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All Journal Sujud: Jurnal Agama, Sosial dan Budaya
Salma Fitriyani
Universitas Islam Negeri Sunan Gunung Djati Bandung
Religion Humanities Decision Sciences, Operations Research & Management Law, Crime, Criminology & Criminal Justice Social Sciences

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Tazkiyatun Nafs Karakter Tokoh dalam Cerita "Minadz Dzulumati Ila Nur" Karya Saddam Fathan Rasyidin Arvi Farand Arkani; Najwa Jauharulmanik; Salma Fitriyani; Wiwin Handayani; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/geda4h44

Abstract

This research aims to analyze the concept of tazkiyatun nafs and the process of character transformation in the short story "Minadz Dzulumati Ila Nur" by Saddam Fathan Rasyidin. This research employs descriptive qualitative approach with an interpretative method and integrating the perspective of akhlak tasawoof by Imam al-Ghazali and literary psychology by Rene Wellek and Austin Warren. The data were collected through documentation and analyzed using content analysis. The findings reveal that the main character undergoes a gradual transformation through three phases, the empty phase, the dark phase, and the enlightened phase. This transformation aligns with the stages of tazkiyatun nafs in al-Ghazali’s framework, such as taubah, patience, tawakkal, and ikhlas. In literary psychology perspective, the character development is influenced by both internal conflict and external factors, such as the social environment. This research concludes that tazkiyatun nafs is a dynamic and continuous process that involves both spiritual and psychological dimensions in shaping an individual’s character.      
Representasi Penerapan Hukum Islam Dalam Kehidupan Perempuan Iran: Analisis Komik Persepolis Salma Fitriyani; Fauzaan Taufiqurrahman; Sarah Novian; Yusthalya Nurfitri; Tenny Sudjatnika
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 1 (2026): JANUARI
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/88ezzh81

Abstract

This study discusses the representation of Islamic law in the lives of Iranian women through an analysis of Marjane Satrapi's autobiographical comic Persepolis. The background of this study stems from the socio-political changes following the 1979 Islamic Revolution in Iran, which made Islamic law the basis of state policy through the Wilāyat al-Faqīh system. This policy had a significant impact on the regulation of women's bodies, public spaces, and identities, particularly through dress codes, moral control, and social restrictions. This study uses a descriptive qualitative approach with literature study and visual text analysis methods. Persepolis is analyzed as a cultural text using gender theory, Stuart Hall's theory of representation, and contemporary fiqh and maqāṣid al-syarī‘ah perspectives. The results show that Persepolis represents the application of Islamic law in Iran more as an instrument of patriarchal political power than as a contextual and welfare-oriented practice of sharia. This comic depicts how women's bodies and lives become objects of state surveillance through the enforcement of the hijab, the segregation of social spaces, and the criminalization of behavior deemed deviant from the state's official morality. These findings reveal a gap between the normative principles of Islamic law, which emphasize justice and human dignity, and the state's repressive legal practices against women. Thus, Persepolis serves as a cultural critique of the rigid application of Islamic law and its insensitivity to gender experiences.
Co-Authors Arvi Farand Arkani Dadan Firdaus Fauzaan Taufiqurrahman Najwa Jauharulmanik Sarah Novian Tenny Sudjatnika Wiwin Handayani Yusthalya Nurfitri