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Konsep Keesaan Tuhan pada Lirik Lagu “Satu” Dewa 19 Salma Deria Putri; Ochy Caramoy; Ghiffia Diandra Syahniza Haryanto; Muhammad Naufal; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/thtc1e46

Abstract

Penelitian ini bertujuan untuk mengungkap konsep keesaan Tuhan dalam lirik lagu “Satu” karya Dewa 19 melalui perspektif Akhlak Tasawuf. Penelitian ini menggunakan metode kualitatif dengan pendekatan hermeneutika sufistik. Hermeneutika Paul Ricoeur digunakan sebagai kerangka analisis melalui tahapan explanation, interpretation, dan appropriation, sedangkan konsep tauhid haqiqi, fana, dzikir, dan mahabbah digunakan sebagai horizon interpretasi.Hasil penelitian menunjukkan bahwa konsep keesaan Tuhan dalam lirik direpresentasikan melalui pengalaman spiritual yang disampaikan secara simbolik. Verse 1 merepresentasikan tauhid haqiqi dan fana melalui identifikasi diri dengan entitas “-Mu”. Chorus menunjukkan dzikir dan mahabbah melalui pengulangan penyebutan nama dan pemusatan orientasi batin. Sementara itu, Verse 2 menunjukkan relasi tindakan manusia dengan sumber keberadaan. Tahap appropriation menunjukkan bahwa keesaan Tuhan dimaknai sebagai kesadaran spiritual yang membentuk cara manusia memahami diri dan menjalani kehidupan.
My Heart is Aflame: Exploring Three Dimensions of the Poet's Voice in Selected Stanzas Salma Deria Putri; R. Myrna Nur Sakinah
Islah: Journal of Islamic Literature and History Vol. 6 No. 2 (2025): Islah: Journal of Islamic Literature and History
Publisher : Faculty of Ushuluddin, Adab, and Humanities Universitas Islam Negeri Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/islah.v6i2.4488

Abstract

My Heart is Aflame by Al-Mutanabbi is a lengthy poem that intricately weaves personal emotion, panegyric praise, and rhetorical self-pride. This study aims to examine three dimensions of the poet’s voice in selected stanzas, employing a stylistic approach that focuses on diction, imagery, figurative language, and concrete words. The analysis reveals that Al-Mutanabbi consistently constructs a complex lyrical persona: a wounded lover suffering from unrequited affection, an admirer exalting the figure of Saif al-Dawlah in heroic terms, and an individual proudly affirming his prowess as both poet and warrior. Through the use of intense word choices and rich figurative and imagistic elements, the poem conveys the poet’s identity as a grand figure within the cultural and literary tradition of classical Arabic society. This analysis highlights Al-Mutanabbi’s expressive strength in blending personal sentiment with elevated linguistic strategies, making his poetry a vehicle of self-assertion and cultural positioning.