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TRANSFORMASI DAN REINTERPRETASI PINTU GEBYOK JAWA DALAM DESAIN INTERIOR ETNIK KONTEMPORER DI BALI Reandini Syu'ara Dewi; Ni Made Emmi Nutrisia Dewi; Ni Putu Eka Trisnasari Subrata
Waca Cipta Ruang Vol. 12 No. 1 (2026): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v12i1.19573

Abstract

This study aims to analyze the transformation and reinterpretation of the Javanese *gebyok* door in contemporary ethnic interior design in Bali as part of the material culture adaptation phenomenon. The *gebyok* is understood as a carved wooden partition element that embodies symbolic, cosmological, and social values in traditional Javanese architecture. This research employs a qualitative-descriptive approach using a literature-based method through the analysis and synthesis of relevant scientific sources published within the last ten years. The results indicate a transformation of function from a sacred structural element into a decorative element emphasizing aesthetic value in contemporary spaces, along with a reinterpretation of symbolic meaning from spiritual and cosmological values into representations of visual identity, prestige, and social differentiation. Furthermore, the findings reveal an integration of Javanese visual characteristics, which are structured and symmetrical, with the dynamic and contextual aesthetics of Balinese design, resulting in hybrid design forms.The implications suggest that the transformation of the *gebyok* not only contributes to innovation in interior design but also presents challenges in preserving cultural values, thus requiring a contextual design approach to maintain a balance between visual expression and cultural meaning.  
Desain inklusif untuk ruang komunitas: peran partisipasi masyarakat dalam perancangan interior dan identitas visual gedung pertemuan di Kantor Desa Angkah Ni Made Emmi Nutrisia Dewi; Ni Putu Eka Trisnasari Subrata; I Putu Gede Suyoga; I Kadek Pranajaya; Ni Wayan Nandaryani; Reandini Syu’ara Dewi; Ni Kadek Dewi Sacia Paramitha
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 10, No 3 (2026): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v10i3.39280

Abstract

Abstrak Kegiatan pengabdian kepada masyarakat ini bertujuan merancang interior dan identitas visual Gedung Pertemuan di Kantor Desa Angkah dengan pendekatan desain inklusif yang selaras dengan kebutuhan dan karakter masyarakat setempat. Pendekatan ini mengutamakan partisipasi aktif warga dalam seluruh tahapan perancangan, mulai dari identifikasi kebutuhan, diskusi desain, hingga evaluasi hasil. Melalui metode participatory design, aspirasi masyarakat dikompilasi menjadi konsep ruang yang fungsional, mudah diakses, dan mampu mengakomodasi berbagai kegiatan komunal. Gaya desain minimalis dipilih untuk menghadirkan suasana ruang yang sederhana, efisien, dan hemat sumber daya, sekaligus memudahkan perawatan jangka panjang. Material lokal dan warna netral digunakan untuk menciptakan kesan hangat, terbuka, serta ramah bagi semua kalangan, termasuk lansia dan penyandang disabilitas. Identitas visual gedung dirancang untuk memperkuat citra desa sebagai ruang bersama yang modern namun tetap berakar pada budaya lokal. Hasil kegiatan menunjukkan bahwa kolaborasi antara tim perancang dan masyarakat dapat menghasilkan solusi desain yang tidak hanya estetis dan fungsional, tetapi juga memiliki nilai kebersamaan yang tinggi. Pendekatan ini diharapkan menjadi model perancangan ruang publik yang berkelanjutan, adaptif, dan mampu membangun rasa memiliki masyarakat terhadap fasilitas yang digunakan bersama. Kata kunci: pengabdian; desain; gedung pertemuan; identitas visual; partisipasi masyarakat. Abstract This community service project aims to design the interior and visual identity of the Meeting Hall at the Angkah Village Office using an inclusive design approach that aligns with the needs and character of the local community. This approach prioritizes the active participation of residents in all stages of the design process, from identifying needs and design discussions to evaluating the results. Through participatory design methods, community aspirations were compiled into a spatial concept that is functional, easily accessible, and capable of accommodating various communal activities. A minimalist design style was chosen to create a simple, efficient, and resource-efficient atmosphere, while also facilitating long-term maintenance. Local materials and neutral colors were used to create a warm, open, and welcoming environment for all groups, including the elderly and people with disabilities. The building’s visual identity was designed to reinforce the village’s image as a modern shared space that remains rooted in local culture. The results of the project demonstrate that collaboration between the design team and the community can produce design solutions that are not only aesthetically pleasing and functional but also embody a strong sense of community. This approach is expected to serve as a model for the design of sustainable, adaptive public spaces that foster a sense of ownership among community members toward the shared facilities. Keywords: community service; design; community center; visual identity; community participation