Noble Prize winning authors, Toni Morrison and Alice Munro. Hagin’s (2010) theory of role of death in storyline is used to analyze the works. The three deaths found in the story: initial death, intermediary death and story-terminating death all have significant meaningful relation to the past and the future. They have epistemological value of revealing and/or exposing the truth from the past. Death is used as technical instrument to reveal the truth, to transform ignorance into knowledge, dishonesty into accountability, to purify the past from falsehood and lies. Death also inserts its demand in the story by removing obstacle or giving opportunity for the living to set up new goal. The demand of the dead is possible since the deceased is “remembered” by the “cult” who may follow or manipulate their legacy. The two authors articulate “feminist voice” through the struggle of the main female characters. Toni Morrison articulates the dehumanizing consequence of racism, whereas Alice Munro voices her concern on the contradictory nature of orderly neat appearance of the modern people versus scandalous dark secret beneath the surface.Keywords: dehumanization, feminist voice, initial death, intermediary death, story-terminating death, racism.

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