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Phonemic Hermeneutics of Eschatological Intonation in Sūrat Al-Qiyāmah Recitation Ahid Ilham Zulfiqar; Diyan Rifky Ramdhani; Lina Marlina
International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 6 No 1 (2026): IJHESS AUGUST 2026
Publisher : CV. AFDIFAL MAJU BERKAH

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55227/ijhess.v6i1.2418

Abstract

This study aims to analyze the eschatological pitch movements in Misyārī Rāsyid al-‘Afāsī’s recitation of Sūrat Al-Qiyāmah and to interpret their semantic-pragmatic meanings through al-‘Ani’s pitch-level framework. Using a descriptive qualitative phonemic approach, this study examines twenty-nine eschatological verses selected from Sūrat Al-Qiyāmah based on classical exegetical boundaries. The primary data were obtained from al-‘Afāsī’s murattal audio recitation, while the semantic baseline was established through six authoritative tafsir works. Data were collected through repeated listening, note-taking, pitch-pattern classification, and digital pitch-contour visualization. The analysis applied Nasution’s five-category pitch typology and al-‘Ani’s four-level pitch notation. The findings show that falling pitch dominates the corpus, appearing in 41.4% of the verses, followed by falling-rising pitch at 31.0%, rising-falling pitch at 17.2%, rising pitch at 6.9%, and flat pitch at 3.4%. The application of al-‘Ani’s framework indicates that 37.9% of the data show semantic-pragmatic congruence, 13.8% show incongruence, and 48.3% remain undetermined due to the complexity of Qur’anic illocutionary functions. The most significant finding appears in Q. 75:40, where an interrogative construction is recited with falling pitch to encode absolute theological affirmation. This study proposes the concept of phonemic hermeneutics, namely the interpretive function of pitch in Qur’anic recitation. The findings contribute to Arabic prosody, Qur’anic phonology, and taḥsīn pedagogy by showing that intonation is not merely vocal ornamentation, but a semantic-pragmatic device that supports meaning-conscious recitation.
REKONSTRUKSI ONTOLOGI STILISTIKA UNTUK MENELUSURI AKAR HISTORI DAN BATASAN EPISTEMOLOGISNYA Muhammad Miftah Fathurrohman; Muhammad Hanif Athallah; Diyan Rifky Ramdhani; Rizzaldy Satria Wiwaha; Asep Supianudin
Bahtera Indonesia Jurnal Penelitian Bahasa dan Sastra Indonesia
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/bi.v11i2.1625

Abstract

Perkembangan kajian stilistika menunjukkan perluasan penerapannya dari analisis karya sastra menuju berbagai bentuk wacana, seperti media digital, pidato, iklan, dan teks keagamaan. Namun, dalam banyak definisi kontemporer, stilistika masih direduksi sebagai perangkat analisis gaya bahasa dalam karya sastra sehingga menimbulkan ketidakjelasan mengenai hakikat, objek kajian, dan batas keilmuannya. Penelitian ini bertujuan merekonstruksi ontologi stilistika dengan menelaah akar historis konsep gaya serta batas epistemologisnya dalam perspektif linguistik, sastra, dan balaghah Arab. Penelitian menggunakan pendekatan kualitatif dengan desain studi pustaka melalui teknik anotasi bibliografi terhadap berbagai sumber primer dan sekunder yang relevan. Hasil penelitian menunjukkan bahwa stilistika telah bertransformasi dari instrumen persuasi dalam retorika klasik menjadi disiplin yang mengkaji relasi antara bentuk linguistik, fungsi makna, dan konteks sosial. Temuan ini menegaskan bahwa objek stilistika tidak terbatas pada teks sastra, tetapi mencakup seluruh bentuk wacana. Secara epistemologis, stilistika merupakan disiplin intermediatif yang otonom dalam menjelaskan hubungan antara fakta linguistik, fungsi komunikasi, dan efek estetik.