Martis Martis
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PELATIHAN RANDAI DAN TARI TRADISI DI JORONG SUNGAI JAMBU, KEC. PARIANGAN, KAB. TANAH DATAR Nurmalena Nurmalena; Arnailis Arnailis; Dony Osmond; Yunaidi Yunaidi; Martis Martis
Batoboh Vol 11, No 1 (2026): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v11i1.31117

Abstract

Kegiatan pengabdian kepada masyarakat ini bertujuan untuk meningkatkan kemampuan generasi muda Jorong Sungai Jambu dalam bidang seni pertunjukan, khususnya Randai dan tari tradisi Minangkabau. Pelatihan dilatarbelakangi oleh menurunnya minat serta keterampilan generasi muda terhadap seni tradisi, yang berdampak pada berkurangnya pewarisan nilai budaya lokal. Metode pelaksanaan meliputi observasi awal, identifikasi kebutuhan, pelatihan teknik gerak dan vokal, pendampingan kelompok, serta evaluasi hasil pelatihan. Kegiatan dilaksanakan selama satu bulan dengan peserta berjumlah 25 orang. Hasil pengabdian menunjukkan adanya peningkatan signifikan terhadap pemahaman peserta mengenai struktur pertunjukan Randai, teknik galombang, langkah silek, serta dasar-dasar koreografi tari tradisi. Peserta juga mampu menampilkan satu repertoar Randai dan satu tari tradisi pada akhir program. Kegiatan ini memberikan kontribusi penting dalam pelestarian seni tradisi dan membangun kembali antusiasme generasi muda terhadap identitas budaya mereka. 
Legaran Demokrasi: Kolaborasi Nyanyian Mentawai dan Legaran Randai Minangkabau dalam Perspektif Seni Pertunjukan M. Arif Anas; Martis Martis
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6014

Abstract

The composition “Legaran Demokrasi” is an artistic representation of the cultural dynamics of Minangkabau and Mentawai within the framework of interpreting the contemporary democratic system. Through a collaborative approach, this work explores the fusion of traditional Mentawai songs and the legaran randai of Minangkabau, arranged in a multi-part dramatic structure and accompanied by the use of non-conventional instruments such as sewing machines, vacuum cleaners, and sarongs. This work not only emphasizes innovation in the musical aspect but also affirms that art forms can serve as reflective media for social issues such as the marginalization of local cultures, the transformation of collective values, and the shifting of identities in the current of globalization. The creative process was carried out through stages of exploration, improvisation, and formation, culminating in a theatrical presentation with an interactive format and collective narrative. The symbolism of movement, sound, and bodily formations is interpreted as a visualization of the spirit of musyawarah (deliberation) and mufakat (consensus) that underlies democracy in the Minangkabau context. The results demonstrate that cross-cultural and cross-media approaches can open new spaces in the creation of contemporary performing arts while remaining rooted in tradition. This finding reinforces the idea that cultural preservation does not necessarily require the perpetuation of old forms but can be achieved through innovations that are sensitive to local values and open to the interpretations of the times.