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All Journal E-JURNAL LINGUISTIK Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Penelitian Agama Hindu International Journal of Multidisciplinary Sciences
Juliana, I Wayan
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TIKUS KRITIKUS DALAM GEGURITAN YADNYA RING KURUKSETRA KARYA DOKTER IDA BAGUS RAI Juliana, I Wayan; Cika, I Wayan; Mas Triadnyani, I.G.A.A
JOURNAL OF LANGUAGE AND TRANSLATION STUDIES Vol 3 No 1 (2017) (march 2017)
Publisher : S2 Ilmu Linguistik Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.082 KB)

Abstract

Geguritan Yadnya Ring Kuruksetra (GYRK) karya Dokter Ida Bagus Rai merupakan karya abad ke-20. Tulisan ini menerapkan teori naratif Tzvetan Todorov yang menekankan pragmatika khususnya isotopi. Gagasan sebuah cerita tersebar dalam teks dan muncul secara berulang-ulang. Pengulangan dimaksudkan untuk menekankan gagasan yang terdapat di dalam karya. Sebab makna karya sastra dapat diperkuat dengan menelisik redundansi kata yang kerap muncul dalam karya. Studi ini menggambarkan isotopi penyadaran dan isotopi perasaan. Penyadaran dalam GYRK diungkapkan melalui kritikan oleh tokoh tikus, sedangkan isotopi perasaan termanifestasikan dalam rasa sedih, senang, bahagia, dll. Dengan melihat tingkat kehadiran kata dalam isotopi makna GYRK adalah penyadaran perasaan dalam pelaksanaan upacara keagamaan.AbstractGeguritan Yadnya Ring Kuruksetra (GYRK) by Doctor Ida Bagus Rai is literary work of 20th century. This research applies the narrative theory of Tzetevan Todorov which focuses on pragmatic especially isotopy. The concept of story is propagated in the text and appears repeatedly. The repetition is tended to concern the concepts found in the text. The meaning of literary work can be certainned by analyzing redundancy of words which appears frequently in the text. Awareness in GYRK is expressed through critics that delivered by mouse. While isotopy of feelingis manifested by the feelings of sad, happy, comfortable, etc. Investigating the level of words appearing in the isotopy of GYRK meaning is awareness feeling in implementation of ritual ceremony.
Transformasi Kreativitas Kidung Jerum Dalam Novel Jerum Sebagai Sastra Kontemporer Juliana, I Wayan
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 8 No 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v8i1.3834

Abstract

Kidung Jerum as part of Balinese literature has developed widely with its function as a medium for ceremonies, especially bhuta yadnya. In the midst of its popularity, the story of Kidung Jerum is not widely known by the general public because in the process of singing it only a few verses are taken. As an effort to popularize the story of Kidung Jerum to a wider area, a media conversion was carried out. The process of converting Kidung Jerum into the Jerum novel is a creative process that can expand the scope of reading traditional literary works. In the form of a novel, the story of Ni Jerum and Kundangdia has a wider target audience both locally and nationally. This change in form is something interesting that is important to study in a study, whether the Jerum novel immediately imitates Kidung Jerum, is there a creative process in the form of character and story expansion, is the ideology in the kidung also inherited into the novel? Of course, all these questions will be answered in the discussion of this study. The purpose of this study is to reveal the extent to which the Jerum novel is dependent on adapting the story of Kidung Jerum. In this study, the theory used is intertextual theory. The method used to support this research is the comparative method. This method is done by carefully reading both works and comparing them to see how the transfer of ideology from kidung into the novel. The results of this study show the sustainability of the construction of the network structure that forms kidung Jerum in the novel Jerum, secondly, the transformation of the main motifs of kidung Jerum (hypogram) into the novel Jerum (apogram) in the form of the motif of the command to marry, the motif of the emergence and acceptance of love, the motif of post-death, the motif of revenge, the motif of life again.
Reclaiming Female Subjectivity: Intertextual Transformation from Balinese Kidung Jerum Kundangdia to Novel Jerum Juliana, I Wayan; Suarka, I Nyoman; Darma Putra, I Nyoman; Suardiana, I Wayan
International Journal of Multidisciplinary Sciences Vol. 3 No. 2 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i2.4395

Abstract

This study critically examines the intertextual transformation from the Balinese Kidung Jerum Kundangdia to Oka Rusmini's Novel Jerum (2019), focusing on how this dialogue articulates women's emotional resistance against patriarchal constraints. It addresses a gap in understanding how traditional Nusantara narratives can be dynamically reinterpreted to foreground female subjectivity and agency. Employing a qualitative approach grounded in Riffaterre's semiotics, the research identifies the kidung as the generative hypogram. It traces how Rusmini's novel utilizes the shared matrix of satya (loyalty) while foregrounding semara (passionate love) as a model for emotional expression and resistance. Data, derived from close textual analysis and archival documentation of both primary sources, were analyzed through thematic content analysis and feminist discourse analysis. The findings demonstrate that Jerum critically reorients reader empathy towards the protagonist Ni Jerum's suppressed inner life, repositioning her as an active agent challenging societal norms. Simultaneously, the novel revitalizes core motifs from the kidung tradition for contemporary gender discourse. This research significantly contributes to Nusantara literary and gender studies by illustrating the dynamic reciprocity between source text and adaptation. It affirms the power of intertextual strategies within local traditions to advocate for women's emotional legitimacy and resistance, enriching the treasury of text-based gender analysis in the region.
Dharmaning Brahmana dalam Geguritan Yadnya Ring Kuruksetra Juliana, I Wayan
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.4413

Abstract

This research is motivated by the lack of studies on the transfer of the Aswamedha Parwa text into Geguritan Yadnya Ring Kuruksetra (GYRK), especially from the perspective of brahmana ethics, amidst the rampant transformation of Balinese literature that often ignores the moral dimension. The purpose of the research is to analyze the representation of brahmana dharma and the concept of lascarya (sincerity) in GYRK, and to revitalize the philosophical values ​​of Balinese Hinduism through a hermeneutic approach. The method used is textual hermeneutic analysis from the perspective of Hindu literature and philosophy. Primary data are taken from the GYRK and Aswamedha Parwa texts, while secondary data include brahmana ethics literature such as Sarasamuscaya and Agastya Parwa. The results of the study show that Tri Kaya Parisudha (thoughts, speech, deeds) and lascarya are actualized through the actions of four brahmanas who face moral dilemmas, such as food sacrifices in conditions of famine. The transformation of yadnya from a horse sacrifice ritual to a social sacrifice reflects the adaptation of Balinese Hindu ethical values ​​to the challenges of modernization, such as individualism and poverty. Conflicts between characters in the text are resolved through spiritual integrity, such as sewaka dharma (sincere devotion) that goes beyond formal obedience. The conclusion of the study confirms that GYRK not only revitalizes traditional philosophical values, but also becomes a medium for intergenerational ethical dialogue, bridging local wisdom with modern demands through the holistic actualization of dharma. This study contributes to the study of religious literature with a hermeneutic analysis model that integrates text, context, and philosophy, while also offering an adaptive ethical paradigm in responding to global moral degradation.
Co-Authors I Gusti Ayu Agung Mas Triadnyani I Nyoman Darma Putra I Nyoman Suarka I Wayan Cika I Wayan Suardiana