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Mimikri dan Ambivalensi Tokoh Sarina dalam Cerpen Mata-Mata Karya Yin Ude: Analisis Poskolonial Poppy Adelia Adisty; Nur Syakila; Andini Aulia Distira; Ines Amelia; Lolo Mesliana Cibro; Aulia Uswatun Siagian; Tessalonika Simangunsong
Abdi Cendekia : Jurnal Pengabdian Masyarakat Vol 5 No 2 (2026): Juni
Publisher : Yayasan Zia Salsabila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61253/abdicendekia.v5i2.792

Abstract

Penelitian ini mengkaji bentuk mimikri dan ambivalensi tokoh Sarina dalam cerpen Mata-Mata karya Yin Udemelalui perspektif poskolonial Homi K. Bhabha. Identitas tokoh dalam cerpen tersebut dibentuk oleh relasi kuasa antara masyarakat terjajah dan budaya kolonial. Penelitian ini bertujuan mendeskripsikan bentuk mimikri serta ambivalensi yang dialami Sarina sebagai dampak kolonialisme. Metode yang digunakan adalahdeskriptif kualitatif dengan pendekatan poskolonial. Hasil penelitian menunjukkan bahwa Sarina melakukan mimikri melalui pola pikir, sikap, dan perilaku yang menyerupai budaya kolonial sebagai upaya menyesuaikan diri terhadap kekuasaan dominan. Namun, peniruan tersebut tidak sepenuhnya menjadikan Sarina bagian dari pihak penjajah karena ia tetap mengalami konflik identitas dan keraguan batin. Ambivalensi tokoh tampakpada sikapnya yang menerima pengaruh kolonial, tetapi di sisi lain masih mempertahankan prinsip serta identitas pribumi. Dengan demikian, cerpen Mata-Mata merepresentasikan bahwa kolonialisme tidak hanya berorientasi pada penguasaan wilayah, melainkan juga memengaruhi cara berpikir dan pembentukan identitas masyarakat terjajah.
KEGAGALAN KONGRUENSI DIRI TOKOH BAPAK DALAM BUDAYA PATRIAKI PADA CERPEN “BUAIAN RAHIM PATRIARKI” KARYA NI WAYAN WIJAYANTI; KAJIAN PSIKOLOGI SASTRA HUMANISTIK CARL ROGERS Saibil Aprilia Putri; Zai Alpris Wulandari Saragih; Nur Syakila; Lolo Mesliana Cibro; Tessalonika Simangunsong; M. Anggie Januarsyah Daulay; Jakaria
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 4 (2026): Volume 12 No. 4, Desember 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i4.19609

Abstract

Previous studies have typically depicted characters who successfully achieve congruence or self-actualization. In contrast, the study of these short stories by Harini et al. (2024) focused solely on masculinity and did not examine the characters’ psychological structures. The focus of this study is to address both of these gaps simultaneously. The data, consisting of 25 dialogue and narrative excerpts, were analyzed using the read-and-note method. They were then classified based on the criteria of values, incongruence, distortion/denial, and openness to experience. The results show that some data (D1–D3) indicate a greater degree of cultural introjection of patriarchy, while the clear conditions for self-esteem (D4) and their transmission to his son (D5–D7) create a strong incongruence between the father’s self-concept as a dominant figure and the fragility of his inner experiences. As a result of this incongruence, defense mechanisms emerge, including violence and emotional manipulation. Toward the end of his life, the Father figure appears only in dreams, but this awareness is only partial. The Father continues to describe his environment as a “punishment” and the death of the world before complete reconciliation is achieved—an ironic tragedy that ultimately ensures the character’s failure to achieve full self-congruence.