cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 180 Documents
 4   5   6   7   8 
Byl, Julia, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press: Middletown, Connecticut Margaret Kartomi
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 1 (2015): June 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i1.2070

Abstract

The Secret of Brahms Cellos Sonata No. 1 Op. 38 and Shostakovich Cello Sonata Op. 40 Asep Hidayat Wirayudha
IJCAS (International Journal of Creative and Arts Studies) Vol 3, No 2 (2016): December 2016
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v3i2.1843

Abstract

This study aims to find a technique solution behind the Far interval and Octave interval in Brahms Cello sonata no.1 opus 38 and Shostakovich cello sonata op. 40 through literature and Discography approach. The fingering problems may poses special difficulties to any cellists. According to the author’s assessment, there are two problems that warrant special attentions of the cellist. Both intervals may cause serious problems on the performance of short fingers cellists. The size of the fingerboard on the cello as compared to other string instruments are longer, resulting in harder difficulties regarding obtaining tone (Stowell, 1999). From the results of the Far Interval and Octave Interval and active involvement of the researchers, the results show that, what is shown that every cellist are anatomically different. The fingers of the cellists are naturally very flexible. It cannot be converted to another cellists. So flexibly that it is possible to overcome the problem in a simple and convenient.
Visual Aesthetics “Djarum Black Motodify” Branding in Urban Lifestyle a Case Study (Visual Methodology Approach) Andreas Slamet Widodo
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 2 (2017): December 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i2.1964

Abstract

This development of image brand (branding) conducted by Djarum corporate, its Djarum Black was held with the visual communication approach who made urban lifestyle. This was embodied in the form of advertising and the activity of the urban lifestyle, one of them are “Djarum Black Motodify” event. Based on these phenomena, then the researcher focused on visual aesthetic branding Djarum Black (media and event) which conceived Djarum Black urban lifestyle are aimed for consumers. This research using visual methodology approach to give a description and explain the structure of matter visual code or associated mark with the symbol of contemporary culture. A critical approach use visual methodology, which means that visual to be considered placed in the community, and how visual it will have an impact on a culture. This is the incident happened in the daily, because it often many matters relating to the media visual found that we shall not see a phenomenon that occurs well. When a strategy of promotion through the visual and event have overcome reality and duplicate themselves quickly and sporadic, then aesthetics has captured the world and eliminate reality. A consequence, various “life” reduced into symbols codification and abstraction of the promotion strategy.
The Development of Formal Ceremonial Coronation Attire of Seri Paduka Baginda yang di-Pertuan Agong From I-XIV Starting From 1957 until 2016 Nor Idayu binti Ibrahim
IJCAS (International Journal of Creative and Arts Studies) Vol 3, No 1 (2016): June 2016
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v3i1.1834

Abstract

There is specific formal attire wear by “Seri Paduka Baginda Yang di-Pertuan Agong”. The exploration related with Malaysia royal institution and royal etiquettes are aspiring, interesting and there are numbers of printed publications had discovered in depth, onto this fields. Unfortunately, most of them have not yet discovered in-depth research about the development of formal ceremonial coronation attire of “Seri Paduka Baginda Yang diPertuan Agong”. The purpose of this paper is to discover the development of ceremonial coronation attire and to document the knowledge regarding the research paper topic. Meyer Schapiro theory of style is used in this research equivalent to feature its style and design of the ceremonial coronation attire. Method applied was the qualitative method because it is the suitable approach to gathering valid data from the experience experts. It is also discussed on the style, muskat and the design of ceremonial attires of them. The coronation attire also known as Royal Regalia. The items are Tengkolok di-Raja, Pending di- Raja, Short Keris and Long Keris. Finally, this research hopefully will benefit and provide a vital source of references to the Malay civilization, researchers, academicians, scholars, students, cultural activist, and also Malaysian regarding with the formal coronation ceremonial attire of “Seri Paduka Baginda Yang di- Pertuan Agong” especially back dated during the period of 1957 until 2016.
The Braille Painting for Children Education: An Ecofeminism Studies Probosiwi Probosiwi
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 2 (2017): December 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i2.1966

Abstract

Braille painting which Niken Larasati’s artwork is one of the visual art medium for learning children, especially those with special needs (diffable), but this work can also be enjoyed by all people. The medium used is cowhide carved and color. The basic principle of this work is the creation of a child's world that is filled with joy, innocence, excitement packed in play activities. This work as a form of education to children with sensitivity to sensory owned by touching, feeling, speech, movement, and even combine elements of science in it as counting activities. In addition, children are required to interact with and respond to a group of playmates, natural conditions, verbal strength training, even rough motoric and fine motoric. Contextual studies using educational theory Humanistic by Abraham H. Maslow, and finding textual studies using the theory of Nature Ecofeminism by Susan Griffin. This type of research is qualitative to understand the phenomenon or text that occurs on the object study such behavior, perception, motivation, and other actions holistic, descriptive on the specific context of natural and utilize natural methods.
The Pleasure of Research, Helsinki: Finnish Academy of Fine Arts by Slager, H. (2012) Barbara Bolt
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.2068

Abstract

A Study of Knitted Fabric from Thai Silk Waste Yarn Peeraya Sramala
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 1 (2017): June 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i1.1950

Abstract

Thai silk is a part of Thailand regional cultural heritage. The unique characteristics are gummy, sticky substance and shining. Thai silk Industry share a common problem to other industries, the process produces a lot of waste. A solid waste from Thai silk can be classified into three types: Incomplete cocoons broken silk yarn; and silk fabric waste. Generally, these waste use for reuse in the business roles such as fashion accessories and decorative produc t. In order to adding value to Thai Silk waste can be done by knitted fabric properties: more flexible and able to produce in flat, seamless, and three dimension. The recycle concept led to following studies: 1) To do an experiment of yarn spinning from Thai silk waste fibre; 2) To experiment a knitted fabric from a yarn of Thai silk waste and; 3) To experiment yarn dyed and knitted fabric piece dyed by natural dyeing colour. A method of study consist of fibre preparing and spinning by hand, the equipment to develop knitted fabric are hand knitting and knitting machine, the natural dyeing colour come from coffee grounds, Turmeric, Red cabbage, and Mulberry. The result of study are: 1) Fibre and spinning experiment shown a yarn is uneven; yarn from broken silk yarn, silk fabric waste, and incomplete cocoon fibre are sticky and softly touch respectively; 2) Knitted fabric experiment showed that the production by hand knitting are soft and flexible than a knitting machine. While knitting machine fabric is smooth surface than hand knitting fabric and; 3) Natural colour dyeing experiment showed that the colour absorption of yarn dyed is better than piece dyed. In conclusion, a result of the study can be used as a guideline idea to create new knitted fabric made from Thai silk waste to present the aesthetic values through textures, colours, structure and pattern.
The Dialectic of Visual Arts Life in West Sumatra 1986-2003 Nessya Fitryona
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 1 (2017): June 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i1.1952

Abstract

West Sumatera is one of areas in the visual arts development in Indonesia. In 1980-1990s, there were found the presence data about installation of art and some alternative art works in art institutions and in public. The emergence that art works caused the struggle of the view of art practices in art society. That struggle seemed to thaw since emergence of Komunitas Seni Belanak (2003). This research explained the process of view of art practices that were occurred in West Sumatra which had changed from 1986 until 2003. This research used the concept of historical movement by Hegel dialectics theory and sociohistorical approach. The changing process of the art practices started from antithesis phase which was divided into two periods. The first antithesis period was the arrival of Agus Purwantoro (1986-1999). The second was the movement of IKIP Padang college students (1995-2003) and continued to the emergence of Komunitas Seni Belanak. The results of this study was the struggles in view of art practices in 1986 until 2003 was important as the transition period between the practices of modern art and the development of contemporary art in West Sumatra.
Musical Parody of Acapella Mataraman: A Creativity Compromise for the Performing Arts Market in Yogyakarta Firmansah Firmansah
IJCAS (International Journal of Creative and Arts Studies) Vol 4, No 1 (2017): June 2017
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v4i1.1955

Abstract

This study aims to identify and understand the creative process of artists in the performing arts market. The concept of creativity is often the response of the high degree of creativity. Basically an assumption appears if the artist is able to survive in the market is the result of creativity in the performing arts is a form of alternative or compromise. This phenomenon occurred in the group Acapella Mataraman. This case study is based on the concept of Jennifer Lindsay and Umar Kayam about the existence of performing arts groups. The primary data are gained from the interview process with Pardiman Djoyonegoro, then, it is completed with the secondary data through a focus group discussion to explore deeper about creativity process on Acapella Mataraman. The results show that the repertoire of pangkur jenggleng and emperan Nuswantara is a form of compromise. Musical sounds and rhythms of modern music elaborated and presented through acapella techniques. Supplemented by the concept of parody that has appeal and value to the consumer tastes of the performing arts. This form is an effective medium for the delivery of criticism and moral content on each of the repertoire.
Performers (‘) Present Festival and Symposium 2016 at Yong Siew Toh Conservatory of Music Singapore 25 th October-1 st November 2016 Oriana Tio Parahita
IJCAS (International Journal of Creative and Arts Studies) Vol 3, No 2 (2016): December 2016
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v3i2.2077

Abstract

Page 6 of 18 | Total Record : 180

 4   5   6   7   8 

Filter by Year

2014 2025


Reset
Filter By Issues
All Issue Vol 12, No 1 (2025): June 2025 Vol 11, No 2 (2024): December 2024 Vol 11, No 1 (2024): June 2024 Vol 10, No 2 (2023): December 2023 Vol 10, No 1 (2023): June 2023 Vol 9, No 2 (2022): December 2022 Vol 9, No 1 (2022): June 2022 Vol 8, No 2 (2021): December 2021 Vol 8, No 1 (2021): June 2021 Vol 7, No 2 (2020): Desember 2020 Vol 7, No 1 (2020): June 2020 Vol 6, No 2 (2019): December 2019 Vol 6, No 1 (2019): June 2019 Vol 5, No 2 (2018): December 2018 Vol 5, No 1 (2018): June 2018 Vol 5, No 1 (2018): June 2018 Vol 4, No 2 (2017): December 2017 Vol 4, No 1 (2017): June 2017 Vol 3, No 2 (2016): December 2016 Vol 3, No 1 (2016): June 2016 Vol 2, No 2 (2015): December 2015 Vol 2, No 2 (2015): December 2015 Vol 2, No 1 (2015): June 2015 Vol 2, No 1 (2015): June 2015 Vol 1, No 2 (2014): December 2014 Vol 1, No 2 (2014): December 2014 Vol 1, No 1 (2014): June 2014 Vol 1, No 1 (2014): June 2014 More Issue