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All Journal Jurna lAntropologi Indonesia Gondang: Jurnal Seni dan Budaya Journal on Education International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) Journal of Social Research
Mauly Purba
Universitas Sumatera Utara
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Social Sciences

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Gereja dan Adat: Kasus Gondang Sabangunan dan Tortor Mauly Purba
Antropologi Indonesia No 62 (2000): Jurnal Antropologi Indonesia
Publisher : Department of Anthropology

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

From the 1860's up to the 1940's, German missionaries under the leadership of Dr. I.L.Nommensen succeeded in converting many of the Batak Toba to Christianity, and along with the Dutch colonial government developed a Western education system in the Batak homeland. Following this, educational improvement among the Batak Toba helped foster the development of Christianity and the Church. As a further development, the Church has extended its reach from matters of personal life to the collective life of the Batak Toba. While introducing new values to the people, the Church seeks to eradicate traditional cultural values that are not in accord with its own, such as the gondang sabangunan and tortor (the ceremonial music and dance of the Batak Toba) and a number of ritual ceremonies. The Church's desire is today reflected in the book Hukum Siasat Gereja, which deals with the norms of Christian social life. Several articles in the book place restrict the musical activity of Christian Batak Toba, especially the performance of gondang sabangunan and tortor in the context of ritual ceremonies. Through an ethno historical approach, this article examines change in the functions and dynamics of gondang sabangunan and tortor performances among the Christian Batak Toba of North Sumatera. The study covers the period between the 1860's and the 1990's. Aside from discussing a number of social and cultural factors that have led to changes in the function of the ceremonial music and dance, several rulings on the performance of gondang sabangunan and tortor in the Hukum Siasat Gereja will also be discussed. The purpose of this last discussion is to show the extend of the Church's influence in the context of this change. The article also provides a discussion on the response of the Christian Batak Toba toward these rulings.
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Ezra Susilawaty Pangaribuan; Mauly Purba; Pulumun Peterus Ginting
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
Seni Pertunjukan Hadrah di Kota Medan Analisis Teknik Interloking dalam Ansambel Musik Perkusi Hadrah Muhammad Habibur Ridho; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6164

Abstract

Hadrah is a traditional Islamic music performance art that integrates singing in the form of praises and veneration to the Prophet Muhammad SAW with accompaniment from a percussion music ensemble. Percussion instruments such as rebana, bedug, kecrek, and others play the main role in this performance. This research conducted in the city of Medan focuses on analyzing the specific playing techniques used in the hadrah percussion music ensemble, especially the interlocking technique where the rhythmic patterns played by each instrument interlock with one another, creating a distinctive rhythmic complexity that characterizes the hadrah performance art. Hadrah performances are usually held during Islamic religious celebrations such as the Prophet's Birthday, Isra' Mi'raj, religious study gatherings, and other commemorations. The interlocking technique in hadrah percussion music performances shows similarities with the way traditional Indonesian percussion instruments are played. This research employs an ethnographic approach relevant for observing, analyzing, and understanding the interlocking playing technique and the function of hadrah musical instruments within the context of Islamic religious performances and rituals in Indonesia, specifically in the city of Medan. Through direct observation, the researcher aims to capture the essence of the hadrah performance art as an expression of the cultural identity of the Muslim community in the city of Medan.
Peluang, Tantangan dan Harapan Trio Batak Perempuan di Kota Medan Cahyani Yesika Br Silaban; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6703

Abstract

The rise of modern music is growing in all circles so that the female Batak trio is never noticed and finds a place to look for job opportunities in the city of Medan. This research is a type of qualitative research by observing artistic phenomena, especially the opportunities, challenges and hopes of the Batak Women Trio in Medan City. Data collection techniques using interviews and observation. Data analysis techniques use data reduction, data presentation and drawing conclusions. This research was carried out in Medan City. Research results: 1) This female Batak trio is starting to become less popular with music listeners in the city of Medan, this is due to the many developments in modern music which are more popular for the people of Medan to listen to in the city of Medan. 2) This female Batak trio singer still has a place in the hearts of the people of Medan, but not like before, who was in demand by all groups. As a singer, he hopes that this Batak trio will get more attention, meaning this is the hope of the female Batak trio in the city of Medan. 3) The female Batak trio in the city of Medan must also be able to adapt to the challenges which have resulted in a change in the musical concept from the Batak trio to modern music so that the Batak trio is also able to compete with the existing challenges. Where the Batak trio must change their musical presentation to make it more modern so that Batak trio music lovers feel the same musical perception as their musical tastes.
SEMIOTIC STUDY OF THE MEANING OF THE ORAL LITERARY TEXT OF THE COFFEE MANTRA IN THE LAND OF GAYO Yusdithira Rifqhy Hikmawan Siregar; Mauly Purba; Ikhwanuddin Nasution
Journal of Social Research Vol. 3 No. 1 (2023): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i1.1761

Abstract

Coffee dominates into the sphere of association and social life. The presence of coffee shops in recent years is also one of the factors of the phenomenon of drinking coffee, such as the form of campaigns that affect the mindset of social communities. The research method used to research Coffee Mantras in Gayo land is the Qualitative descriptive method. This research involves various types of disciplines, both from humanitarian, social, or natural sciences. There are several theories about the origin of the Gayo Tribe. Local people believe that the name Gayo comes from the word pegayon which means a source of clear water where sacred fish and crabs are located. One version says the origin of the Gayo Tribe is related to the Linge Kingdom which was founded around 416 Hijri or 1025 AD. As a result of the excavation of these ancient sites, prehistoric human skeletons were found. After scientific research, the human skeleton found, ranging in age from 3,580 to 4,400 years. Mantra Kopi in the point of view of the Gayo people, is a form of oral literature that will never be abandoned. They believe that with coffee that is spelled or chanted will bring good things
DIVERSITY OF MUSIC GENRES IN SUNDAY SERVICES OF HKBP CHURCH IN MEDAN CITY: THEOLOGICAL, CULTURAL, AND MUSIC MANAGEMENT PERSPECTIVES Elfrida Yuliana Simamora; Mauly Purba; Pulumun P. Ginting; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 5 No. 2 (2026): JANUARY
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18764671

Abstract

This study explores the diversity of musical genres is a multidimensional phenomenon in the realm of musical arts that reflects the systematic heterogeneity of musical styles, forms, and practices that develop in various cultural, historical, and social contexts. In a theoretical-musical perspective, this diversity is reflected through the differentiation of basic elements of music: such as melody, harmony, rhythm, timbre, texture, form, and dynamics that form the idiomatic characteristics of each genre. This study aims to examine the diversity of HKBP church music genres used in performing songs in Sunday services, to examine the choice of musical genres used in church services in HKBP and to examine church policies towards HKBP church music. The method used is descriptive qualitative with a phenomenological approach, supported by observation, in-depth interviews, and documentation. The theories used include the Theory of Music Diversity, the Theory of Cultural Contact and the Theory of Music Management. The results of the study show that the diversity of musical genres has undergone significant changes in the musical structure of each HKBP church, the use of modern instruments, but still maintains traditional elements such as hymn music (organ). The new music style (genre) that was formed was the result of Cultural Contact of HKBP church musicians with the demands of the times, the tastes of musicians or congregations and contemporary performance spaces. The music policy in each HKBP church is different because the musicians in each church are not trained and practices in the field are different, the leadership of the Pastor in the church does not all understand HKBP church music. For musicians accompanying Sunday services in HKBP churches, knowing the many music genres is due to the freedom to appreciate playing music because there is no written HKBP music policy but the policy exists through Oral Tradition. This study contributes to the development of HKBP church music policies that are adaptive to cultural and generational contexts, while preserving the roots of Lutheran liturgical tradition.
Co-Authors Cahyani Yesika Br Silaban Elfrida Yuliana Simamora Ezra Susilawaty Pangaribuan Junita Batubara Muhammad Habibur Ridho Pulumun P. Ginting Pulumun Peterus Ginting Yusdithira Rifqhy Hikmawan Siregar