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All Journal Gorga : Jurnal Seni Rupa JRTI (Jurnal Riset Tindakan Indonesia) TOFEDU: The Future of Education Journal Moderation: Journal of Islamic Studies Review
Saridin, Saridin
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Religion Arts Education Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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Tata kelola sumberdaya pertanian berbasis kelompok tani tanaman pangan di kabupaten Pasaman Barat Saridin, Saridin; Martius, Endry; Hasnah, Hasnah
JRTI (Jurnal Riset Tindakan Indonesia) Vol 7, No 3 (2022): JRTI (Jurnal Riset Tindakan Indonesia)
Publisher : IICET (Indonesian Institute for Counseling, Education and Therapy)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (545.163 KB) | DOI: 10.29210/30032057000

Abstract

Most of the rural population depend on agriculture for their livelihood. Indonesia is a country that has vast agricultural land. Based on data from the Central Statistics Agency in 2016, for rice fields in Indonesia reached 8.19 million hectares. Population census data shows the number of rural residents is 50.21% (BPS, 2010). West Pasaman Regency from Agricultural Statistics data for five years from 2020 to 2016 has an average planting area of 78,950 hectares of food crops. Great potential in agriculture, of course, this requires the support of agricultural resources for food crops at the farmer group level which are sufficient and easy to obtain to support food crop farming at the farmer group level in West Pasaman Regency. Agricultural resources in the form of internal resources and external resources. Internal resources are all resources that are controlled or owned by farmer groups, while external resources are agricultural resources for food crops originating from outside the farmer groups, namely government resources and private resources. How farmer groups can obtain, use, and how farmer groups can return or account for food crop agricultural resources at the farmer group level in West Pasaman Regency.
The Integration of Pancasila Values and the Values of Rahmatan lil-Alamin: A Perspective on the Merdeka Curriculum in Madrasah Ibtidaiyah Saridin, Saridin
The Future of Education Journal Vol 3 No 5 (2024)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v3i5.402

Abstract

Madrasah Ibtidaiyah (MI) is an Islamic-based basic education institution which aims to produce a superior generation intellectually, spiritually and morally. With approaches such as the Independent Curriculum and the integration of the Project for Strengthening Student Profiles of Pancasila and Rahmatan lil alamin (P5P2RA). The objectives of this research are: analyzing the harmony between the values ​​contained in the Pancasila Student Profile and the concept of Rahmatan lil alamin values ​​through P5P2RA. The method in this research is qualitative with a literature study approach. The results of this research are: the integration of Pancasila and rahmatan lil alamin values ​​through P5P2RA at Madrasah Ibtidaiyah is a strategic effort to shape the character of students who are religious, nationalist and contribute positively to society. With an interactive and contextual project-based learning (PBL) approach, students not only understand values ​​such as mutual cooperation, tolerance and social justice theoretically but also practice them in real life. Teachers play a central role as facilitators, guiding students in designing and implementing projects while acting as role models in implementing these values. Despite facing challenges such as limited resources and teacher understanding, the implementation of P5P2RA can be successful with the support of the Independent Curriculum policy, collaboration with the community, and utilization of local potential, making it a program that strengthens students' character while preparing them to make real contributions to society and the environment.
RESPON GENERASI MILENIAL MUSLIM TERHADAP TRADISI KUNGKUM PURNAMA DI BANJARPANEPEN, BANYUMAS, INDONESIA Saridin, Saridin
Moderation | Journal of Islamic Studies Review Vol. 1 No. 2 (2021)
Publisher : Asosiasi Dosen PTKIS Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63195/moderation.v1i2.22

Abstract

Islam entered the island of Java with the condition that the community already had a tradition. One tradition that still exists today is Kungkum Purnama in Kalicawang, Banjarpanepen Village, Sumpiuh, Banyumas District. The Kungkum Purnama tradition is carried out every year in the month of Sha'ban as a form of welcoming the month of Ramadan for Muslims. The implementation of the Kungkum Purnama tradition is followed by village communities who are not only Muslim, but also non-Muslim communities or beliefs. It is undeniable that the Muslim millennial generation is one of the inheritors of tradition. This study aims to describe the response of the Muslim millennial generation to the kungkum full moon tradition. In its implementation, the researcher uses qualitative research methods, the type of field research. Data collection was done by means of observation, interviews, and documentation. The analysis is done by collecting data, reducing data, presenting data, and drawing conclusions. The results showed that the Kungkum Purnama tradition is a form of acculturation of Islam with Banyumasan culture, which contains social and religious values, namely the symbols of Islam, to welcome Ramadan, friendship, and clean oneself. The response of the Muslim millennial generation shows their views on the kungkum full moon tradition. From a religious point of view, the practice of the full moon kungkum tradition on the other hand contains teachings that are contrary to Islamic teachings. From a cultural point of view, the full moon kungkum tradition is a local tradition and a tourist attraction that needs to be preserved. From a social point of view, the kungkum full moon tradition contains the values of cooperation, mutual cooperation, and togetherness.
MAKNA PROPERTI TARI TUPENG NATUNA KABUPATEN NATUNA Saridin, Saridin; Oktariani, Dwi; Aditya, Mega Cantik Putri
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.56508

Abstract

The Natuna Tupeng Dance is a traditional folk dance that grows and develops in Kelanga Village, North East Bunguran District, Natuna Regency, however there has been no writing about the meaning of the properties used by dancers. This research aims to determine the form, meaning and function that need to be revealed from the unique properties of the Natuna Tupeng Dance. The research method is descriptive qualitative with an ethnochoreology and semiotic approach to obtain data results regarding the meaning of property in the Tupeng Natuna dance. Data collection techniques include observation, interviews and documentation. The data validity testing technique used is extended observation and source triangulation. Based on the analysis of the data obtained, the results show that the properties of the Natuna Tupeng Dance contain meaning and messages to be conveyed to the audience. The properties of the Tupeng Natuna Dance include masks in the shape of human faces, men, women, animal faces such as beqok, plates and scarves. The mask in the shape of a human face depicts the young people of the Kelanga Village community in the Bedung forest, the mask in the shape of a beqok face depicts a monkey. The meaning of the three forms of masks is to depict the harmony of life between humans and animals, which can mean that living creatures need and interact with each other. The plate property symbolizes a form of gratitude to God, because he has provided sufficient sustenance to the people in the village. The shawl's properties symbolize the natural beauty that exists in the Bedung forest. The meanings of all the properties of the Natuna Tupeng Dance are interconnected with each other and are related to the daily lives of the people in Kelanga Village, North East Bunguran District, Natuna Regency.Keywords: Meaning, Properties, Tupeng Natuna DanceAbstrakTari Tupeng Natuna merupakan salah satu tari tradisional rakyat yang tumbuh dan berkembang di Desa Kelanga Kecamatan Bunguran Timur Laut Kabupaten Natuna, namun belum ada tulisan mengenai makna properti yang digunakan oleh penari. Penelitian ini bertujuan untuk mengetahui bentuk, makna, dan fungsi yang perlu diungkap dari keunikan properti Tari Tupeng Natuna. Metode penelitian berupa deskriptif kualitatif dengan pendekatan etnokoreologi dan semiotika guna mendapatkan hasil data mengenai makna properti dalam tari Tupeng Natuna. Teknik pengumpulan data berupa observasi, wawancara, dan dokumentasi. Teknik penguji keabsahan data yang digunakan adalah perpanjangan pengamatan dan triangulasi sumber. Berdasarkan analisis data diperoleh hasil bahwa properti Tari Tupeng Natuna terdapat makna dan pesan yang ingin disampaikan kepada penonton. Properti Tari Tupeng Natuna berupa topeng yang berbentuk wajah manusia laki-laki, perempuan, wajah binatang seperti beqok, piring, dan selendang. Topeng yang berbentuk wajah manusia menggambarkan muda mudi masyarakat Desa Kelanga yang berada di dalam hutan Bedung, topeng berbentuk wajah beqok yang menggambarkan seekor monyet. Makna dari ketiga bentuk topeng itu adalah menggambarkan keserasian hidup antara manusia dan binatang yang dapat bermakna bahwa makhluk hitup itu saling membutuhkan dan saling berinteraksi. Properti piring menyimbolkan bentuk rasa syukur kepada Tuhan, karena telah memberikan rezeki yang cukup kepada masyarakat di Desa tersebut. Properti selendang melambangkan keindahan alam yang berda di dalam hutan Bedung.  Makna dari keseluruh properti Tari Tupeng Natuna saling berhubungan satu sama lain dan mempunyai keterkaitan dengan kehidupan sehari-hari masyarakat di Desa Kelanga Kecamatan Bunguran Timur Laut Kabupaten Natuna.Kata Kunci: Makna, Properti, Tari Tupeng Natuna Authors:Saridin : Universitas TanjungpuraDwi Oktariani : Universitas TanjungpuraMega Cantik Putri Aditya : Universitas Tanjungpura ReferencesAnwar, A. (2020), œMakna Topeng Perempuan. Hasil Wawancara Pribadi:  5 Februari 2024, Universitas Tanjungpura.Ardiani, A., & Fitriani, N. (2023). Motif dan Makna Motif Tenun Ulos Batak Angkola di Kabupaten Tapanuli Selatan. Gorga: Jurnal Seni Rupa, 12(2).Budihardini, S. S., Tindarika, R., & Aditya, M. C. P. (2022). SEJARAH TARI TOPENG NATUNA DESA TANJUNG KECAMATAN BUNGURAN TIMUR LAUT KABUPATEN NATUNA. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 12(2), 665-673.Darmawan, D. (2024), œAsal Mula Bentuk Tari Tupeng Natuna. Hasil Wawancara Pribadi:  13 Februari 2024, Universitas Tanjungpura.Istiandini, W., Tindarika, R., & Sulissusiawan, A. (2022). Makna Simbol Properti Gong pada Tari Tradisional Ngeruai Kenemiak Dayak Kantu. Jurnal Seni Tari, 11(2), 179-187.Kistanto, N. H. (2015). Tentang konsep kebudayaan. Sabda: Jurnal Kajian Kebudayaan, 10(2).Liliweri, A. (2019). Pengantar studi kebudayaan. Nusamedia.Mariana, D., Dwi, O., & Ismunandar, I. (2023). Manajemen Organisasi Sanggar Seni Kesumba di Kabupaten Mempawah. Gorga: Jurnal Seni Rupa, 12(2).Oktariani, D. (2023). Tari Jepin Langkah Simpang Budaya Melayu. Pontianak: Cv. LakeishaOktariani, D. (2024). Peran Sanggar Seni Kesumba Dalam Melestarikan Kesenian Tradisional Melayu. Jurnal Ilmiah Rinjani 12(1), 15-24.Pujiana, P., & Novrita, S. (2023). Transformasi Bentuk Alam Menjadi Motif Batik di Kecamatan Enam Lingkung Kabupaten Padang Pariaman. Gorga : Jurnal Seni Rupa, 12(2).Purnamawati, S., Adriani, A., & Novrita, S. Z. (2016). Studi Tentang Batik Basurek di Kota Bengkulu Provinsi Bengkulu. Journal of Home Economics and Tourism, 11(1), 1“12.Suhendra, R., Fretisari, I., & Muniir, A. (2019. MAKNA SIMBOL PROPERTI TARI SELODANG MAYANG DI PULAU PEDALAMAN KABUPATEN MEMPAWAH. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 8(3).Swathy, I. D. A. I., Joni, I. D. A. S., & Suryawati, I. G. A. A. (2020). Makna Simbol Komunikasi Dalam Tari Topeng Sidakarya. Jurnal Ilmiah Mahasiswa Ilmu Komunikasi Medium, 1(1), 38-45.Varadibtya, S. D., Ismunandar, I., & Istiandini, W. (2022). MAKNA PROPERTI TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBU RAYA. Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK), 11(6), 365-375.
Co-Authors Aditya, Mega Cantik Putri Dwi Oktariani Hasnah Hasnah Martius, Endry