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All Journal Gorga : Jurnal Seni Rupa Corak : Jurnal Seni Kriya Harmoni: Jurnal Pendidikan dan Penelitian Seni Budaya Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Desain DESKOVI : Art and Design Journal Besaung : Jurnal Seni Desain dan Budaya BAJU: Journal of Fashion and Textile Design Unesa
Septianti, Septianti
Program Studi Desain Mode Kriya Batik, Fakultas Seni Rupa Dan Desain, ISI Yogyakarta, Indonesia
Arts Humanities Education Social Sciences Other

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Bungong Jeumpa Sebagai Inspirasi Motif Batik pada Busana Muslim septianti; Anna Galuh Indreswari; Annisa Hidayatul Fitria
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7069

Abstract

The Bungong Jeumpa flower also called the Cempaka flower, is a typical Acehnese flower with a beautiful visual and fragrant smell. This flower has various benefits. The wood part can be used as an herbal medicine ingredient, while the flowers can be used as a fragrance ingredient in perfume and as a raw material for essential oils. Its many benefits have caused the population of this flower to decline. Creating Muslim clothing inspired by the Bungong Jeumpa flower can raise community awareness to maintain this flower's sustainability. The creation process uses a qualitative research method with descriptive analysis; by using this method, we can divert the visualization of the Bungong Jeumpa flower and understand the elements of Acehnese culture that will be combined to make the Cempaka flower motif. In addition, the creation method uses several stages, namely pre-design, design, manifestation, and presentation. Through this stage, we will create a Bungong Jeumpa flower batik motif that will be distilled with a touch of Acehnese culture with the addition of typical Acehnese ornaments after the batik-making process is continued with the realization process, namely the sewing process and also the presentation process as a form of evaluation that is useful for knowing things that need to be fixed and improved in the process of making Bungong Jeumpa batik motifs which will later be realized into Muslim clothing. The expected impact of this creation is to reintroduce Bungong Jeumpa as a distinctive cultural identity of Aceh to the wider community, especially to today’s younger generation
FENOMENA IDE GERAK PADA PENCIPTAAN SENI KRIYA KAYU SEPTIANTI SEPTIANTI
Harmoni: Jurnal Pemikiran Pendidikan, Penelitian Ilmu-ilmu Seni, Budaya dan Pengajarannya Vol 8 No 1 (2018): HARMONI
Publisher : Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/jh.v8i1.11770

Abstract

Dalam seni kriya kayu, terdapat pekerjaan dengan tingkat dasar atau tingkat permulaan. Kayu sangat banyak dimanfaatkan dalam pembuatan berbagai benda kerajinan seperti patung, wayang golek, topeng, furnitur, dan hiasan ukir-ukiran.  Para seniman kayu mulai mengembangkan ide gerak dalam penciptaan karyanya. Ide gerak pada karya kayu ini merupakan benda yang bergerak menggunakan mesin maupun manual dengan penggunaan bahan berupa kayu sebagai media dalam proses penciptaanya. Dalam pengamatan ini dilakukan dengan teknik interpretasi sebagai cara untuk memperoleh informasi mengenai ide gerak selain hal tersebut dalam perkembangan seni kriya baik dulu maupun sekarang yang mengalami perubahan terhadap perkembangannya.
Co-Authors Anna Galuh Indreswari Annisa Hidayatul Fitria Cholis, Muhammad Nur Damayanti, Fira Dwi Ernawati Ernawati Nurviana, Fenty Priyanto, Danang Qoriah, Eka Nur Renny Nirwana Sari