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Hasnur Ruslan
Tadulako University, Indonesia
Education Social Sciences Other

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Analysis of Language Style in Movies When Tomorrow Mother Is Absent Nurfainnah; Pratama Bayu Santosa; Nirmayanti Nirmayanti; Ulinsa Ulinsa; Hasnur Ruslan
Global Education Journal Vol. 4 No. 2 (2026): Global Education Journal (GEJ)
Publisher : Civiliza Publishing, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59525/gej.1696

Abstract

Language is a very important means of communication. Through language we are able to convey our thoughts, feelings, and actions. This study aims to describe the types of language styles used in the dialogue of the film Bila Esok Ibu Tiada. This study uses a qualitative descriptive method. The source of data in this study is the dialogues in the film Bila Esok Ibu Tiada. The data collection technique is carried out through the observation technique and the recording technique, while the data analysis technique uses the Miles and Huberman model which includes data reduction, data presentation, and conclusion drawn. The results of the study showed that there were 24 language style data in the dialogue of the film Bila Esok Ibu Tiada. These language styles include the language styles of comparison, opposition, affirmation, and sarcasm. The comparative language style consists of 3 metaphorical data and 2 simile data. The style of conflict language consists of 4 hyperbolic data. The affirmation language style consists of 5 repetition data, 2 parallelism data, 1 climax data, and 3 rhetorical data. The satirical language style consists of 1 irony data and 3 cynicism data. The use of language style in the film serves to embellish dialogues, strengthen the characters' characters, portray emotions and conflicts between characters, and convey moral messages to the audience. Based on the results of the research, it can be concluded that the use of language style in the film Bila Esok Ibu Wala is able to create an aesthetic and emotional effect so that the dialogue becomes more lively and meaningful. This research is expected to be a reference in learning the Indonesian language, especially in the study of language styles in literary works and films.
The Symbolic Meaning of Bugis Traditional Wedding Clothes in Soni Village: A Semiotic Study of Charles Sanders Peirce's Theory Riska Hermawati; Juniati Juniati; Andi Bismawati; Yunidar Yunidar; Hasnur Ruslan
Global Education Journal Vol. 4 No. 2 (2026): Global Education Journal (GEJ)
Publisher : Civiliza Publishing, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59525/gej.1741

Abstract

In various traditions in Indonesia, traditional clothing has an important position because it is used in sacred ceremonies, including wedding ceremonies. This research aims to describe the shape and meaning of symbols contained in Bugis traditional wedding clothes. The research uses a qualitative method with a descriptive approach. Data was obtained through observation, interviews, and documentation with informants consisting of traditional elders and the Bugis community who understood the meaning of traditional bridal attire. Data is analyzed through the stages of data reduction, data presentation, and conclusion drawn. The results of the study show that the symbols on Bugis traditional wedding clothes are divided into verbal symbols and nonverbal symbols. Verbal symbols are obtained from the informant's explanation of the meaning of colors, jewelry, and traditional clothing related to purity, fertility, glory, social status, loyalty, responsibility, and siri' values in the life of the Bugis people. Nonverbal symbols appear in elements of clothing and accessories, such as wedding dresses, lipa' sabbe, potto, ponto, necklaces, giwang, crowns, keris, and songko, each of which contains philosophical meanings about honor, courage, welfare, fertility, happiness, and the hope of a harmonious domestic life. The findings of the study show that Bugis traditional wedding clothes not only function as wedding clothes, but also as a representation of cultural values, social identity, and ancestral heritage that are full of symbolic meaning.
Co-Authors Andi Bismawati Juniati Juniati Nirmayanti Nirmayanti Nurfainnah Pratama Bayu Santosa Riska Hermawati Ulinsa Ulinsa Yunidar Yunidar