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Lexicon
Published by Universitas Gadjah Mada
ISSN : 23022558     EISSN : 27462668     DOI : http://dx.doi.org/10.22146/lexicon
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Lexicon, Journal of English Language and Literature, is an open access, peer reviewed, academic journal published by the English Department, Universitas Gadjah Mada in cooperation with the English Studies Association in Indonesia (ESAI). It is devoted primarily to the publication of studies on English language and literature. It publishes original articles written exclusively in English twice a year in April and October. Manuscript submission is free of charge and open all year round to any author all across the globe.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 12 Documents
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Search results for , issue "Vol 7, No 1 (2020)" : 12 Documents clear
Indonesian-English Code-Switching of Sacha Stevenson as a Canadian Bilingual Speaker on YouTube Astrid Tiara Rini; Rio Rini Diah Moehkardi
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64572

Abstract

Code-switching or language alternation is one of the linguistic strategies that is widely used in bilingual community, including Indonesia. This study attempts to find out the types and reasons of code-switching on YouTube as employed by a Canadian bilingual speaker, Sacha Stevenson. The data used for this study were transcripts of five videos about Indonesian culture taken from Sacha’s YouTube channel. Based on the analysis, there are a total of 313 occurrences of code-switching from Indonesian to English. Poplack’s theory (1980) was applied for the classification of code-switching. The findings showed that the most frequent type is inter-sentential code-switching (42%), followed by intra-sentential code-switching (34%), and the least is tag-switching (24%). This study also explored the reasons for code-switching by applying the theory proposed by Grosjean (1984). It was found that all code-switching occurrences fit into the 11 categorizations of code-switching reasons. This shows a variety of different factors that influence the use of code-switching. The most frequent reason which triggered code-switching is to fill a linguistic need for lexical item, set phrase, discourse marker, or sentence filler (31%). In addition to the 11 reasons proposed by Grojean (1984), another reason for code-switching was found, i.e., to gain popularity.
Translation Strategies in Tempo English Magazine Salma Felia Nisa; Amin Basuki
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64573

Abstract

This research aims at identifying and examining the translation strategies applied in Tempo English magazine, the English edition of Tempo magazine. The data were gathered from 10 selected articles of the source magazine, Tempo, and its translated magazine, Tempo English, both of which belonged to the edition of April 30 – May 6, 2018. The analysis and categorization were based on the news translation theory proposed by Bielsa and Bassnett and supported by Joan Cutting’s context theory as well. The result of this research shows that the translators of Tempo English magazine used all of the news translation strategies in translating the Indonesian news articles to English. There were 199 data found in the research with 77 data of the Addition strategy, 68 data of the Elimination, 25 data of the strategy of Summarizing Information, 15 data of the Change in the Order of Paragraphs, and the other 14 data using the Change of Title and Lead. The research analysis concludes that in the strategy of the Change in the Order of Paragraphs, Tempo English magazine tended to apply the change of order at the phrase and sentence level rather than at the paragraph level.
Assertive Speech Acts in Donald Trump’s Presidential Speeches Kartika Dina Ashfira; Tofan Dwi Hardjanto
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64574

Abstract

This research investigates assertive speech acts in Donald Trump’s presidential speeches. It classifies the assertive speech acts based on their illocutionary forces according to Bach and Harnish (1979). The data were taken from three speeches by Donald Trump. The results show that the illocutionary forces of assertive speech acts found in the speeches are affirming, alleging, asserting, avowing, claiming, declaring, denying, maintaining, propounding, saying, and stating. The act of stating is the most commonly used (44%). The findings suggest that Trump uses the act of stating mostly because he wants the hearer to believe him that the policies he has made are the best for the United States.
Sarcastic Expressions in The Simpsons Movie Punto Padmatantri; Adi Sutrisno
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64575

Abstract

This research identifies the sarcastic utterances found in The Simpsons Movie. It allocates the utterances said by the characters into four categories proposed by Camp (2011): propositional, lexical, like-prefixed, and illocutionary sarcasm. After that, the categorized utterances are identified based on their illocutionary functions by using Leech’s theory (1983): collaborative, convivial, competitive, and conflictive function. The result shows that there are 20 sarcastic utterances found in the movie, 85% of which belongs to illocutionary sarcasm, and the 15% belongs to propositional sarcasm. However, the lexical sarcasm and like-prefixed sarcasm are not used by the characters in expressing sarcasm. Meanwhile, there are only three types of functions that are found in this research; collaborative, conflictive, and convivial. This research also displays evidence that sarcasm is used to protect the speaker from the unwanted consequences that might come from the hearer’s reaction. In addition to context and common ground, the hearer’s response is also necessary to detect an utterance as sarcastic expression.
Linguistic Stylistic Analysis of Instagram Poems by Rupi Kaur, Dhiman, and R.M Drake Livia Ayudita Wiadji; Sharifah Hanidar
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64576

Abstract

In the era of digitalization, poems are also published on the internet. Instagram is one of many platforms to introduce self-written poems to a broader range of readers around the world. An Instagram poem has its own writing style and aesthetics since it is written in the modern era. In this research, stylistic analysis is used to analyze the style used in Instagram poems. Rupi Kaur, Dhiman, and R. M. Drake are three Instagram poets whose poems are chosen for analysis. The poems are chosen based on the number of likes. Five most liked poems of each poet written in 2018 are the main data source used in this research. The purpose of the research is to identify the linguistic features found in poems written by Rupi Kaur, Dhiman, and R.M Drake. Out of many linguistic features, only graphology, phonology, syntax, and lexical features are analyzed in this research. The result shows that Instagram poems are mostly written in lower case letters in the same font. They also form free rhymed poems by using enjambment to break the sentences into several lines. The Instagram poets also chose their words carefully to create a specific meaning in the lines while creating a balanced emotion of word connotation.
Sarcastic Expressions and the Influence of Social Distance and Relative Power in The TV Series Friends Shaula Noorhayu Shelldyriani; Aris Munandar
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64585

Abstract

This research aims to identify and classify the sarcastic expressions found in the TV Series Friends. It applies the theory proposed by Camp (2011) which categorized sarcasm into four classes: Propositional, Lexical, Like-Prefixed, and Illocutionary Sarcasm. Considering sarcasm as a Face Threatening Act (FTA), it also analyzes the influence of relative power and social distance to see how these two social variables influence the delivery of sarcastic expressions. The findings show that Illocutionary Sarcasm is the most frequently used class of sarcasm with 30 utterances (45%) followed by Propositional Sarcasm which consists of 25 utterances (37%), Lexical Sarcasm with 10 utterances (15%) and lastly Like-Prefixed Sarcasm that have 2 utterances (3%). With Illocutionary and Propositional Sarcasm are known to be the most straightforward class of sarcasm, the results also show that these two classes of sarcasm are mainly used when the social distance (D) is negative where the interlocutors does not have the obligation to be polite due to their close intimacy. In cases where the social distance has positive value, the value of power (P) helps to determine which class of sarcasm is used. Furthermore, a clear context and common ground is essential to help identify sarcastic expressions and the intention underlying it.
The Flouting of Grice’s Conversational Maxims in Pirates of the Caribbean 1-5 Krismona Apriyani; Thomas Joko Priyo Sembodo
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64586

Abstract

This research is aimed to investigate maxim floutings uttered by the pirate characters in Pirates of the Caribbean movie series. The goals of this research are to identify and classify the maxim flouting within the movie series, to describe how the pirate characters flout the Grice’s maxim, and also to discover the purpose of the maxim flouting itself. Qualitative and quantitative methods are used to analyze the data. The result shows that there are 39 cases of maxim flouting with 4 cases (10.3%) of flouting the maxim of Quantity, 13 cases (33.3%) of flouting the maxim of Quality, 16 cases (41.0%) of flouting the maxim of Relation, and 6 cases (15.4%) of flouting the maxim of Manner. The pirates tend to give too much information, simply say something which does not represent what they think by using: metaphor, irony, sarcasm, and hyperbole, give irrelevant answers, and also give ambiguous answers. There are several purposes of maxim flouting found in this movie series. They are: insulting, giving warning, challenging other characters, boasting about oneself, telling about facts, informing plans, convincing, expressing seriousness, demanding respect, expressing insincerity, expressing love, expressing disappointment, giving advice, expressing happiness, creating fear, creating humor, and avoiding making others sad.
Dialectic of Myth and Enlightenment: Rethinking Scientific Progress and Humanity through The Shape of Water Mala Hernawati
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64587

Abstract

Since the Scientific Revolution, the clash between myths, science, and humanity has been a recurring theme found in literary works. In the midst of today’s rapid, massive, and disruptive technological development, Guillermo del Torro and Daniel Kraus collaboratively present a historical fantasy novel, The Shape of Water, which features the issues of scientific progress and humanity in a romance between a mute lower-class woman Elisa Esposito and a mystical amphibian creature from South America, Deus Brânquia. The novel portrays Deus Brânquia as an experimental asset of the American government to be studied for the Cold War military advancement. This study aims to analyze the representation of destructive science in the novel and examine the demythologization of Deus Brânquia as a depiction of Enlightenment's impact on the modern worldview. Using critical theory on the dialectic of myth and enlightenment proposed by Max Horkheimer and Theodor W. Adorno, this study finds that The Shape of Water articulates a cynical notion to Enlightenment’s legacy as it portrays how the progress of modern science can lead to horrific domination upon the marginalized human and nonhuman creature.
Elite Domination and Lower Class Resistance in Ernest Cline’s Ready Player One Dika Shafira Hidayat; Achmad Munjid
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64589

Abstract

This research examines Ernest Cline’s Ready Player One (2011), a popular science fiction novel. The objective of this research is to find out how a massive company called IOI (Innovative Online Industries) runs its domination against people in the novel. Furthermore, this paper also studies how the people resist the company’s domination. This study uses Marxist Theory since it investigates class, class conflict and struggle, domination, and resistance. The elements of the theory are identified in the novel and therefore analyzed to reach the objectives. The results of the analysis show that conflict is the reason of class grouping. In Ready Player One, the capitalist wants to expand its domination by winning the easter egg hunt while the proletariat resists it. It is concluded that class struggle and conflicts brings the proletariat to work together to resist the capitalist’s domination.
The Heroine’s Journey towards Wholeness as seen in Margaret Atwood’s Surfacing Hendarti Azizah Ayuningtyas; Rahmawan Jatmiko
Lexicon Vol 7, No 1 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i1.64590

Abstract

This study discusses the psychological journey of the female heroine in Margaret Atwood's Surfacing. This paper applies the psychological approach since it is believed to be the most suitable approach to analyze the process of the heroine’s journey towards wholeness. It examines the process of individuation in the main plot of the novel and the characteristics of the process on the heroine’s personal quest. The portrayal of the individuation process is identified through the theory of individuation proposed by Charles Gustav Jung which discusses the process of the individual’s development towards psychological completeness. In order to support the analysis, library research was conducted using the novel as well as the supporting articles from any reliable websites. The result shows that the heroine’s journey can be translated as Jungian’s theory of individuation as there are six characteristics of the process of individuation found within the story. Furthermore, five stages occurred in the heroine’s journey, namely the recognition of the persona, the assimilation with the shadow, the confrontation with the animus, and lastly the appearance of the Self that leads the heroine towards psychological wholeness.

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