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Prasetyo Adhitama
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Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 11 Documents
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Search results for , issue "Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design" : 11 Documents clear
Pengalaman, Usability, dan Antarmuka Grafis: Sebuah Penelusuran Teoritis Ruly Darmawan
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2013.4.2.1

Abstract

Experience is a significant matter for human beings. Man obtains as well as constructs the meaning of life through his very own experience. By investigating human experience, one can become fully aware of humanity, the world, and the mutual relationship between both entities. On the other hand, experience in relation to existence can also be investigated in a wider context. In the context of usability, investigation of experience can make a significant contribution, for example, when determining the effectiveness and efficiency of a system and/or a product of technology. This paper discusses human experience and then correlates it to the concept of usability. It includes observation of several graphical user interfaces that serve as a medium between people and a product or a system. The expected result is an understanding of experience that will complement the existing concept of usability.
I Draw Therefore I Am: Drawing as Visual (Communication) Studies Muliyadi Mahamood; Karna Mustaqim
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

This paper sets view to consider the significance of drawings as part of visual communication design. Drawing gives a chance to observe, to muse, to select and develop continuous thinking techniques. It is to present that drawing is not just a cursory to generate ideas, but it has its own energy and philosophy which deserve studying as a domain of art. In recent years, drawing has received attention; there is on the one hand a group of drawing practitioners, and on the other hand a group of drawing researchers. Drawing in design is a medium of visual and spatial thinking. Digging into research actually is a necessity for visual communication studies. It is suggested here three kinds of research approaches: research into art/design; research through art/design; and research for art/design. Indeed, it leads to four axis topics (topoi) for design studies: design practice, design product, design discourse, and design meta-discourse. A field of study called 'visual culture' which, departed from the study of critical theory and cultural studies which have set out relatively new field of study called 'visual studies'. Based upon to this perspective, visual (communication) studies should be more self-reflexive. The production of visual communication contributes to construct the visual culture in society.
Art Medium and Art Infrastructure Development in Contemporary Indonesian Art A. Rikrik Kusmara
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2013.4.2.3

Abstract

This research review Indonesian contemporary artists that used the various media in the presentation in his works over the years since 2000 until now. Survey at Pameran Besar Indonesia "Manifesto" in May 2008, were around 670 Indonesian living artists, 350 are consistently professional artists, 41 artists who utilize a variety of media in each works and 6 of them are artists who used a various of media on their solo exhibition including combining conventional media with new media and installation approaches. 6 artists are analyzed on the structure of the media presentation configuration their used, and generally they used more than 3 types of media in their solo exhibition, first, painting/drawing, second, sculpture/object/installation, and third video/photography. In the study of each exhibition process, generally utilizing the curatorial and sponsored by promotor (gallery). This research shows a rapid development of economic infrastructure in Indonesian the art in 2000-an era with the emergence of many auction hall, a new generation of collectors and galleries, and the Asian art market and global orientation, it became one of the holding in contemporary art of Indonesia, has been shifting art situation from cultural appreciation in the era of 90-to an era to cultural production.
Objective Measurement of Effective Message through Photograph among the Public Adzrool Idzwan Hj. Ismail; Kamarudzaman Md. Isa; Mustaffa Halabi Hj. Azahari; Roziah Mohd Janor
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

'Photograph' is to an extent very close with visual representation, which consists as a part of an act of seeing which establishes places and subject matters in the surrounding world. These would in part, described in words and explained such paradigm. However, it's still yet lacking in the content of the emotional experience as a total. Such form of images plays as an important role, yet lacking realization, as it is also a part of a design committee in society. The act of seeing which establishes our place in the surrounding world, we can describe the world using words, but words can never describe the emotional experience in total. What does visual really mean? How is visual measured? As an observer, how can we define whether the message and the meaning of a particular visual is delivered and understood along with the information it carries? Those three questions play important roles especially with the rapid growth of technology, which contributes to the development of human knowledge especially in the art industries. This paper explores the problems in understanding of photography imageries and their impact to the society.
Urban Screen and Spatial Dimension Litta Primasari; Basauli Umar Lubis
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

This paper is discussing about the urban screen phenomena and its influence to spatial dimension in urban space. The visual characteristics which are forming a spatial dimension will be an emphasis to be presented. Urban screen as a visual intervention has an impact to spatial configuration in urban space. The space dimension was not dominated with materiality limitation, but also images. We have to consider that people senses can measure a spatial dimension, knowing as a perception. That is a human visual and mind relation. The spatial dimension has no longer tangible boundary, but also has intangible ones. Spatial dimension in urban screens phenomena is not merely mathematics, nor spatial dimension in physics which are based on a three-dimensional Cartesian coordinate system. Movement can be expressed in other terms, by how far we can move depends on our eyes to catch that space limitation, and how fast we can move is depends on our mind to perceive some visual phenomenon, that is a spatial dimension. So, the dimension will depend on a visual quality that we perceived. The movement of the body and people's thought will be an important term to generate the space dimension in urban screen phenomenon. The activity of body's movement and thought will influence the depth of space dimension.
Wayang Kulit Cirebon: Warisan Diplomasi Seni Budaya Nusantara Moh. Isa Pramana Koesoemadinata
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

The wayang kulit (shadow puppet) theatre is a traditional art form that has thrived in Southeast Asia for a long time. In Indonesia, Malaysia and Thailand, apart from local stories, wayang kulit presents Indian epics, such as the Ramayana and Mahabharata, as a medium for Hindu-Buddhist teachings. When Islam spread in this region, the Javanese and Malay wayang kulit still kept developing, even when it was being repurposed for Islamic preaching. In its development in the Islamic era, the Javanese wayang kulit incorporated the role and influence of Sufi scholars and local rulers. The visual form, composition, and creation of the wayang kulit puppets along with the prose and musical arrangements were directly inspired by the Wali Sanga (Nine Apostles) and the following Javanese kings themselves. This paperng Kulit of Cirebonural Diplomacy of Nusantara ion in the pasteration, presents the historic wayang kulit of Cirebon and discusses its unique visual features, which reflect acculturation between ethnicities (Javanese, Chinese) as well as beliefs (local animism, Hindu-Buddhism, Islam). The historic wayang kulit of Cirebon proved that a peaceful, cross-cultural and religious diplomacy took place through the medium of art since the early stages of deployment of Islam in Java. This traditional art is a legacy for current and future younger generations, not only because of the aesthetical aspect, but also as a cross-cultural diplomacy strategy and philosophy that must be acknowledged, understood, and practiced. In accordance with the meaning of the word, 'wayang' (reflection) reflects a successful diplomacy of the past that can potentially be applied in the present, hoping harmonic relationships can emerge from cultural diversity in the midst of rapid globalization.
The Local Genius Typography as a Source of Idea for Latin-based Typeface Design in Visual Communication Today Naomi Haswanto
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

During its long history, slowly but sure, Indonesia had accepted the influence of the written language from various nation and civilization. Approximately in the 15th century AD, European brought their language system, Latin, to Indonesia, which had been developed until present time. The usage of Latin alphabet for daily communication in Indonesia has created a disadvantage for the local/ethnic language, especially since the Latin provided an easier writing and speaking system. Latin uses alphabet system in which one sound represents one letter: A, B, C, etc. In contrast, the ethnic language uses syllable system in which one sound could consist of more than one letter (a, ba, ta, ka, nga, kha, etc). The growing of the nation of Indonesia with its various ethnic groups created the need for unification language, a language with a universal system. Furthermore, the alphabet system is easier to be used for various written and spoken language in the world. The richness of ethnic alphabet from Indonesia could become infinite ideas in developing computer typefaces. A typographer could design Latin alphabet with the characteristic of ethnic alphabets by capturing the traditional elements from the letters. These findings could enrich the field of visual communication nowadays. 
Cultural Messages of the Borobudur Temple's Symbols Seen from Aerial Photography Media Ade Dani Setiawan
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Aerial photography depicts real images and reality requirements of the real images on scientific encoding, presenting objects clearly, accurately, without any manipulations. Accurate consideration and exact flying direction coordinate will capture objects of miles away in minutes for time is too precious too loose in the air. Aerial photography has flexibility. It can move on the physical reality, abstract reality, as well as reality which deliver messages to public. By means of aerial photography Borobudur temple can be seen as a whole to complete the familiar horizontal perspective. Borobudur temple has plenty of geometrical forms on its whole parts, i.e. diagonal lines, curves, upright lines, triangles, horizontal, cones, cubes, squares, and circles. These geometrical forms symbolize Buddhist cultural and spiritual messages. This research attempts to explicate the connections of symbols and messages on the Borobudur, its nature landscape and cultural landscape using vertical approaches as recorded in aerial photography. The explication applies semiotics theory of Roland Barthes, completed with photography theories. This explication aims to enrich the former readings fulfilled from horizontal view, in order to reveal more signs and messages carried by the physical shape of the temple.
Cover Vol. 4 No. 2, 2013 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Front Matter Vol. 4 No. 2, 2013 Journal of Visual Art and Design
Journal of Visual Art and Design Vol. 4 No. 2 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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