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All Journal Jurna lAntropologi Indonesia Gondang: Jurnal Seni dan Budaya Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat Journal on Education Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) Journal of Social Research
Mauly Purba
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Social Sciences Other

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Gereja dan Adat: Kasus Gondang Sabangunan dan Tortor Mauly Purba
Antropologi Indonesia No 62 (2000): Jurnal Antropologi Indonesia
Publisher : Department of Anthropology

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

From the 1860's up to the 1940's, German missionaries under the leadership of Dr. I.L.Nommensen succeeded in converting many of the Batak Toba to Christianity, and along with the Dutch colonial government developed a Western education system in the Batak homeland. Following this, educational improvement among the Batak Toba helped foster the development of Christianity and the Church. As a further development, the Church has extended its reach from matters of personal life to the collective life of the Batak Toba. While introducing new values to the people, the Church seeks to eradicate traditional cultural values that are not in accord with its own, such as the gondang sabangunan and tortor (the ceremonial music and dance of the Batak Toba) and a number of ritual ceremonies. The Church's desire is today reflected in the book Hukum Siasat Gereja, which deals with the norms of Christian social life. Several articles in the book place restrict the musical activity of Christian Batak Toba, especially the performance of gondang sabangunan and tortor in the context of ritual ceremonies. Through an ethno historical approach, this article examines change in the functions and dynamics of gondang sabangunan and tortor performances among the Christian Batak Toba of North Sumatera. The study covers the period between the 1860's and the 1990's. Aside from discussing a number of social and cultural factors that have led to changes in the function of the ceremonial music and dance, several rulings on the performance of gondang sabangunan and tortor in the Hukum Siasat Gereja will also be discussed. The purpose of this last discussion is to show the extend of the Church's influence in the context of this change. The article also provides a discussion on the response of the Christian Batak Toba toward these rulings.
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Ezra Susilawaty Pangaribuan; Mauly Purba; Pulumun Peterus Ginting
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
Seni Pertunjukan Hadrah di Kota Medan Analisis Teknik Interloking dalam Ansambel Musik Perkusi Hadrah Muhammad Habibur Ridho; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6164

Abstract

Hadrah is a traditional Islamic music performance art that integrates singing in the form of praises and veneration to the Prophet Muhammad SAW with accompaniment from a percussion music ensemble. Percussion instruments such as rebana, bedug, kecrek, and others play the main role in this performance. This research conducted in the city of Medan focuses on analyzing the specific playing techniques used in the hadrah percussion music ensemble, especially the interlocking technique where the rhythmic patterns played by each instrument interlock with one another, creating a distinctive rhythmic complexity that characterizes the hadrah performance art. Hadrah performances are usually held during Islamic religious celebrations such as the Prophet's Birthday, Isra' Mi'raj, religious study gatherings, and other commemorations. The interlocking technique in hadrah percussion music performances shows similarities with the way traditional Indonesian percussion instruments are played. This research employs an ethnographic approach relevant for observing, analyzing, and understanding the interlocking playing technique and the function of hadrah musical instruments within the context of Islamic religious performances and rituals in Indonesia, specifically in the city of Medan. Through direct observation, the researcher aims to capture the essence of the hadrah performance art as an expression of the cultural identity of the Muslim community in the city of Medan.
Peluang, Tantangan dan Harapan Trio Batak Perempuan di Kota Medan Cahyani Yesika Br Silaban; Mauly Purba
Journal on Education Vol 7 No 1 (2024): Journal on Education: Volume 7 Nomor 1 Tahun 2024
Publisher : Departement of Mathematics Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joe.v7i1.6703

Abstract

The rise of modern music is growing in all circles so that the female Batak trio is never noticed and finds a place to look for job opportunities in the city of Medan. This research is a type of qualitative research by observing artistic phenomena, especially the opportunities, challenges and hopes of the Batak Women Trio in Medan City. Data collection techniques using interviews and observation. Data analysis techniques use data reduction, data presentation and drawing conclusions. This research was carried out in Medan City. Research results: 1) This female Batak trio is starting to become less popular with music listeners in the city of Medan, this is due to the many developments in modern music which are more popular for the people of Medan to listen to in the city of Medan. 2) This female Batak trio singer still has a place in the hearts of the people of Medan, but not like before, who was in demand by all groups. As a singer, he hopes that this Batak trio will get more attention, meaning this is the hope of the female Batak trio in the city of Medan. 3) The female Batak trio in the city of Medan must also be able to adapt to the challenges which have resulted in a change in the musical concept from the Batak trio to modern music so that the Batak trio is also able to compete with the existing challenges. Where the Batak trio must change their musical presentation to make it more modern so that Batak trio music lovers feel the same musical perception as their musical tastes.
SEMIOTIC STUDY OF THE MEANING OF THE ORAL LITERARY TEXT OF THE COFFEE MANTRA IN THE LAND OF GAYO Yusdithira Rifqhy Hikmawan Siregar; Mauly Purba; Ikhwanuddin Nasution
Journal of Social Research Vol. 3 No. 1 (2023): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i1.1761

Abstract

Coffee dominates into the sphere of association and social life. The presence of coffee shops in recent years is also one of the factors of the phenomenon of drinking coffee, such as the form of campaigns that affect the mindset of social communities. The research method used to research Coffee Mantras in Gayo land is the Qualitative descriptive method. This research involves various types of disciplines, both from humanitarian, social, or natural sciences. There are several theories about the origin of the Gayo Tribe. Local people believe that the name Gayo comes from the word pegayon which means a source of clear water where sacred fish and crabs are located. One version says the origin of the Gayo Tribe is related to the Linge Kingdom which was founded around 416 Hijri or 1025 AD. As a result of the excavation of these ancient sites, prehistoric human skeletons were found. After scientific research, the human skeleton found, ranging in age from 3,580 to 4,400 years. Mantra Kopi in the point of view of the Gayo people, is a form of oral literature that will never be abandoned. They believe that with coffee that is spelled or chanted will bring good things
DIVERSITY OF MUSIC GENRES IN SUNDAY SERVICES OF HKBP CHURCH IN MEDAN CITY: THEOLOGICAL, CULTURAL, AND MUSIC MANAGEMENT PERSPECTIVES Elfrida Yuliana Simamora; Mauly Purba; Pulumun P. Ginting; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 5 No. 2 (2026): JANUARY
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18764671

Abstract

This study explores the diversity of musical genres is a multidimensional phenomenon in the realm of musical arts that reflects the systematic heterogeneity of musical styles, forms, and practices that develop in various cultural, historical, and social contexts. In a theoretical-musical perspective, this diversity is reflected through the differentiation of basic elements of music: such as melody, harmony, rhythm, timbre, texture, form, and dynamics that form the idiomatic characteristics of each genre. This study aims to examine the diversity of HKBP church music genres used in performing songs in Sunday services, to examine the choice of musical genres used in church services in HKBP and to examine church policies towards HKBP church music. The method used is descriptive qualitative with a phenomenological approach, supported by observation, in-depth interviews, and documentation. The theories used include the Theory of Music Diversity, the Theory of Cultural Contact and the Theory of Music Management. The results of the study show that the diversity of musical genres has undergone significant changes in the musical structure of each HKBP church, the use of modern instruments, but still maintains traditional elements such as hymn music (organ). The new music style (genre) that was formed was the result of Cultural Contact of HKBP church musicians with the demands of the times, the tastes of musicians or congregations and contemporary performance spaces. The music policy in each HKBP church is different because the musicians in each church are not trained and practices in the field are different, the leadership of the Pastor in the church does not all understand HKBP church music. For musicians accompanying Sunday services in HKBP churches, knowing the many music genres is due to the freedom to appreciate playing music because there is no written HKBP music policy but the policy exists through Oral Tradition. This study contributes to the development of HKBP church music policies that are adaptive to cultural and generational contexts, while preserving the roots of Lutheran liturgical tradition.
THE SINGING CHURCH: AN ANALYSIS OF VOCAL DEVIATIONS IN CONGREGATIONAL SINGING - A STUDY OF HKBP CONGREGATIONAL SINGING TECHNIQUES Ruth Melody Misbow Siallagan; Mauly Purba; Vanesia Amelia Sebayang; Junita Batubara
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 6 No. 2 (2026): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.19343774

Abstract

This study aims to analyze the policies of the Huria Kristen Batak Protestan (HKBP) Church regarding congregational singing practices during Sunday worship and to evaluate their implementation in order to identify an ideal model for improving the quality of congregational singing techniques. The primary issue addressed in this research is the prevalence of technical errors in congregational singing, such as inaccurate rhythm, poor intonation, unclear articulation, and uncontrolled vocal dynamics. These errors tend to occur repeatedly and systematically, which is suspected to be the result of oral tradition transmission without structured musical training. The research employs a descriptive qualitative method using a case study approach conducted in three HKBP church regions in North Sumatra: Tarutung, Pematangsiantar, and Medan. Data collection techniques include observation, in-depth interviews, and documentation. The findings indicate that although the HKBP possesses a rich legacy of church music, the implementation of policies related to congregational singing training remains uneven and lacks structure. Vocal technique training has not yet become an integral part of church programs, and congregational singing ability is largely shaped by worship habits without adequate pedagogical intervention. Oral tradition plays a significant role but is not sufficiently supported by formal musical approaches. Based on these findings, this study proposes an ideal model for developing congregational singing techniques that incorporates theological, musical, and inculturative aspects—taking into account the characteristics of Batak music and Christian spiritual values. This research is expected to make a meaningful contribution to enhancing the quality of worship in the HKBP context, particularly in the area of congregational singing as an expression of faith and a vital element of liturgy.
Employment of Bandrek Venders and Karo’s Traditional Medicine to Enhancement the Mutual and Production Marketing through Modernization of Equipment Mauly Purba; Albiner Siagian; Evawany Y Aritonang
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 11 No. 1 (2026): ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/abdimastalenta.v11i1.16191

Abstract

The public's need for natural medicines that can be consumed practically urges processed spice traders to continue to improve the quality and quantity of products marketed. The problem with traders of bandrek and traditional ingredients is the lack of equipment that supports the quality of the ingredients used as basic ingredients for bandrek and traditional Karo ingredients. Equipment that is very important in this business is a machine for grinding basic ingredients to produce a finer composition of ingredients. Apart from that, the packaging for bandrek products and traditional ingredients is more hygienic and attractive to support the sales appeal and hygiene of the products produced. Based on the existing problems, community service activities provide the necessary equipment in the form of a finer spice grinding machine with a large grinding capacity. Apart from that, there were also 1000 pieces of packaging for bandrek with the LPPM USU logo. The aim of this service is to help traders of bandrek and traditional Karo medicine so that they can improve the quality and marketing of production by providing assistance with flouring tools/machines. The method of socializing product benefits and demonstrating the use of flouring machines is carried out directly to traders of bandrek and traditional Karo medicine. This activity has an impact on increasing traders' awareness to maintain the quality and marketing of bandrek production and Karo traditional medicine through equipment modernization, so that it can provide profits for traders
Nilai-nilai Kearifan Lokal dalam Adat Mamongoti Jabu di Tarutung: Studi Deskriptif Ristomi Ricard Simatupang; Gian Aldo Sembiring; Selly Duma Agustina Situmorang; Efrida Yanti Siregar; Anggi Putri Aulia Sianturi; Mauly Purba
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 6 No. 2 (2026): JUNI:ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v6i2.13716

Abstract

Currently, not all Batak people held the ceremony of entering a new house (Mamongoti Jabu), especially the Batak Toba people who live in urban areas due to constraints on costs, time and the next generation. Until now, research there is conducted about Mamongoti Jabu tradition is still limited in scope and not very in-depth, so there are still opportunities for more comprehensive research from various scientific points of view to reveal meaning in order to increase understanding of the Mamongoti Jabu tradition. Research Methods used in scientific articles This is a qualitative research method, with the data collection process through direct interviews with informants. Apart from direct interviews with several sources, the author also uses textual analysis methods in several books, as well as audio-visual analysis to provide an overview of the Mamongoti Jabu custom. This traditional ceremony still exists and continues to develop today, although in some places it is rare to find Batak people who perform it. The Mamongoti Jabu tradition has two types, namely Mangompoi Jabu and Manuruk Jabu. In the Mamongoti Jabu process, it starts with ribbon cutting, worship, pasahat tudu-tudu ni sipanganon, hula-hula pasahatdekke, feast (marsipanganon), sharing jambar, marhata sigabe-gabe, pasahat piso-piso dohot pasi tuak na tonggi, and hasuhuton capable. The local wisdom values ​​contained in the Mamongoti Jabu traditional ceremony in Tarutung are: mutual cooperation, togetherness and solidarity, respect for ancestors and traditions, spirituality and religiosity, as well as values ​​and cultural education for the younger generation.
Co-Authors Albiner Siagian Anggi Putri Aulia Sianturi Cahyani Yesika Br Silaban Efrida Yanti Siregar Elfrida Yuliana Simamora Evawany Y Aritonang Ezra Susilawaty Pangaribuan Gian Aldo Sembiring Junita Batubara Muhammad Habibur Ridho Pulumun P. Ginting Pulumun Peterus Ginting Ristomi Ricard Simatupang Ruth Melody Misbow Siallagan Sebayang, Vanesia Amelia Selly Duma Agustina Situmorang Yusdithira Rifqhy Hikmawan Siregar