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TRANSFORMASI DAN REINTERPRETASI PINTU GEBYOK JAWA DALAM DESAIN INTERIOR ETNIK KONTEMPORER DI BALI Reandini Syu'ara Dewi; Ni Made Emmi Nutrisia Dewi; Ni Putu Eka Trisnasari Subrata
Waca Cipta Ruang Vol. 12 No. 1 (2026): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v12i1.19573

Abstract

This study aims to analyze the transformation and reinterpretation of the Javanese *gebyok* door in contemporary ethnic interior design in Bali as part of the material culture adaptation phenomenon. The *gebyok* is understood as a carved wooden partition element that embodies symbolic, cosmological, and social values in traditional Javanese architecture. This research employs a qualitative-descriptive approach using a literature-based method through the analysis and synthesis of relevant scientific sources published within the last ten years. The results indicate a transformation of function from a sacred structural element into a decorative element emphasizing aesthetic value in contemporary spaces, along with a reinterpretation of symbolic meaning from spiritual and cosmological values into representations of visual identity, prestige, and social differentiation. Furthermore, the findings reveal an integration of Javanese visual characteristics, which are structured and symmetrical, with the dynamic and contextual aesthetics of Balinese design, resulting in hybrid design forms.The implications suggest that the transformation of the *gebyok* not only contributes to innovation in interior design but also presents challenges in preserving cultural values, thus requiring a contextual design approach to maintain a balance between visual expression and cultural meaning.  
Desain inklusif untuk ruang komunitas: peran partisipasi masyarakat dalam perancangan interior dan identitas visual gedung pertemuan di Kantor Desa Angkah Ni Made Emmi Nutrisia Dewi; Ni Putu Eka Trisnasari Subrata; I Putu Gede Suyoga; I Kadek Pranajaya; Ni Wayan Nandaryani; Reandini Syu’ara Dewi; Ni Kadek Dewi Sacia Paramitha
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 10, No 3 (2026): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v10i3.39280

Abstract

Abstrak Kegiatan pengabdian kepada masyarakat ini bertujuan merancang interior dan identitas visual Gedung Pertemuan di Kantor Desa Angkah dengan pendekatan desain inklusif yang selaras dengan kebutuhan dan karakter masyarakat setempat. Pendekatan ini mengutamakan partisipasi aktif warga dalam seluruh tahapan perancangan, mulai dari identifikasi kebutuhan, diskusi desain, hingga evaluasi hasil. Melalui metode participatory design, aspirasi masyarakat dikompilasi menjadi konsep ruang yang fungsional, mudah diakses, dan mampu mengakomodasi berbagai kegiatan komunal. Gaya desain minimalis dipilih untuk menghadirkan suasana ruang yang sederhana, efisien, dan hemat sumber daya, sekaligus memudahkan perawatan jangka panjang. Material lokal dan warna netral digunakan untuk menciptakan kesan hangat, terbuka, serta ramah bagi semua kalangan, termasuk lansia dan penyandang disabilitas. Identitas visual gedung dirancang untuk memperkuat citra desa sebagai ruang bersama yang modern namun tetap berakar pada budaya lokal. Hasil kegiatan menunjukkan bahwa kolaborasi antara tim perancang dan masyarakat dapat menghasilkan solusi desain yang tidak hanya estetis dan fungsional, tetapi juga memiliki nilai kebersamaan yang tinggi. Pendekatan ini diharapkan menjadi model perancangan ruang publik yang berkelanjutan, adaptif, dan mampu membangun rasa memiliki masyarakat terhadap fasilitas yang digunakan bersama. Kata kunci: pengabdian; desain; gedung pertemuan; identitas visual; partisipasi masyarakat. Abstract This community service project aims to design the interior and visual identity of the Meeting Hall at the Angkah Village Office using an inclusive design approach that aligns with the needs and character of the local community. This approach prioritizes the active participation of residents in all stages of the design process, from identifying needs and design discussions to evaluating the results. Through participatory design methods, community aspirations were compiled into a spatial concept that is functional, easily accessible, and capable of accommodating various communal activities. A minimalist design style was chosen to create a simple, efficient, and resource-efficient atmosphere, while also facilitating long-term maintenance. Local materials and neutral colors were used to create a warm, open, and welcoming environment for all groups, including the elderly and people with disabilities. The building’s visual identity was designed to reinforce the village’s image as a modern shared space that remains rooted in local culture. The results of the project demonstrate that collaboration between the design team and the community can produce design solutions that are not only aesthetically pleasing and functional but also embody a strong sense of community. This approach is expected to serve as a model for the design of sustainable, adaptive public spaces that foster a sense of ownership among community members toward the shared facilities. Keywords: community service; design; community center; visual identity; community participation
Analysis of Special Standardization of Accessible Toilet Facilities at Dharma Negara Alaya Arts Building, Denpasar, Bali Ni Putu Eka Trisnasari Subrata; Freddy Hendrawan; Ni Made Emmi Nutrisia Dewi; Muhammad Algifari Hayatullah
International Journal of Engineering, Science and Information Technology Vol 5, No 1 (2025)
Publisher : Malikussaleh University, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52088/ijesty.v5i1.785

Abstract

People with disabilities in Indonesia still often face limitations in accessing public facilities that meet their needs. This highlights the importance of providing disability support facilities that meet standards, especially in public spaces, for community interaction. One example of a public facility that accommodates the community is an art building, the Dharma Negara Alaya (DNA) Arts Building, located in Denpasar City, Bali Province. This study aims to analyze the standardization of supporting facilities for people with disabilities in the Dharma Negara Alaya Arts Building, focusing on accessible toilet facilities. The analysis was carried out based on the Regulation of the Minister of Public Works Number 30 of 2006, which regulates technical guidelines for facilities and accessibility in building structures and the environment. This study uses a descriptive qualitative approach through direct observation and interviews with building users to evaluate the adequacy and suitability of the design of accessible toilet facilities. The study results on the Implementation of accessible toilet facilities in the Alaya Building have followed the standards by the Regulation of the Minister of Public Works of 2006 concerning Guidelines for Technical Requirements for Buildings, and the availability of toilet facilities has been met. However, some design deficiencies still need to be fixed or improved, such as the use of door materials, the room size not yet optimal for standard movement, and no elbow ramps to help wheelchair users access. There are no sanitary facilities or special washbasins for people with disabilities. This research is expected to provide insight into fulfilling the needs of inclusive design for people with disabilities and provide recommendations for improving accessibility at the Dharma Negara Alaya Arts Building, especially for accessible toilet facilities.