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All Journal Journal of Innovative and Creativity ARIMA : Jurnal Sosial Dan Humaniora Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Ilmu Sosial dan Humaniora Sujud: Jurnal Agama, Sosial dan Budaya Jurnal Ilmiah Literasi Indonesia
Dadan Firdaus
Universitas Islam Negeri Sunan Gunung Djati Bandung
Religion Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Hipdut (Hip Hop Dangdut): Percampuran Budaya Ala Generasi Z di Ruang Digital Cahyarani Triayu Hanifah; Dadan Firdaus
Journal of Innovative and Creativity Vol. 6 No. 1 (2026)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v6i1.6630

Abstract

Hipdut (Hip Hop Dangdut) merupakan fenomena budaya populer kontemporer yang menunjukkan proses percampuran antara musik dangdut sebagai budaya lokal dengan hip hop sebagai representasi budaya global. Penelitian ini bertujuan untuk menganalisis perkembangan Hipdut sebagai bentuk hibridisasi budaya yang tumbuh dan diterima oleh Generasi Z melalui ruang digital. Metode penelitian yang digunakan adalah penelitian kualitatif dengan pendekatan desk research dan analisis konten, menggunakan data sekunder berupa karya musik, video klip, serta dokumentasi digital dari platform media sosial seperti YouTube dan TikTok. Hasil penelitian menunjukkan bahwa Hipdut tidak hanya merepresentasikan inovasi musikal, tetapi juga menjadi medium negosiasi identitas budaya, perubahan stigma terhadap dangdut, serta manifestasi budaya partisipatif khas Generasi Z. Hipdut berfungsi sebagai bentuk adaptasi budaya lokal agar tetap relevan dalam arus globalisasi dan digitalisasi.
Konsep Tauhid Sosial menurut Amin Rais: Sebuah Tinjauan Teologis Abdul Latief; Radja Fatni Al Fazri; Yanwar Faturrahman; Dadan Firdaus
ARIMA : Jurnal Sosial Dan Humaniora Vol. 3 No. 1 (2025): Agustus
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/arima.v3i1.5357

Abstract

Artikel ini membahas konsep tauhid sosial sebagaimana dikembangkan oleh Amin Rais dalam bukunya Tauhid Sosial: Formula Menggempur Kesenjangan. Kajian ini bertujuan untuk menganalisis secara teologis pemikiran tersebut dalam kerangka ilmu kalam kontemporer. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi pustaka. Data diperoleh dari teks utama buku Amin Rais serta didukung oleh literatur teologis dari tokoh-tokoh seperti Harun Nasution dan Nurcholish Madjid. Hasil kajian menunjukkan bahwa konsep tauhid sosial menekankan keterkaitan antara keimanan kepada Tuhan dan tanggung jawab sosial umat. Tauhid diposisikan sebagai dasar etika publik yang mendorong partisipasi aktif dalam menegakkan keadilan dan menolak ketimpangan sosial. Dalam perspektif ilmu kalam, gagasan ini merupakan pengembangan rasional terhadap doktrin tauhid, yang tidak hanya membahas aspek metafisik, tetapi juga mengakar dalam realitas sosial. Artikel ini menyimpulkan bahwa tauhid sosial memiliki relevansi kuat dalam konteks Indonesia kontemporer, baik sebagai paradigma teologis maupun sebagai panduan aksi sosial umat Islam.  
Kritik Harun Nasution Terhadap Teologi Tradisional Najwa Zayra Nabila; Nasywa Kamila; Regita Permata Utami; Windy Novia Ramaadhanti; Dadan Firdaus
ARIMA : Jurnal Sosial Dan Humaniora Vol. 3 No. 1 (2025): Agustus
Publisher : Publikasi Inspirasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62017/arima.v3i1.5449

Abstract

Dominasi pemikiran teologi tradisional di Indonesia masih sangat kuat dalam pendidikan dan kehidupan keagamaan, namun pendekatan ini dinilai kurang mampu menjawab tantangan zaman modern yang menuntut rasionalitas, keterbukaan, dan konteks sosial yang dinamis. Penelitian ini bertujuan untuk mengkaji secara kritis pandangan Harun Nasution terhadap teologi tradisional serta menggambarkan gagasan alternatif berupa teologi rasional. Penelitian menggunakan pendekatan kualitatif deskriptif dengan metode studi kepustakaan, menelusuri karya-karya Harun Nasution dan tokoh-tokoh teologi Islam lainnya. Hasil penelitian menunjukkan bahwa Harun Nasution mengkritik kecenderungan teologi tradisional yang terlalu pasrah pada takdir, menolak penggunaan akal, dan tertutup terhadap pembaruan. Ia menawarkan model teologi yang rasional, menekankan pentingnya akal sebagai alat memahami wahyu, serta menghidupkan kembali semangat ijtihad sebagai respons terhadap realitas sosial kontemporer. Kesimpulan dari penelitian ini menegaskan bahwa pemikiran Harun Nasution masih sangat relevan untuk membentuk pola pikir keagamaan yang lebih terbuka, kritis, dan adaptif. Implikasinya, pendekatan rasional dalam teologi dapat menjadi landasan penting dalam reformasi pemikiran Islam di Indonesia.
Representasi Keserakahan Manusia dalam Film “The Lorax” Perspektif Eco-Theology Mohamad Fikri Maulana; Muhammad Galuh Dzikrillah; Naira Rizkia Putri; Qirsa Arifa Fitriyani; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/qtdq1431

Abstract

This study was conducted in response to the growing environmental problems largely caused by excessive human exploitation of nature. The Lorax (2012) was selected as the object of analysis because it presents a clear depiction of how environmental destruction affects the sustainability of life. The purpose of this study is to explore the representation of environmental degradation in the film through the perspective of Islamic eco-theology. This research employs a qualitative method using a library research approach. Data were collected through observations of the film and supported by books, journal articles, and previous studies related to environmental issues and eco-theology. The collected data were analyzed using textual analysis and a phenomenological hermeneutic approach. The findings reveal that The Lorax portrays several forms of environmental degradation, including deforestation, habitat loss, air and water pollution, and ecological imbalance. The character of Once-ler represents human greed that prioritizes economic interests over environmental sustainability. From the perspective of Islamic eco-theology, such behavior contradicts the role of humans as khalifah (stewards of the Earth), who are entrusted with the responsibility of protecting and preserving nature. The film also suggests that environmental crises are not merely ecological issues but are closely connected to moral and spiritual awareness. Through the character of the Lorax and Ted’s effort to replant the last Truffula seed, the film conveys a message of hope that environmental restoration is possible when people are willing to care for and reconnect with nature.    
Tazkiyatun Nafs Karakter Tokoh dalam Cerita "Minadz Dzulumati Ila Nur" Karya Saddam Fathan Rasyidin Arvi Farand Arkani; Najwa Jauharulmanik; Salma Fitriyani; Wiwin Handayani; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/geda4h44

Abstract

This research aims to analyze the concept of tazkiyatun nafs and the process of character transformation in the short story "Minadz Dzulumati Ila Nur" by Saddam Fathan Rasyidin. This research employs descriptive qualitative approach with an interpretative method and integrating the perspective of akhlak tasawoof by Imam al-Ghazali and literary psychology by Rene Wellek and Austin Warren. The data were collected through documentation and analyzed using content analysis. The findings reveal that the main character undergoes a gradual transformation through three phases, the empty phase, the dark phase, and the enlightened phase. This transformation aligns with the stages of tazkiyatun nafs in al-Ghazali’s framework, such as taubah, patience, tawakkal, and ikhlas. In literary psychology perspective, the character development is influenced by both internal conflict and external factors, such as the social environment. This research concludes that tazkiyatun nafs is a dynamic and continuous process that involves both spiritual and psychological dimensions in shaping an individual’s character.      
Representasi Pergaulan Bebas dalam Film “Dua Garis Biru (2019)” dalam Perspektif Al-Qur’an Afifah Syazwani Solihin; Muhammad Atthar Pramudita Rahmat; Sayyidah Nur Latifah; Siti Rohimah; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/25tw5482

Abstract

The phenomenon of promiscuity, which is now rampant, has many serious impacts on the lives of teenagers. This behavior is often normalized and portrayed in the media; one example of a media outlet that addresses this issue is the film Dua Garis Biru. This study aims to examine the representation of promiscuity and out-of-wedlock pregnancy in the film *Dua Garis Biru* through the perspective of the Qur’an, specifically in Surah Al-Isra’: 32, An-Nur: 30–31, Al-Mu’minun: 5–7, and An-Nisa’: 25. Using a thematic exegesis (tafsir maudhu'i) approach and anomie theory, this study analyzes how the film depicts the gradual process of moral deviation among adolescents, ranging from emotional intimacy to ultimately resulting in pregnancy outside of marriage. The method employed is descriptive qualitative research utilizing observation, documentation, and literature review techniques. The sample consists of selected scenes chosen through purposive sampling. The results indicate that the film’s depictions reflect forms of behavior approaching adultery, as prohibited in QS. Al-Isra’: 32. The interpretations of Ibn Kathir and Al-Qurtubi affirm that this prohibition is preventive in nature, meaning it closes all paths leading to moral transgression. The theory of anomie explains that the weakening of social control and norms in the lives of modern adolescents is a driving factor behind deviant behavior. This study demonstrates that Qur’anic values remain relevant in addressing contemporary social phenomena and highlights the importance of strengthening religion-based moral education.
Makna Eksistensial dalam Lirik Lagu 33x Karya Perunggu Awaliyah Silvia Rahma; Muhammad Sendi Hendrawan; Syifa Salwa Hanifa; Zamzam Ismanudin; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jn11h998

Abstract

Penelitian ini bertujuan untuk mengungkap makna eksistensial yang terkandung dalam lirik lagu “33x” karya Perunggu melalui pendekatan semiotika Roland Barthes serta mengkaitkannya dengan perspektif Akhlak Tasawuf. Lagu “33x” dipilih karena merepresentasikan pengalaman kegelisahan, keterasingan, dan pencarian makna hidup yang relevan dengan kondisi masyarakat modern, khususnya generasi muda. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan semiotika Roland Barthes yang menitikberatkan pada analisis denotasi dan konotasi terhadap tanda-tanda linguistik dalam lirik lagu. Data penelitian berupa penggalan lirik yang mengandung representasi kegelisahan eksistensial, kemudian dianalisis dan diinterpretasikan menggunakan konsep eksistensialisme Søren Kierkegaard serta konsep Akhlak Tasawuf yang meliputi nafs, muhasabah, dan tazkiyatun nafs. Hasil penelitian menunjukkan bahwa lirik “33x” merepresentasikan kondisi manusia modern yang mengalami krisis makna, alienasi, dan kegelisahan eksistensial akibat tekanan kehidupan kontemporer. Melalui sistem pemaknaan denotatif dan konotatif, lagu ini tidak hanya menggambarkan kesadaran akan keterbatasan manusia, tetapi juga menawarkan jalan refleksi melalui praktik muhasabah dan dzikrullah. Dalam perspektif Akhlak Tasawuf, subjek lirik berada pada tahap nafs lawwāmah yang ditandai oleh kesadaran diri dan kegelisahan spiritual, kemudian diarahkan menuju nafs muṭma’innah melalui proses tazkiyatun nafs. Dengan demikian, lagu “33x” tidak hanya berfungsi sebagai karya budaya populer, tetapi juga sebagai medium refleksi spiritual yang menghubungkan pengalaman eksistensial manusia dengan nilai-nilai tasawuf Islam.  
Krisis Identitas Perempuan dalam Bab “The Problem That Has No Name” pada Buku The Feminine Mystique Karya Betty Friedan dalam Perspektif Al-Qur'an Arya Pandji Pratama; Rakha Muhammad Hafizh; Adya Abiyyu Dharma; Nabila Sadida; Dadan Firdaus
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 2 (2026): APRIL-JUNI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/67n3dv06

Abstract

This study aims to analyze women's identity crisis in the chapter The Problem That Has No Name by Betty Friedan using Erik Erikson's theory and a Qur'anic perspective. This qualitative study employed library research and content analysis methods. The findings reveal that women experience loss of self-identity, self-doubt, and difficulties in finding meaning in life. The crisis is influenced by social factors, limited opportunities for self-development, and pressures of feminine ideals. From a Qur'anic perspective, QS. An-Nahl [16]: 97 and QS. An-Nisa' [4]: 32 emphasize the importance of self-development and recognition of individual efforts.
Pergaulan Bebas dalam Film Dua Garis Biru: Analisis Nilai-Nilai Tauhid dalam Perspektif Al-Qur'an Siti Nuranisa Fitriani; Lestari Amalia Jannah; Maulidina April Yanti Akbar; Muhammad Fahmi Arizki; Dadan Firdaus
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/a40q6t71

Abstract

This study aims to describe the portrayal of free association in the film Dua Garis Biru (2019) and to analyze it through the lens of tawhid values in the Qur'an. Using a descriptive qualitative approach with content analysis and thematic tafsir (maudhu'i) methods, data were collected through observation of film scenes and dialogues, then linked to relevant Qur'anic verses and the interpretations of Tafsir Ibn Kathir and Tafsir Al-Mishbah. Findings indicate that the free association depicted in the film, from unbounded physical closeness to premarital pregnancy and family conflict, reflects a neglect of ghadhul bashar (guarding the gaze) and muraqabatullah (awareness of divine supervision) as affirmed in QS. Al-Isra (17): 32 and QS. An-Nur (24): 30-31. This research contributes to contemporary Qur'anic scholarship on popular cultural media and supports moral-religious literacy among Muslim youth.
Ujian Keimanan dalam Novel Ayat-Ayat Cinta: Analisis Teologis melalui Naratologi Todorov dan Semiotika Barthes Muhamad Irfan Kurniawan; Zulfa Lutfiyatul Uyun; Mila Aulina Putri; Muhamad Raffael Al Zazilu; Dadan Firdaus
Jurnal Ilmiah Literasi Indonesia Vol. 2 No. 2 (2026): JULI-DESEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/atg22r63

Abstract

This study analyzes the representation of faith (iman) and the concept of monotheism (tawhid) as an existential and liberating guide to facing life's trials in Habiburrahman El Shirazy's novel, Ayat-Ayat Cinta (AAC). This research integrates Islamic theological perspectives (Ilmu Kalam) with contemporary literary criticism: Tzvetan Todorov’s Narratology and Roland Barthes’ Semiotics. The study employs a qualitative descriptive method focusing on textual analysis through Van Dijk's critical discourse framework. Epistemologically, contemporary theological thought demands a paradigm shift from a purely theoretical-doctrinal domain to a practical praxis of human liberation. The results reveal that through Todorov’s narrative structure (equilibrium, disruption, and resolution), the trials of faith experienced by the main character, Fahri, demonstrate a spiritual transformation from static belief to an active theological resilience against systemic injustice. Furthermore, semiotic analysis via Barthes’ three levels of meaning (denotation, connotation, and myth) uncovers that the signs and symbols of suffering reinforce the Islamic ideology of tawhid not merely as an abstract concept of God’s nature, but as an operational framework for enduring social slander and human rights violation. Ultimately, this interdisciplinary integration proves that literary fiction can act as a dynamic medium for contextualizing liberation theology and fostering inclusive, moderate contemporary Islamic thought.
Co-Authors Abdul Latief Adya Abiyyu Dharma Afifah Syazwani Solihin Arvi Farand Arkani Arya Pandji Pratama Awaliyah Silvia Rahma Cahyarani Triayu Hanifah Lestari Amalia Jannah Maulidina April Yanti Akbar Mila Aulina Putri Mohamad Fikri Maulana Muhamad Irfan Kurniawan Muhamad Raffael Al Zazilu Muhammad Atthar Pramudita Rahmat Muhammad Fahmi Arizki Muhammad Galuh Dzikrillah Muhammad Sendi Hendrawan Nabila Sadida Naira Rizkia Putri Najwa Jauharulmanik Najwa Zayra Nabila Nasywa Kamila Qirsa Arifa Fitriyani Radja Fatni Al Fazri Rakha Muhammad Hafizh Regita Permata Utami Salma Fitriyani Sayyidah Nur Latifah Siti Nuranisa Fitriani Siti Rohimah Syifa Salwa Hanifa Windy Novia Ramaadhanti Wiwin Handayani Yanwar Faturrahman Zamzam Ismanudin Zulfa Lutfiyatul Uyun