Sultan Tirta Mujtaba
Universitas Negeri Yogyakarta

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Pola Sintaksis pada Puji-Pujian Bahasa Jawa: Analisis Tipologi Bahasa Anton Anton; Sueb Sueb; Sultan Tirta Mujtaba; Tadkiroatun Musfiroh; Setyawan Pujiono
Ranah: Jurnal Kajian Bahasa Vol 15, No 1 (2026): Ranah: jurnal Kajian Bahasa
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/rnh.v15i1.8529

Abstract

This study aims to analyze syntactic patterns in Javanese praises (puji-pujian) through the lens of language typology. Puji-pujian is a form of Islamic oral tradition typically recited between the adhan and iqamah in mosques, predominantly in Java. The data were collected from five Javanese praises recited at mosques in the Langensari-Banjar area using listening and note-taking techniques (simak catat). The study employs a descriptive qualitative method with a structural-linguistic approach, and data analysis was conducted using the distributional method (metode agih). The theoretical framework draws on Greenberg's (1963) and Comrie's (1989) typological theory, focusing on the constituent order of Subject (S), Verb/Predicate (V), and Object (O). The findings reveal that although the basic typological pattern of Javanese is SVO, the puji-pujian corpus demonstrates significant variation, including SV, VO, VSO, VOS, VOK, and nominal predicate patterns (SPel). This variation is primarily driven by aesthetic demands—including meter and rhyme—and the pragmatic function of emphasis in sacred discourse. The results indicate that poetic and religious registers systematically trigger syntactic inversion in Javanese oral tradition. Abstrak Penelitian ini bertujuan untuk menganalisis pola sintaksis pada puji-pujian bahasa Jawa melalui kajian tipologi bahasa. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan linguistik struktural. Data dikumpulkan dari lima puji-pujian berbahasa Jawa yang dikumandangkan di masjid-masjid wilayah Langensari-Banjar menggunakan teknik simak dan catat. Analisis data dilakukan menggunakan metode agih (distribusional). Kerangka teori mengacu pada teori tipologi Greenberg (1963) dan Comrie (1989) yang berfokus pada urutan konstituen Subjek (S), Verba/Predikat (V), dan Objek (O). Temuan menunjukkan bahwa meskipun pola tipologi dasar bahasa Jawa adalah SVO, korpus puji-pujian memperlihatkan variasi yang signifikan, meliputi pola SV, VO, VSO, VOS, VOK, dan predikat nominal (SPel). Variasi ini terutama didorong oleh tuntutan estetika—termasuk metrum dan rima serta fungsi pragmatis penekanan dalam wacana sakral. Hasil penelitian mengindikasikan bahwa register puitis dan religius secara sistematis memicu inversi sintaksis dalam tradisi lisan Jawa.
Analytical Shifts in Contemporary Literary Studies: From Digital Humanities to New Directions in Indonesian Literature Andri Wicaksono; Dany Ardhian; Sultan Tirta Mujtaba
JENTERA: Jurnal Kajian Sastra Vol 15, No 1 (2026): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v15i1.8545

Abstract

Contemporary literary studies are undergoing significant analytical transformations alongside the increasing use of computational methods and digital humanities. This article aims to examine the epistemological tensions emerging from these transformations and to formulate a critical analytical framework for contemporary literary studies. The study employs a critical literature review combining narrative and systematic review approaches. Data were collected from academic publications indexed in Scopus, Web of Science, JSTOR, Google Scholar, and major academic publishers focusing on digital humanities, distant reading, critical digital studies, representation theory, and intertextuality. The collected data were analyzed through critical interpretation and thematic synthesis to identify major conceptual debates and methodological tendencies. The study finds that computational literary approaches expand the scale of textual exploration but also risk reducing literary meaning into statistical abstraction and reproducing representational bias when detached from critical reflection. Based on these findings, the article proposes a layered critical analytical model integrating computational exploration, hermeneutic interpretation, and critical reflection. The framework is further contextualized within Indonesian literary studies characterized by multilingualism, digital literary practices, and diverse cultural traditions. This study contributes to the development of contemporary literary studies by offering an integrative framework that connects scale, interpretation, and power relations in the digital era. Abstrak Kajian sastra kontemporer mengalami transformasi analitik yang signifikan seiring meningkatnya penggunaan metode komputasional dan humaniora digital. Artikel ini bertujuan mengkaji ketegangan epistemologis yang muncul dari transformasi tersebut serta merumuskan kerangka analitik kritis bagi kajian sastra kontemporer. Penelitian ini menggunakan metode studi pustaka kritis yang mengombinasikan pendekatan narrative review dan systematic synthesis. Data penelitian diperoleh dari publikasi akademik yang terindeks Scopus, Web of Science, JSTOR, Google Scholar, serta berbagai penerbit akademik utama yang membahas humaniora digital, distant reading, kajian digital kritis, teori representasi, dan intertekstualitas. Data dianalisis melalui interpretasi kritis dan sintesis tematik untuk mengidentifikasi perdebatan konseptual dan kecenderungan metodologis utama. Hasil penelitian menunjukkan bahwa pendekatan komputasional dalam kajian sastra mampu memperluas skala eksplorasi teks, tetapi juga berisiko mereduksi makna sastra menjadi abstraksi statistik dan mereproduksi bias representasi apabila tidak disertai refleksi kritis. Berdasarkan temuan tersebut, artikel ini mengajukan model analitik kritis berlapis yang mengintegrasikan eksplorasi komputasional, interpretasi hermeneutik, dan refleksi kritis. Kerangka ini kemudian dikontekstualisasikan dalam kajian sastra Indonesia yang bercirikan multibahasa, praktik sastra digital, dan keragaman tradisi budaya. Penelitian ini berkontribusi pada pengembangan kajian sastra kontemporer melalui kerangka integratif yang menghubungkan skala, interpretasi, dan relasi kuasa di era digital.