Article Per Year (5 Year)
p-Index From 2021 - 2026
1.244
P-Index
This Author published in this journals
All Journal Journal of Pragmatics Research Jurnal Ilmu Sosial dan Humaniora Sujud: Jurnal Agama, Sosial dan Budaya
Dadan Firdaus
UIN Sunan Gunung Djati Bandung
Religion Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 8 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 8 Documents
Search

 1 
Konsep Keesaan Tuhan pada Lirik Lagu “Satu” Dewa 19 Salma Deria Putri; Ochy Caramoy; Ghiffia Diandra Syahniza Haryanto; Muhammad Naufal; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/thtc1e46

Abstract

Penelitian ini bertujuan untuk mengungkap konsep keesaan Tuhan dalam lirik lagu “Satu” karya Dewa 19 melalui perspektif Akhlak Tasawuf. Penelitian ini menggunakan metode kualitatif dengan pendekatan hermeneutika sufistik. Hermeneutika Paul Ricoeur digunakan sebagai kerangka analisis melalui tahapan explanation, interpretation, dan appropriation, sedangkan konsep tauhid haqiqi, fana, dzikir, dan mahabbah digunakan sebagai horizon interpretasi.Hasil penelitian menunjukkan bahwa konsep keesaan Tuhan dalam lirik direpresentasikan melalui pengalaman spiritual yang disampaikan secara simbolik. Verse 1 merepresentasikan tauhid haqiqi dan fana melalui identifikasi diri dengan entitas “-Mu”. Chorus menunjukkan dzikir dan mahabbah melalui pengulangan penyebutan nama dan pemusatan orientasi batin. Sementara itu, Verse 2 menunjukkan relasi tindakan manusia dengan sumber keberadaan. Tahap appropriation menunjukkan bahwa keesaan Tuhan dimaknai sebagai kesadaran spiritual yang membentuk cara manusia memahami diri dan menjalani kehidupan.
The Values of Tawakkal and Husnuzan toward Allah in the Lyrics of the Song Insya Allah by Maher Zain Amara Putri Pertiwi; Andini Khairunisa Sulaiman; Laela Tusaadah; Tsulis khoerunnisa Amanah; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/d5tb0p30

Abstract

This article examines the values of tawakkal and husnuzan toward Allah contained in the lyrics of the song Insya Allah by Maher Zain. This study is motivated by the absence of research that specifically analyzes the song using the framework of Akhlak Tasawuf, particularly the theory of tawakkal according to Al-Ghazali in Ihya’ Ulumuddin and the theory of husnuzan according to Ibn Qayyim al-Jauziyyah in Madarij al-Salikin. The study employs a qualitative approach with content analysis and library research as its method. The data consist of linguistic units in the lyrics, which are analyzed using the Miles and Huberman interactive model through three stages: data reduction, data display, and conclusion drawing, with data validity ensured through theoretical triangulation. The analysis shows that the lyrics of Insya Allah contain the value of tawakkal, which encompasses Al-Ghazali’s three levels, ranging from expressions of surrender to Allah, calls not to despair, to total submission in seeking guidance. The value of husnuzan appears dominantly through the phrase “Insya Allah there’s a way,” repeated eight times, the belief in Allah’s presence and nearness, and the pattern of active effort that demonstrates husnuzan in this song belongs to the mahmud (praiseworthy) category according to Ibn Qayyim al-Jauziyyah’s classification, not ghurur. This study is expected to fill the gap in previous research while also showing that the values of Akhlak Tasawuf can be experienced through contemporary musical works.
Larangan Mendekati Zina dalam Al-Qur’an dan Relevansinya Terhadap Pergaulan Bebas Remaja Ikbal Setiawan; Imelda Saparingga; Hasna Nur Alifah; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/9g216q38

Abstract

Pergaulan bebas di kalangan remaja merupakan salah satu tantangan moral dan sosial yang dihadapi Indonesia saat ini. Survei Demografi dan Kesehatan Indonesia (SDKI) 2017 yang diselenggarakan secara resmi oleh BPS, BKKBN, dan Kementerian Kesehatan RI mencatat bahwa sekitar 8% remaja pria dan 2% remaja wanita usia 15-24 tahun mengaku telah melakukan hubungan seksual sebelum menikah (Kemenko PMK, 2021). Analisis lanjutan berbasis data SDKI 2017 yang dilakukan Apriantini et al. (2021) menemukan prevalensi seks pranikah pada remaja pria usia 15-24 tahun sebesar 7,7% dari 12.453 sampel, dengan faktor paling dominan adalah gaya berpacaran berisiko dan pengaruh teman sebaya. Data ini menggambarkan betapa pentingnya sistem nilai yang kuat sebagai benteng preventif bagi generasi muda. Artikel ini mengkaji konsep larangan mendekati zina dalam Al-Qur’an melalui pendekatan tafsir maudhu’I (tematik), dengan fokus pada QS. Al-Isra’ [17]: 32 dan QS. An-Nur [24]: 30-31, serta didukung hadits Nabi SAW riwayat Imam Bukhari (No. 6243) dan Muslim (No. 657). Analisis dilengkapi dengan perspektif Social Control Theory dari Travis Hirschi untuk membaca relevansinya dalam konteks kehidupan remaja masa kini. Penelitian ini menggunakan pendekatan kualitatif berbasis studi kepustakaan (library research). Temuan menunjukkan bahwa Al-Qur’an tidak sekadar melarang perbuatan zina sebagai tindakan akhir, melainkan secara eksplisit memerintahkan pencegahan dari segala hal yang mendekatkan pada zina. Pendekatan preventif ini terbukti relevan secara sosiologis karena memperkuat keempat elemen ikatan sosial Hirschi: attachment, commitment, involvement, dan belief, yang menjadi fondasi utama dalam mencegah perilaku menyimpang remaja. 
Representasi Nilai Tauhid Dakwah Nabi Muhammad pada Prosa ‘Mahomet: Islam’ Karya Thomas Carlyle Mutia Zahara; Zaskia Bhayangkari; Azkia Salsabila; Allya Sabbi Hisma; Dadan Firdaus
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 2 (2026): APRIL-JUNI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/f2rd9612

Abstract

Penelitian ini bertujuan untuk menganalisis konsep dakwah Nabi Muhammad serta bagaimana nilai-nilai tauhid direpresentasikan dalam prosa “Mahomet: Islam” karya Thomas Carlyle. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis teks untuk memahami cara teks tersebut membangun makna tentang dakwah dan tauhid. Data utama berasal dari teks prosa Carlyle, sedangkan data pendukung diperoleh dari berbagai sumber yang berkaitan dengan Ilmu Kalam dan konsep kenabian dalam Islam. Hasil penelitian menunjukkan bahwa Carlyle menggambarkan dakwah Nabi sebagai gerakan spiritual yang menekankan keesaan Tuhan dan mendorong orang untuk meninggalkan penyembahan berhala. Nilai-nilai tauhid yang terdapat dalam teks tersebut meliputi kepercayaan kepada satu Tuhan, penolakan terhadap syirik (menyekutukan Tuhan), dan pengakuan terhadap Tuhan sebagai pencipta dan pemelihara alam semesta. Hal ini menunjukkan bahwa isi teks memiliki kesesuaian dengan konsep tauhid uluhiyah dan tauhid rububiyah dalam Ilmu Kalam, meskipun disampaikan dengan pendekatan yang lebih rasional dan filosofis. Selain itu, penyampaian nilai-nilai tauhid dalam prosa tidak hanya dijelaskan secara langsung, tetapi juga disampaikan melalui narasi, refleksi, dan penggambaran kehidupan Nabi Muhammad. Hal ini menjadikan dakwah dipahami bukan hanya sebagai seperangkat ajaran, tetapi juga sebagai sesuatu yang tercermin dalam praktik sehari-hari. Oleh karena itu, dapat disimpulkan bahwa prosa Carlyle menyajikan representasi yang secara umum positif tentang dakwah Nabi dan nilai-nilai tauhid, meskipun masih dipengaruhi oleh perspektif penulis.
Kajian Psikoanalisis Freud terhadap Degradasi Moral dan Kekerasan Seksual Muhammad Ihwan Safrudin; Disyela Apriswa Mandai; Dadan Firdaus
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 2 (2026): APRIL-JUNI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/m4zrm377

Abstract

The rapid development of information technology and globalization has led to the moral degradation of university students, including the emergence of cases of sexual violence on the campus. This research is intended to analyze the psychological dynamics of sexual violence as the form of moral degradation in the perspective of Sigmund Freud’s Psychoanalysis theory namely the structure of personality Id, Ego, and Superego and also analyze the internalization of akhlak values through the Sufi concept of tazkiyatun nafs as the prevention of the degradation. This study uses a qualitative library research method with content analysis technique . The case of sexual violence at the Faculty of Law, Universitas Indonesia (FH UI) is used as a case illustration. The results show that sexual violence behavior is based on the dominance of the Id and the weakening of the Superego with the failure of the Ego to perform sublimation as a compound. The internalization of akhlak values and the practice of tazkiyatun nafs are proposed as holistic spiritual solutions to strengthen the Ego and regain the moral integrity.  
Toxic Positivity dalam Lagu Senyuman & Harapan: Perspektif Tasawuf Azka Amalia; Dafa Alpahriza; Inry Aprilia; M. Zia Al-Haromain; Dadan Firdaus
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 2 (2026): APRIL-JUNI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/89ht0q16

Abstract

The phenomenon of toxic positivity is increasingly prevalent in modern society through various forms of communication and popular culture that encourage individuals to always maintain a positive attitude. This situation risks disregarding negative emotions, which are in fact a natural part of the human experience. This study aims to identify representations of toxic positivity in the lyrics of the song ‘Senyuman & Harapan’ by GAC and to analysethem through a Sufi perspective. The subject of this study is the lyrics of the song ‘Senyuman & Harapan’ by GAC. The study utilises the theory of toxic positivity by Whitney Goodman, as well as Al-Ghazali’s concepts of emotion regulation and patience, as the basis for its analysis. This study employs a qualitative approach using a descriptive-analytical method. Data were collected through a literature review and textual analysis of the song lyrics. The results indicate that the lyrics of the song ‘Senyuman & Harapan’ exhibit several indicators of toxic positivity, particularly the enforcement of a positive attitude and the suppression of negative emotions through the dominance of optimistic messages. From a Sufi perspective, the concept of patience does not reject negative emotions, but rather teaches the acceptance and management of emotions in a conscious manner through a spiritual approach. This study concludes that the message of optimism in the song can be understood as a form of positive motivation, but has the potential to lead to toxic positivity if it disregards the existence of negative emotions and the process of managing them.        
Pengelolaan Emosi sebagai Bentuk Takziyatun Nafs dalam Film “Inside Out” Dendeu Najla Dhiyaushshafa; Fayza Farahnaz; Muhammad Haidar Gibran; Mutiara Salsabila Nuzula; Dadan Firdaus
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 3 (2026): JULI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/yabdtt86

Abstract

This study examines the representation of emotion management in the film *Inside Out* through the perspective of *tazkiyatun nafs* (purification of the soul) as articulated by Ibn Qayyim Al-Jawziyya. The research is motivated by the importance of the ability to manage emotions as a component of human mental health and spiritual development. The film *Inside Out* was selected as the material object because it depicts the dynamics of five core emotions—Joy, Sadness, Anger, Fear, and Disgust—that influence the behavior of the protagonist, Riley. The study addresses how emotion management is represented in the film and how this representation can be understood through the concept of *tazkiyatun nafs*. It employs the theory of literary psychology and Ibn Qayyim Al-Jawziyya’s concept of *tazkiyatun nafs*, which encompasses the stages of *takhalli* (emptying/purging), *tahalli* (adorning/cultivating), and *tajalli* (manifestation/illumination). A descriptive qualitative method was used, with data collection techniques involving observation, documentation, and the recording of dialogue, scenes, and visual narratives from the film. The data were analyzed interpretatively based on the perspectives of literary psychology and Sufism. The findings indicate that *Inside Out* represents emotion management as a process of accepting and balancing the full spectrum of human emotions. Riley’s emotional journey reflects the stage of *takhalli* through awareness of inner conflict, *tahalli* through the development of a positive attitude and emotional openness, and *tajalli* through the attainment of emotional balance and inner peace. Thus, *Inside Out* not only depicts the psychological process of emotion regulation but also represents spiritual values ​​aligned with the Islamic concept of *tazkiyatun nafs*.
Turn-Taking Strategies in Happy Sad Confused: Crafting an Interactive and Engaging Talk Show Experience Frevy Maharani; Dadan Firdaus; Ice Sariyati
Journal of Pragmatics Research Vol. 7 No. 1 (2025): Journal of Pragmatics Research
Publisher : UIN Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/jopr.v7i1.157-181

Abstract

Turn-taking manages mechanical speaking turns and creates a cooperative, dynamic, and entertaining conversation. Therefore, creating pleasant and engaging experiences allows participants to express their ideas confidently. Thus, this study investigates how such an experience is facilitated by the turn-taking mechanism in Happy Sad Confused and identifies how markers are used as strategies in conversational dynamics. This study used a descriptive qualitative method and Stenström's (1994) theory related to turn-taking strategies. The data were collected using Jefferson's (2009) transcription approach. The results of this study showed that the interaction between Josh Horowitz and Henry Cavill demonstrated a successful turn-taking mechanism to promote compelling discussion, allowing Henry Cavill to disclose emotive and in-depth work experiences. So, turn-taking also enriched conversational dynamics in a talk show scenario. Markers significantly contributed to maintaining the natural flow of communication and smooth transitions to keep the conversation rhythm. The most dominant marker by filled pauses (e.g., “ǝ:m”, “uh”) was 47 times. Overall, turn-taking maintained interesting communication. Speakers could use suitable tactics and markers to enable meaningful interactions, making talks more dynamic and entertaining for participants and viewers.
Co-Authors Allya Sabbi Hisma Amara Putri Pertiwi Andini Khairunisa Sulaiman Azka Amalia Azkia Salsabila Dafa Alpahriza Dendeu Najla Dhiyaushshafa Disyela Apriswa Mandai Fayza Farahnaz Frevy Maharani Ghiffia Diandra Syahniza Haryanto Hasna Nur Alifah Ice Sariyati Ikbal Setiawan Imelda Saparingga Inry Aprilia Laela Tusaadah M. Zia Al-Haromain Muhammad Haidar Gibran Muhammad Ihwan Safrudin Muhammad Naufal Mutia Zahara Mutiara Salsabila Nuzula Ochy Caramoy Salma Deria Putri Tsulis khoerunnisa Amanah Zaskia Bhayangkari