Susi Susanti
Universitas Negeri Makassar

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PRODUKSI DAN REPRODUKSI MEMORI: PENGALAMAN MASYARAKAT TERKAIT PERISTIWA KAHAR MUZAKKAR DI GOWA DAN MAKASSAR Asmawati Asmawati; Raodah Tul Syahwani; Nurul Ima Ningsih; Nur Hikma; Ardianti Dwi Andini; Asnira Sainuddin; Susi Susanti
CENDEKIA: Jurnal Ilmu Pengetahuan Vol. 6 No. 3 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/cendekia.v6i3.11640

Abstract

This study examines the community's collective memory of the Kahar Muzakkar incident in the Gowa and Makassar regions as part of a social experience that continues to be passed down from generation to generation. The study aims to understand the process of memory formation through direct experience, reproduction through oral storytelling, and its transformation in contemporary society. The study employed a descriptive qualitative approach using oral history and life history methods. Data were obtained through in-depth interviews with seven informants, consisting of individuals who directly experienced the conflict situation and those who gained knowledge through family and social stories. The results indicate that community memory is formed from emotional experiences such as fear, anxiety, and insecurity during the conflict. This memory is then passed down through oral narratives that are continually adjusted and reinterpreted according to changing generations and the social context. Furthermore, community views of Kahar Muzakkar have also changed and are no longer understood in a single sense. This research demonstrates that collective memory is dynamic and continuously reconstructed in community life. ABSTRAK Penelitian ini membahas memori kolektif masyarakat mengenai peristiwa Kahar Muzakkar di wilayah Gowa dan Makassar sebagai bagian dari pengalaman sosial yang terus diwariskan antar generasi. Penelitian bertujuan memahami proses terbentuknya memori melalui pengalaman langsung, reproduksi melalui cerita lisan, serta transformasinya dalam masyarakat masa kini. Penelitian menggunakan pendekatan kualitatif deskriptif dengan metode sejarah lisan (oral history) dan life history. Data diperoleh melalui wawancara mendalam terhadap tujuh informan yang terdiri atas individu yang mengalami langsung situasi konflik maupun yang memperoleh pengetahuan melalui cerita keluarga dan lingkungan sosial. Hasil penelitian menunjukkan bahwa memori masyarakat terbentuk dari pengalaman emosional seperti rasa takut, cemas, dan ketidakamanan selama masa konflik. Memori tersebut kemudian diwariskan melalui narasi lisan yang terus mengalami penyesuaian dan penafsiran ulang sesuai perkembangan generasi dan konteks sosial. Selain itu, pandangan masyarakat terhadap sosok Kahar Muzakkar juga mengalami perubahan dan tidak lagi dipahami secara tunggal. Penelitian ini menunjukkan bahwa memori kolektif bersifat dinamis dan terus direkonstruksi dalam kehidupan masyarakat.    
PLURALITAS MAKNA BUDAYA DALAM KAJIAN ANTROPOLOGI POSTMODERNISME Susi Susanti; Mardiyanti; A.Tenri Rama Devi; Kay Ilonka
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Publish
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article examines the plurality of cultural meaning within the perspective of postmodern anthropology, exploring how postmodern thought has fundamentally transformed the understanding of culture as a non-singular, unstable system of meaning that is always in the process of negotiation. Through a critical literature review approach, this article traces the theoretical contributions of key thinkers such as Clifford Geertz, James Clifford, George Marcus, Michael Fischer, and Homi K. Bhabha in understanding culture as an arena of contested meanings. The findings demonstrate that postmodern approaches in anthropology not only critique the universalism and objectivism of classical ethnography, but also open new epistemological spaces for understanding hybrid, subaltern, and polyphonic identities in contemporary cultural realities. The article concludes that the plurality of cultural meaning is an inherent condition of human existence that must be acknowledged rather than homogenized.